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Sara and her dad, Dave, move to a small village which is haunted by suicides among its young inhabitants. Dave, as the town's new police officer, tries to stop the mysterious chain of suicid... Read allSara and her dad, Dave, move to a small village which is haunted by suicides among its young inhabitants. Dave, as the town's new police officer, tries to stop the mysterious chain of suicides.Sara and her dad, Dave, move to a small village which is haunted by suicides among its young inhabitants. Dave, as the town's new police officer, tries to stop the mysterious chain of suicides.
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There's a documentary made a few years earlier that is way more informative about these events in Bridgend than this really quite messy dramatisation. This really centres around the relationship between the newly arrived "Sara" (Hannah Murray) whose dad "Dave" (Steven Waddington) is a police officer and "Jamie" (Josh O'Connor). The latter lad is a lifer in this town and quite possibly knows something of what has caused the almost lemming-like suicidal activity that is puzzling this small community. Unfortunately, this film chooses not to focus on any aspects of these tragedies, but more to shine it's light on the boozy and thuggish activities of the town's fairly lawless youth - which I have to say, isn't really very interesting. It's got O'Connor in it, so of course there are sex and sexual tensions, but he's nowhere near his best and the remainder of the cast - some of whom are real locals, deliver little more than a angrily scripted critique on a recently arrived family under pressure, some hormonal and cultish messing about in the river and it leaves us none the wiser about the root causes of these deaths nor about the complexities of the grief and, to an extent, the fear felt by those surviving. Perhaps the six years director Jeppe Rønde spent researching the film and acquainting himself with the community immersed him too deeply for him to remain even slightly objective about what he was trying to tell us, and so what we have is left isn't really worth the film, sorry.
Thanatos is the drive to death and has often been referred to in recent literature in reference to humanity's drive to self annihilation, faced with seemingly overwhelming social,economic and environmental issues.
Bridgend is its own way taps into this notion. It focuses on a group of young people who seem to have reached the end of hope and view death as their only "accomplishment" in life. Death has a tribal quality, its something that is worshiped as a group and dedication proved by taking life threatening risks, before the final act itself.
The quality of acting is good and the visuals whilst austere, are well rendered and do help infuse the film with a sombre atmosphere. Where this film falls down, for me, is in its story department. Its really difficult to understand what its point is? Indeed, in some respects, it seems rather rhetorical in a rather sad and depressing, way.
In any case, I'll leave it to you to judge the overall worth of this film. Its not for me but that's not to say you might not find something of meaning in its message. Seven out of ten from me.
Bridgend is its own way taps into this notion. It focuses on a group of young people who seem to have reached the end of hope and view death as their only "accomplishment" in life. Death has a tribal quality, its something that is worshiped as a group and dedication proved by taking life threatening risks, before the final act itself.
The quality of acting is good and the visuals whilst austere, are well rendered and do help infuse the film with a sombre atmosphere. Where this film falls down, for me, is in its story department. Its really difficult to understand what its point is? Indeed, in some respects, it seems rather rhetorical in a rather sad and depressing, way.
In any case, I'll leave it to you to judge the overall worth of this film. Its not for me but that's not to say you might not find something of meaning in its message. Seven out of ten from me.
This is one of those movies that you quite enjoy watching because the acting is good and you want to find out what's going on vis a vis the compelling and suicide-packed plot. Sadly you never do. It becomes increasingly ludicrous without respite. Shame. I thought it was going somewhere...
Such an intense movie with so much hard, darkness and yet it's beautiful in a way that is hard to describe. This movie got under my skin. It is highly recommended.
Between 2007 and 2012 were committed 79 suicides by hanging in Bridgend County, a coal mining province in Wales, and mostly among teenagers. Based on this tragic true story, the film Bridgend, directed by Danish rookie Jeppe Rønde who until then only made documentaries, is a fictionalized version of the case. The story revolves around the protagonist Sara (played by Hannah Murray, known for the character Gilly, of Game of Thrones), a young woman who moves to a small town in Bridgend County due to her father's job relocation, the police officer Dave (played by Steven Waddington; he starred in the movie Imitation Game - 2014). Being a new girl in town Sara does not have any friends and her favorite hobby is riding her horse, Snowy. But gradually she gets drawn into a group of mysterious teenagers who appear to be connected to the wave of suicides, which causes concern of her father, who investigates the deaths.
To make this movie the director Rønde spent six years researching, interviewing and accompanying the teenagers who lived in the area and wrote the script based on their stories. There are theories about the deaths, but local authorities still do not know what motivated the suicides in which the film was based. Another detail is that the motion picture was filmed in the very Bridgend County.
The film portrays the reckless life of teenagers and uses the clichés that are already well known in adolescence representations: parties ruled by alcohol, cigarette, riots and dips in the lake, in a quest for freedom, to experience feelings without worrying about the consequences of your own acts. The intergenerational conflict is another point addressed and is showed by the gap between parents and children, who can not interact or communicate with each other.
With a gloomy and gray, grim and melancholic atmosphere, Magnus Nordenhof Jonck's photography (known for his work in Kapringen - A Hijacking - 2012 and Krigen - A War - 2015) creates a claustrophobic tone that makes you feel as if something terrible could happen at any time. Part of this constant tension effect is also built by Mondkopf's soundtrack, which uses the electronic sound to keep the suffocating tone in the movie. Bridgend quite remember the movie The Witch (2015) for the setting yearned in each frame.
Despite having an efficient cast the film could have developed the characters more. Another weak point was the way the script was written. The story does not follow a specific line and ends up being confused and not promoting the necessary understanding. The narrative focuses only on the lives of adolescents, leaving aside important parts as the parents viewpoint, the investigative work of the police and how the suicides affect the local community. Rønde was bold in its proposal to portray a difficult subject in an abstract way and ended up delivering a smaller film than it could be. Especially for the setting and the visual quality that are top- notch. Perhaps part of the answers that were left unclear can be found in the documentary Bridgend (2013).
Originally posted in: https://vikingbyheart.blogspot.com.br
To make this movie the director Rønde spent six years researching, interviewing and accompanying the teenagers who lived in the area and wrote the script based on their stories. There are theories about the deaths, but local authorities still do not know what motivated the suicides in which the film was based. Another detail is that the motion picture was filmed in the very Bridgend County.
The film portrays the reckless life of teenagers and uses the clichés that are already well known in adolescence representations: parties ruled by alcohol, cigarette, riots and dips in the lake, in a quest for freedom, to experience feelings without worrying about the consequences of your own acts. The intergenerational conflict is another point addressed and is showed by the gap between parents and children, who can not interact or communicate with each other.
With a gloomy and gray, grim and melancholic atmosphere, Magnus Nordenhof Jonck's photography (known for his work in Kapringen - A Hijacking - 2012 and Krigen - A War - 2015) creates a claustrophobic tone that makes you feel as if something terrible could happen at any time. Part of this constant tension effect is also built by Mondkopf's soundtrack, which uses the electronic sound to keep the suffocating tone in the movie. Bridgend quite remember the movie The Witch (2015) for the setting yearned in each frame.
Despite having an efficient cast the film could have developed the characters more. Another weak point was the way the script was written. The story does not follow a specific line and ends up being confused and not promoting the necessary understanding. The narrative focuses only on the lives of adolescents, leaving aside important parts as the parents viewpoint, the investigative work of the police and how the suicides affect the local community. Rønde was bold in its proposal to portray a difficult subject in an abstract way and ended up delivering a smaller film than it could be. Especially for the setting and the visual quality that are top- notch. Perhaps part of the answers that were left unclear can be found in the documentary Bridgend (2013).
Originally posted in: https://vikingbyheart.blogspot.com.br
Did you know
- TriviaThis film is inspired by real events occuring in Wales 2007-2013, where a large group of teenagers comitted suicide over time. No one knew why they did.
- ConnectionsReferenced in RichPlanet TV: Madeleine Campaign (2017)
- How long is Bridgend?Powered by Alexa
Details
Box office
- Budget
- £1,000,000 (estimated)
- Runtime
- 1h 44m(104 min)
- Color
- Aspect ratio
- 2.35 : 1
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