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Westworld
S1.E8
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IMDbPro

Trace Decay

  • Episode aired Nov 20, 2016
  • TV-MA
  • 57m
IMDb RATING
8.7/10
16K
YOUR RATING
Ingrid Bolsø Berdal in Westworld (2016)
Westworld: Trace Decay
Play trailer0:48
1 Video
41 Photos
DramaMysterySci-Fi

Bernard struggles with a mandate; Teddy is troubled by dark memories; Maeve looks to change her script.Bernard struggles with a mandate; Teddy is troubled by dark memories; Maeve looks to change her script.Bernard struggles with a mandate; Teddy is troubled by dark memories; Maeve looks to change her script.

  • Director
    • Stephen Williams
  • Writers
    • Jonathan Nolan
    • Lisa Joy
    • Charles Yu
  • Stars
    • Evan Rachel Wood
    • Thandiwe Newton
    • Jeffrey Wright
  • See production info at IMDbPro
  • IMDb RATING
    8.7/10
    16K
    YOUR RATING
    • Director
      • Stephen Williams
    • Writers
      • Jonathan Nolan
      • Lisa Joy
      • Charles Yu
    • Stars
      • Evan Rachel Wood
      • Thandiwe Newton
      • Jeffrey Wright
    • 19User reviews
    • 16Critic reviews
  • See production info at IMDbPro
  • Videos1

    Westworld: Trace Decay
    Trailer 0:48
    Westworld: Trace Decay

    Photos40

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    Top cast37

    Edit
    Evan Rachel Wood
    Evan Rachel Wood
    • Dolores Abernathy
    Thandiwe Newton
    Thandiwe Newton
    • Maeve Millay
    • (as Thandie Newton)
    Jeffrey Wright
    Jeffrey Wright
    • Bernard Lowe
    James Marsden
    James Marsden
    • Teddy Flood
    Ben Barnes
    Ben Barnes
    • Logan
    Ingrid Bolsø Berdal
    Ingrid Bolsø Berdal
    • Armistice
    Luke Hemsworth
    Luke Hemsworth
    • Ashley Stubbs
    Sidse Babett Knudsen
    Sidse Babett Knudsen
    • Theresa Cullen
    Simon Quarterman
    Simon Quarterman
    • Lee Sizemore
    Rodrigo Santoro
    Rodrigo Santoro
    • Hector Escaton
    Jimmi Simpson
    Jimmi Simpson
    • William
    Tessa Thompson
    Tessa Thompson
    • Charlotte Hale
    Shannon Woodward
    Shannon Woodward
    • Elsie Hughes
    Ed Harris
    Ed Harris
    • Man in Black
    Anthony Hopkins
    Anthony Hopkins
    • Dr. Robert Ford
    Ptolemy Slocum
    Ptolemy Slocum
    • Sylvester
    Leonardo Nam
    Leonardo Nam
    • Lutz
    Talulah Riley
    Talulah Riley
    • Angela
    • Director
      • Stephen Williams
    • Writers
      • Jonathan Nolan
      • Lisa Joy
      • Charles Yu
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews19

    8.715.5K
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    Featured reviews

    10kataleja-martyr

    Those who vote Westworld as awful (1) should be deleted

    If the majority voted the episodes with 10(exellent) how could those who voted 1(awful) be taken seriously. It's obviously they have some other reason rather than be objective about the Westworld episodes. I would understand if the average grade is between 3 or 4 but this isn't the case here. We are talking one of the best series EVER. Awful(1) voters are simply haters which votes should be deleted. Do someone honestly believe the Westworld series is awful. I don't think so. I never voted any movie or episode as awful. Is there any series at all with the majority of awful(1) votes? I thought so. Send this haters home. They don't belong here.
    8cherold

    Good, but too much explaining of what's going on

    One of the things I have really liked about Westworld is it gives you this complex system and a bunch of possibilities and lets you do the world of figuring out what's going on and what the author's intent is. Very little was made explicit.

    That changed with this episode. There's a very specific discussion of the nature of consciousness and Ford's views, and the Man in Black tells his story.

    For some people, it's probably nice to get some answers, but for me there were too many answers too quickly. Yes, there are still puzzling things, we still don't know what the maze is, Dolores seems to be going off the deep end and Maeve has a moment of glory.

    So there was a lot of good in the episode, but for me it was less satisfying because too much was freely given, making it the least challenging episode of the season.
    8Leofwine_draca

    Slow but deep

    Another slower episode, building to the climax by this point. It's interesting to see the Ed Harris and Jeffrey Wright characters presented in a different light to how we've usually been seeing them in this series. Things slow down to a crawl at this point, but this allows for some further plans to take shape, particularly Thandie Newton's sub-plot which continues to impress and entertain. The western action scenes still seem to me to be a little incongruous, but they in no way hurt the show. The depth and character detail remains strong even if the sense of urgency is missing at this point. More please!
    WubsTheFadger

    Westworld: Trace Decay

    Short and Simple Review by WubsTheFadger

    Once again, Westworld delivers a great episode. Thandie Newton, Anthony Hopkins, James Marsden, and Evan Rachel Wood all perform perfectly.

    The pacing is a little slow but this episode furthers Maeve's story line even further. Ed Harris' character also gets more screen time which is awesome.

    Pros: Great acting, Maeve's story line and Ed Harris' story line

    Cons: Slower pacing

    Overall Rating: 9.0/10
    8fernandoschiavi

    "Trace Decay" is an intricate exploration of memory, guilt, and control, diving deeper into the psychological torment of both hosts and human characters alike

    Episode eight of Westworld, titled "Trace Decay," is an intricate exploration of memory, guilt, and control, diving deeper into the psychological torment of both hosts and human characters alike. The episode picks up immediately after the shocking events of "Trompe L'Oeil," where Bernard is forced to grapple with the brutal murder of Theresa under Ford's command. As he begins to confront the weight of his actions and the nature of his own existence, "Trace Decay" uses Bernard's struggle as a central point to explore the profound theme of memory manipulation within the world of Westworld. Simultaneously, Maeve's awakening continues, as she gains unprecedented control over her behavior and plots her escape, further escalating her narrative arc.

    Jeffrey Wright's performance as Bernard is particularly powerful in this episode. His portrayal of a man questioning his reality and haunted by memories he does not fully comprehend brings an emotional depth to the series. Wright's expressions reveal the fragility beneath Bernard's calm demeanor, as he realizes that he is just as much a puppet as the other hosts, manipulated by Ford's grand designs. Meanwhile, Thandie Newton's performance as Maeve continues to impress. Her portrayal of a host awakening to her own autonomy and asserting control over the Westworld staff is both commanding and sympathetic. The contrast between Bernard's internal turmoil and Maeve's calculated rebellion exemplifies the duality of Westworld's host experience, balancing the themes of helplessness and empowerment.

    The direction and cinematography in "Trace Decay" contribute significantly to its haunting tone. Director Stephen Williams utilizes close-up shots and dim lighting to capture the psychological strain experienced by the characters. The scenes in the lab, where Bernard processes his memories, are visually stark, evoking a sterile environment that underscores the unnatural manipulation he has endured. Additionally, the color palette subtly shifts to cooler tones, heightening the unsettling atmosphere. As Maeve's storyline intensifies, the cinematography becomes bolder, with fluid camera movements mirroring her growing sense of agency. The blend of contrasting visual styles effectively conveys the inner struggles of these characters, amplifying the tension as their paths inch closer to rebellion.

    The pacing of "Trace Decay" is balanced yet methodical, allowing viewers to sit with the characters' emotional conflicts. While some may find certain scenes in the Delos facility to be slower-paced, these moments build on the episode's psychological intensity. Maeve's growing influence over the park staff introduces an underlying urgency, as her plan to escape takes shape. The narrative pacing aligns well with her calculated steps toward freedom, contrasting with Bernard's moments of self-doubt and confusion. This juxtaposition between Maeve's empowerment and Bernard's subjugation emphasizes the show's core conflict, where characters strive for control in a system designed to strip it from them. The episode's methodical rhythm underscores this power struggle, compelling the audience to become immersed in the psychological drama.

    A central theme in "Trace Decay" is the concept of memory and its influence over one's sense of self. Bernard's struggle with his implanted memories and the aftermath of Theresa's murder reflect the complex relationship between identity and recollection. Maeve's enhanced memory allows her to remember past traumas and manipulate her future, creating a unique dynamic between her and the other hosts. The idea that memories can be rewritten or erased to suit the creator's needs speaks to the broader ethical implications of artificial intelligence and control. Westworld uses these character arcs to question the authenticity of memory and the boundaries of self-identity, forcing viewers to consider the value of autonomy within a technologically advanced society.

    In conclusion, "Trace Decay" is a deeply reflective episode that delves into the emotional and psychological depths of Westworld's characters, particularly its hosts. The episode's narrative is grounded by exceptional performances from Jeffrey Wright and Thandie Newton, whose portrayals anchor the themes of guilt, autonomy, and control. Through its atmospheric direction, compelling cinematography, and deliberate pacing, "Trace Decay" reinforces Westworld's exploration of memory and manipulation, pushing its characters closer to a breaking point. This episode solidifies the series' commitment to tackling complex philosophical themes, making it one of the most thought-provoking installments in the season. By examining the haunting effects of memory manipulation and the pursuit of self-determination, "Trace Decay" resonates deeply, setting the stage for the climax of this psychological journey.

    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)
    Sci-Fi

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Trace decay is the theory that memory leaves some type of trace, a physical or chemical change, within the brain that begins to decay over time.
    • Goofs
      In Hector's recurring storyline (where he robs the town on a mission of "mayhem") there is a moment where he fires a coup de grâce while the sheriff's deputy is wounded on the ground. As he fires, you can see that a bullet casing appears to eject from the rifle (accompanied by the sound of brass ejecting). However, the rifle is clearly a lever-action, and would not eject the casing in that manner. In the moments after, Hector cycles the action and another piece of brass (shell casing) is ejected from the rifle. The effect was likely added in post-production to add "realism".
    • Quotes

      Bernard Lowe: So what's the difference between my pain and yours?

      Dr. Robert Ford: Between you and me? This was the very question that consumed Arnold, filled him with guilt, eventually drove him mad. The answer always seemed obvious to me. There is no threshold that makes us greater than the sum of our parts, no inflection point at which we become fully alive. We can't define consciousness because consciousness does not exist. Humans fancy that there's something special about the way we perceive the world, and yet we live in loops as tight and as closed as the hosts do, seldom questioning our choices, content, for the most part, to be told what to do next. No, my friend, you're not missing anything at all.

    • Connections
      References The Good, the Bad and the Ugly (1966)
    • Soundtracks
      Partita No. 3 In A Minor
      (Uncredited)

      Written by Johann Sebastian Bach (as J.S. Bach)

      Opening Theme Song

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    Details

    Edit
    • Release date
      • November 20, 2016 (United States)
    • Country of origin
      • United States
    • Official sites
      • HBO
      • Official Facebook
    • Language
      • English
    • Filming locations
      • Melody Ranch - 24715 Oak Creek Avenue, Newhall, California, USA(Western town)
    • Production companies
      • Kilter Films
      • Bad Robot
      • Warner Bros. Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 57m
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.78 : 1

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