A couple's replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.A couple's replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.A couple's replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.
- Director
- Writers
- Stars
- Awards
- 3 nominations total
Bob Bozek
- Skinny Man
- (as Robert Bozek)
Hilary R. Walker
- Mother
- (as Hilary Walker)
Annette Wilson
- Howie's Mom
- (as Annette Christian)
Elizabeth Stillwell
- Maggie
- (as Elizabeth Jayne)
Christopher Srock
- Paramedic #1
- (as Chris Srock)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Doesn't Really Do Anything Wrong But Fails To Do Anything New
By reading the premise for this film I'm sure you know that this isn't going to be some edge of your seat sophisticated thriller, it is a straightforward (mostly predictable horror/thriller that entertains enough but fails to accomplish much).
The flick started interesting enough, had me intrigued right off the bat, however from there it just kind of slows down and starts following the exact same path that many other similar movies have. As the babysitter's intentions become clear the movie got kind of bland, I just didn't really care about most of the stuff that was going on. The film managed to hold my interest enough to stop from turning the movie off but it failed to create any real tension/suspense.
It wasn't all bad, I thought the cast did a really good job, especially the child actors who all gave very realistic performances and succeeded at not really being annoying or obnoxious at all. There were a few memorable scenes as well, one that was really unintentionally funny in my opinion.
Overall this wasn't a bad movie, it did it's job of killing 1 hour & 20 minutes. It's just the whole thing has a very bland and familiar atmosphere that prevents it from being anything more than just another lower budget horror movie.
5/10
The flick started interesting enough, had me intrigued right off the bat, however from there it just kind of slows down and starts following the exact same path that many other similar movies have. As the babysitter's intentions become clear the movie got kind of bland, I just didn't really care about most of the stuff that was going on. The film managed to hold my interest enough to stop from turning the movie off but it failed to create any real tension/suspense.
It wasn't all bad, I thought the cast did a really good job, especially the child actors who all gave very realistic performances and succeeded at not really being annoying or obnoxious at all. There were a few memorable scenes as well, one that was really unintentionally funny in my opinion.
Overall this wasn't a bad movie, it did it's job of killing 1 hour & 20 minutes. It's just the whole thing has a very bland and familiar atmosphere that prevents it from being anything more than just another lower budget horror movie.
5/10
It started well, but fell apart too quickly.
Initially I thought this film was going to be great, it was unusual, and very different. The atypical babysitter under siege horror this was not, so I applaud them for twisting the original format. Unfortunately after a bright start, where you were left wondering what on Earth was going on, it just fell really flat, the plot made virtually no sense, I mean how on Earth did she know she'd end up there? What was the point in the entire charade? It makes no sense. At times I thought the script was a little tasteless to say the least, putting kids through what she did was unnecessary at times, I didn't care much for it.
So it's a real mixed bag, a great idea, but unfortunately the execution was poor, the acting was great and the production values were strong. Sarah Bolger was the best thing about it.
Too many wasted opportunities. 5/10
So it's a real mixed bag, a great idea, but unfortunately the execution was poor, the acting was great and the production values were strong. Sarah Bolger was the best thing about it.
Too many wasted opportunities. 5/10
Interesting start and boring ending
A well-filmed psychological thriller with horror elements interests the first two-thirds of the timing, and then slides into something standard and seen many, many times. Of the actors, only Sarah Bolger is worth noting. Children play rather themselves and are not particularly remembered. In general, a strong middle peasant. View and put on the shelf.
Intense, disturbing and in places infers the obscene, babysitter horror.
Emilie (who is superbly portrayed by Sarah Bolger) is a disturbingly audacious psychotic who deceives her way into the home of a family of 5, as the babysitter, for the parents who are off out for their wedding anniversary celebration dinner.
It appears that Emilie has spent some considerable time planning this deception, along with her co-conspirator boyfriend. We already know they are planning something far more malicious than theft of goods due to the crime committed in first scene, which according to some reviews is not central to the plot. It is very central to the plot, the plot needs careful observation in this movie. We do not see how they planned their crimes, but we do get to see why they planned their crimes in the old stalwart of the movies, the flashbacks.
Evil to the core, the expected mindful guardianship expected by the childrens parents is recklessly abandoned by Emilie and replaced with a calous ambivilence to the childrens morality, enthusiastically enticing the children into doing what their parents would not only not allow, but would be horrified upon discovering what they had been enticed to do.
Enticement soon turns to brazen bullying, which includes both that which is pyshically violenct and that which is mentally and morally obscene.
Jacob (superbly portrayed by Joshua Rush) as the eldest of the siblings at 11 years old, having been unable to contact (A flaw in the plot), or receive help from any adults, is left with the ardous task of getting his siblings and himself safely away from their aggressor.
The plot has perhaps a few too many flaws in it to make for a credible plot, such as the house having a telephone extension (which Emilie appears to have not noticed). Jacob could have called his parents, his neighbour or even 911, having had for much of the time, plenty of opportunities to do so.
It is an intense and disturbing thriller from start to finish, despite it's obvious flaws in the plot. I would have judged a higher score if the said flaws had been better thought out.
It appears that Emilie has spent some considerable time planning this deception, along with her co-conspirator boyfriend. We already know they are planning something far more malicious than theft of goods due to the crime committed in first scene, which according to some reviews is not central to the plot. It is very central to the plot, the plot needs careful observation in this movie. We do not see how they planned their crimes, but we do get to see why they planned their crimes in the old stalwart of the movies, the flashbacks.
Evil to the core, the expected mindful guardianship expected by the childrens parents is recklessly abandoned by Emilie and replaced with a calous ambivilence to the childrens morality, enthusiastically enticing the children into doing what their parents would not only not allow, but would be horrified upon discovering what they had been enticed to do.
Enticement soon turns to brazen bullying, which includes both that which is pyshically violenct and that which is mentally and morally obscene.
Jacob (superbly portrayed by Joshua Rush) as the eldest of the siblings at 11 years old, having been unable to contact (A flaw in the plot), or receive help from any adults, is left with the ardous task of getting his siblings and himself safely away from their aggressor.
The plot has perhaps a few too many flaws in it to make for a credible plot, such as the house having a telephone extension (which Emilie appears to have not noticed). Jacob could have called his parents, his neighbour or even 911, having had for much of the time, plenty of opportunities to do so.
It is an intense and disturbing thriller from start to finish, despite it's obvious flaws in the plot. I would have judged a higher score if the said flaws had been better thought out.
An interesting enough concept that never goes anywhere
'Emelie' is one of those films that is a lot more fun if you just turn your brain off and don't think about it too much. Unfortunately for me I don't like to do that. It you stop and think about the whole story for a second you'll quickly realise none of it makes a whole lot of sense. Without spoiling any character's motives, I'll just say that there isn't a lot of common sense or reasoning going on, most of which is lacking in order to stretch this movie out to an already short 80 minute run time. The writing in thrillers is rarely perfect, but there has to be a limit to the amount of absurdity and foolishness you can accept.
It's not all bad though. Sarah Bolger in the lead role did a fantastic job. She had an eerie creepiness about her character, while always keeping some charisma in the mix. The children also did a very good job, giving performances that were above average. Often in these types of movies the kids become annoying very quickly and ruin the experience, but that was never the case here. There was some potential behind all this that I think has been squandered with some sloppy writing in parts. Director Michael Thelin in his first film did a fine job with what he had to work with and can keep his head up. Tweak the script here and there and you'd have yourself a very fine thriller.
It's not all bad though. Sarah Bolger in the lead role did a fantastic job. She had an eerie creepiness about her character, while always keeping some charisma in the mix. The children also did a very good job, giving performances that were above average. Often in these types of movies the kids become annoying very quickly and ruin the experience, but that was never the case here. There was some potential behind all this that I think has been squandered with some sloppy writing in parts. Director Michael Thelin in his first film did a fine job with what he had to work with and can keep his head up. Tweak the script here and there and you'd have yourself a very fine thriller.
Did you know
- TriviaEmelie's middle name is Medea. Medea was a Greek heroine who killed her own children.
- GoofsWhen Jake turns his bedside lamp off, the light clicks off before he reaches the mechanism.
- ConnectionsFeatured in Making Emelie (2016)
- SoundtracksOne Way or Another
Written by Debbie Harry and Nigel Harrison
Performed by Until The Ribbon Breaks
Courtesy of Peter Lawrie Winfield
- How long is Emelie?Powered by Alexa
Details
Box office
- Gross worldwide
- $6,147
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