Martin Eden

"Martin Eden" is a Drama - Romance movie in which we watch a young man trying to find his place in the world with a job that he will love and a better future. When he meets a young woman of upper class he changes his mind about education and starts his self-education.

I enjoyed this movie because it had a nice plot and contained many important subjects that were presented with a clever way. It also presented the situation of a country in a certain period of time and how it was affected by some external factors. The interpretations of both Luca Marinelli who played as Martin Eden and Jessica Cressy who played as Elena Orsini were very good and the difference on their characters created a nice gap between them on how they see the world along with their perspective about some subjects. Finally, I have to say that "Martin Eden" is a nice drama movie and I recommend you to watch it because I am sure you will learn something from it.

Much of "Martin Eden" is quite good, but I simply got tired of this movie by the time it was over. Luca Marinelli is excellent but exhausting as the title character, a struggling writer who champions freedom of the individual in a country (Italy) whose working class population advocates for socialism. His ideas make him unpopular with just about everybody -- he's not socialist enough for the working class, but he's too critical of the wealthy to be accepted by the rich family of the woman he loves. He becomes a hugely successful writer, but a mess of a person.

"Martin Eden" doesn't take place in any specific time period, or rather it takes place across all time periods, a nod I suppose to the fact that the conflict between those who are wealthy and those who are not has been and will be with us forever. It also examines the role art and artists play in shaping cultural and political thought. It's an artful movie, but it overstays its welcome. Martin Eden is an intense character and not an especially pleasant one to spend time with, and good as Marinelli is, he can't save the last third or so of the movie from being a bit of a slog.

Grade: B

IN BRIEF: A pretentious artistic approach undercuts a strong story.

JIM'S REVIEW: (MILDLY RECOMMENDED) Martin Eden is an artistic muddle of style over substance. Loosely based on Jack London's semi-autobiographical novel, Martin Eden told the story of working class struggles and oppression set in the early 1900's. Director Pietro Marcello has taken that novel and transported that story in place and time: The title character now lives in Italy, although the time frame is purposely confusing. It seems to take place somewhere in the mid-20th century, although the anachronistic fashions and technological devices collide frequently to raise some doubt.

Plot details remain the same as Mr. Marcello follows the same basis premise of the book. A working class man searches for a better life. Doing menial jobs, he yearns for a better education and wants to become a published writer. Martin's ultimate goal is important to him, as he has fallen in love with a rich and pampered upper-class girl from a strictly bourgeois family. Martin meets other figures that spur him into action during his class struggle for success, with tirades against socio-economical injustice and protests about socialism, democracy, unions, and the rights of individuals being freely bantered about throughout the film.

We follow Martin's journey with high interest and remain captivated by the film despite constant cross-cutting of archival footage that adds atmosphere and further confusion. The handling of these jarring images is innovative yet infuriating as it addles the moviegoing audience. Mr. Marcello's vision upends the essential storytelling and overcomplicates his movie with these flourishes. (At one point, I wondered if these cinematic intrusions were a political statement of society's ills, Martin's actual written stories brought to life, or just heavy-handled historical documentations from that century...I still don't know. What I do know is that the overall effect remains jarring and undercuts the narrative.)

Through 2/3 of the film, this reviewer was intrigued with Mr. Marcello's bold approach to the material despite the aforementioned major flaws in his execution. But the last third of the film makes absolutely no sense. Leaps of logic are everywhere. Once the ship literally sinks (and it does), the story bounces ahead to an entirely different Martin, one with dyed blonde shoulder-length hair and rotting front teeth who is cynical about life but still rants against the inequities of wealth and power. The final shot negates everything before it. (Again I wondered if I skipped a reel or two due to the lack of continuity.)

The cast is uniformly strong, especially Luca Marinelli in the title role. His 50's matinee idol good looks create a likable hero and the actor is excellent in his well-defined role. Jessica Cressey makes an attractive love interest, although their relationship is predictable in its conclusion. Adding fine support in their supporting roles are Carmen Pommella and Carlo Cecchi.

All in all, Martin Eden is too artsy for its own good. It forgets its own working class roots. Less artistic license would have delivered a stronger film. Ostentatiousness reigns. When style overrides the story, one questions its real purpose. The film puts on airs that only the bourgeois could love. Martin would have railed against it. (GRADE: C+)

I left the cinema with a strong emotional bond with the protagonist. The story seems to surface from a documentary, with several reference to post-ww2 Italy: music, people, strip of homemade tapes. But the pace, the rhythm, the editing, is not a documentary one, it sometime remembers a music-clip. The more you sip form the environment, the more its flavour changes, because the situation changes, and so does the main actor. It is really easy to bend to its arch, and little by little you find yourself absorbed into his prospective, his vision, his twists.

Adapted from the 1909 Jack London novel, and stylized so that it resembles one of the transgenerational epics of the Taviani brothers (My Father My Master comes to mind), the chronologically vague Martin Eden is an intriguing movie that serves as a good ambassador for the main idea behind the book (the self-made protagonist strives to promote individualism against socialism and liberalism, only to turn into another cog in the machine by the time he becomes a successful writer).