The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.
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Christine (2016/I) was directed by Antonio Campos. Rebecca Hall plays Christine Chubbuck, a TV reporter in Sarasota, Florida. This is a fictionalized biography of Ms. Chubbuck. If you check Wikipedia, you'll know that much of what we see actually happened.
Christine Chubbuck was a person with depression, or possibly bipolar illness. She was well educated and financially comfortable, but her interpersonal life was in shambles. In the film, her behavior was strange and sometimes bizarre. People keep asking her, "Are you OK?" She always assures them that she's OK, and they believe her. Even if they don't fully believe her, they have their own problems, and they move on to other matters.
Rebecca Hall is an excellent actor. She resembles Christine Chubbuck physically. (That's probably one of the reasons she got the part.) She makes us believe in Christine and her problems, which is no easy task. (People who don't have mental illness find it hard to fake.)
This is a difficult movie to watch, but I felt that the acting was strong, and the message was important. I wish the producers had rolled a statement before the credits saying, "If you, or someone you know, feels and acts like Christine, call this hotline."
We saw the movie at the excellent Little Theatre in Rochester NY. It will work very well on the small screen.
Christine Chubbuck was a person with depression, or possibly bipolar illness. She was well educated and financially comfortable, but her interpersonal life was in shambles. In the film, her behavior was strange and sometimes bizarre. People keep asking her, "Are you OK?" She always assures them that she's OK, and they believe her. Even if they don't fully believe her, they have their own problems, and they move on to other matters.
Rebecca Hall is an excellent actor. She resembles Christine Chubbuck physically. (That's probably one of the reasons she got the part.) She makes us believe in Christine and her problems, which is no easy task. (People who don't have mental illness find it hard to fake.)
This is a difficult movie to watch, but I felt that the acting was strong, and the message was important. I wish the producers had rolled a statement before the credits saying, "If you, or someone you know, feels and acts like Christine, call this hotline."
We saw the movie at the excellent Little Theatre in Rochester NY. It will work very well on the small screen.
Most people who have ever heard of Christine Chubbuck already know how her story ends; She's been attributed to glimpsing into the future of television journalism with her final statement, the story turning into a morbid urban legend in the over forty years since the incident occurred. I admit, the first time I heard the story almost ten years ago, it sounded so bizarre, I almost couldn't believe it.
Christine sets out to humanize Christine Chubbuck, and elicit empathy from an audience that might already see her as someone who is monstrous. Yet, somehow, the movie accomplishes it's goal, giving her humanity that was lost in the headlines. Much of that credit is due to Rebecca Hall who transformed herself completely, throwing herself into the role so thoroughly that it's almost frightening.
The first time we see Christine she is filming herself doing a mock interview, and then later on, we see Christine examining every little gesture, picking herself apart in order to remake herself into something better to gain that elusive feeling of perfection, yet no matter how many times she's assured by Jean Reed (Maria Dizzia), the only person at WZRB that could probably be considered a friend, there's still that look of dissatisfaction with herself etched on her face.
It's been written that Christine Chubbuck used to give puppet shows to mentally challenged children so the screenwriter incorporated that into the film, but it's utilized as little glimpses of what she's thinking: 'Be Bold, Be Brave' she tells them, a fairly innocuous phrase, but for the viewer who knows what's to come later on, it has chilling connotations.
The moment that made Christine Chubbuck famous is shown in all of it's brutal and devastating impact. The film even shows her mother watching as it all unfolds. I don't know if Christine Chubbuck's mother, Peg, was actually watching the day Christine did what she did, but the possibility of that actually occurring, is heartbreaking.
It's a testament to the filmmakers that, though Christine can often come across as incredibly difficult and unlikable, the audience still has a great deal of empathy for her. Yes, she has fights with her boss about 'blood and guts' television, and her mother about the state of her life, but it's carefully contrasted with moments of quiet desperation, like the sequence when the head news anchor, George (Michael C. Hall), takes her to a transactional analysis meeting where they play a game of 'Yes, but " and Christine slowly reveals the things that she feels make her life impossible to live.
Overall, Christine is a portrait of a woman desperately trying to make something of herself but because of a chemical imbalance, she can't seem to sync with the people and world around her. Anchored by Rebecca Hall who gives an Oscar-worthy turn, Christine is also supported by an excellent supporting cast (Maria Dizzia and J. Smith Cameron in particular), strong direction and an incisive script. Highly recommended.
Christine sets out to humanize Christine Chubbuck, and elicit empathy from an audience that might already see her as someone who is monstrous. Yet, somehow, the movie accomplishes it's goal, giving her humanity that was lost in the headlines. Much of that credit is due to Rebecca Hall who transformed herself completely, throwing herself into the role so thoroughly that it's almost frightening.
The first time we see Christine she is filming herself doing a mock interview, and then later on, we see Christine examining every little gesture, picking herself apart in order to remake herself into something better to gain that elusive feeling of perfection, yet no matter how many times she's assured by Jean Reed (Maria Dizzia), the only person at WZRB that could probably be considered a friend, there's still that look of dissatisfaction with herself etched on her face.
It's been written that Christine Chubbuck used to give puppet shows to mentally challenged children so the screenwriter incorporated that into the film, but it's utilized as little glimpses of what she's thinking: 'Be Bold, Be Brave' she tells them, a fairly innocuous phrase, but for the viewer who knows what's to come later on, it has chilling connotations.
The moment that made Christine Chubbuck famous is shown in all of it's brutal and devastating impact. The film even shows her mother watching as it all unfolds. I don't know if Christine Chubbuck's mother, Peg, was actually watching the day Christine did what she did, but the possibility of that actually occurring, is heartbreaking.
It's a testament to the filmmakers that, though Christine can often come across as incredibly difficult and unlikable, the audience still has a great deal of empathy for her. Yes, she has fights with her boss about 'blood and guts' television, and her mother about the state of her life, but it's carefully contrasted with moments of quiet desperation, like the sequence when the head news anchor, George (Michael C. Hall), takes her to a transactional analysis meeting where they play a game of 'Yes, but " and Christine slowly reveals the things that she feels make her life impossible to live.
Overall, Christine is a portrait of a woman desperately trying to make something of herself but because of a chemical imbalance, she can't seem to sync with the people and world around her. Anchored by Rebecca Hall who gives an Oscar-worthy turn, Christine is also supported by an excellent supporting cast (Maria Dizzia and J. Smith Cameron in particular), strong direction and an incisive script. Highly recommended.
The tragic story of a young, promising reporter struggling with depression.
For anyone reading this and suffering, you are not alone. Many people go through hard times in life and in their own heads. You MUST remember that circumstances and states of mind can change for the better and even quickly. Please don't make a permanent solution to a temporary problem.
For anyone reading this and suffering, you are not alone. Many people go through hard times in life and in their own heads. You MUST remember that circumstances and states of mind can change for the better and even quickly. Please don't make a permanent solution to a temporary problem.
I have a confession to make. I saw this during the Halloween period and wanted to watch the classic horror movie Christine from 1983. Instead I saw this film and by serendipitous good luck came across a powerful and sad drama that made me cry (to confuse matters this drama is set in the late 70s and is filmed with a filter to make it feel authentic. When a possessed car did not turn up around 20 minutes in, I knew then it was a different film!)
This is a powerful film because it tackles depression and lost hope but does not dwell in the melancholy of the situation. The ending is tragic and it dawned on me that Christine Chubbuck death was probably the provenance for the story in Network which followed 2 years later.
Rebecca Hall is supported by a wealth of talent and the acting is excellent from everyone. It felt so real, like watching a fly on the wall drama.
I am glad I saw this film because it reminded me that people (and I include myself) may look OK on the outside, but they could be screaming in the inside. A lot of dramas avoid mental health and well being because in many quarters it is still considered to be taboo, but more films like this need to me made and watched.
This is a powerful film because it tackles depression and lost hope but does not dwell in the melancholy of the situation. The ending is tragic and it dawned on me that Christine Chubbuck death was probably the provenance for the story in Network which followed 2 years later.
Rebecca Hall is supported by a wealth of talent and the acting is excellent from everyone. It felt so real, like watching a fly on the wall drama.
I am glad I saw this film because it reminded me that people (and I include myself) may look OK on the outside, but they could be screaming in the inside. A lot of dramas avoid mental health and well being because in many quarters it is still considered to be taboo, but more films like this need to me made and watched.
"Christine" (2016 release; 115 min.) is a movie about the final days of TV news reporter Christine Chubbuck. As the movie opens, we see Christine conduct an imaginary interview with President Nixon, who is under fire for Watergate. It is the summer of 1974, and Christine is a reporter at a small TV station in Sarasota, FL. She is not happy with her role at the station (dreaming to be promoted to a bigger anchoring role), and not happy with her life in general (living with her mom, no romantic interest in her life, etc.). At this point, we are 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this movie, "based on true events" we are reminded at the beginning, is a stunning look at the downward spiral of a lonely but ambitious woman, who is determined to make it 'big' in the TV news business, yet seemingly can't catch a break. Director Antonio Campos does an excellent job, capturing the zeitgeist of the nation at that time, replicating the looks and feel of the summer of 1974 almost to perfection (including a bunch of radio hits from that era--now sounding pretty horrible). Even though Christine finds some outlets (volunteering at the local children's hospital), it isn't nearly enough to prevent the sad and horrifying ending. Since we all know going in how this is going to end, it makes for a pretty depressing experience, even though the movie itself is quite good. Rebecca Hall shines as Christine, and she carries the movie on her shoulders from start to finish, but equally outstanding is Tracy Lets as her boss Michael, the TV station's manager who keeps urging Christine to "just make your stories juicy" and "if it bleeds, it leads". Guess he never imagined Christine would take that to its ultimate conclusion...
"Christine" opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Saturday early evening screening where I saw this at was attended okay, somewhat to my surprise. It looks like there is some interest out there to find out what drove this woman to do what she did. I don't know that I can recommend this movie all that strongly, since this is an utterly depressing viewing experience, but let me be clear that "Christine" is a well-made and well-acted movie for sure.
Couple of comments: this movie, "based on true events" we are reminded at the beginning, is a stunning look at the downward spiral of a lonely but ambitious woman, who is determined to make it 'big' in the TV news business, yet seemingly can't catch a break. Director Antonio Campos does an excellent job, capturing the zeitgeist of the nation at that time, replicating the looks and feel of the summer of 1974 almost to perfection (including a bunch of radio hits from that era--now sounding pretty horrible). Even though Christine finds some outlets (volunteering at the local children's hospital), it isn't nearly enough to prevent the sad and horrifying ending. Since we all know going in how this is going to end, it makes for a pretty depressing experience, even though the movie itself is quite good. Rebecca Hall shines as Christine, and she carries the movie on her shoulders from start to finish, but equally outstanding is Tracy Lets as her boss Michael, the TV station's manager who keeps urging Christine to "just make your stories juicy" and "if it bleeds, it leads". Guess he never imagined Christine would take that to its ultimate conclusion...
"Christine" opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Saturday early evening screening where I saw this at was attended okay, somewhat to my surprise. It looks like there is some interest out there to find out what drove this woman to do what she did. I don't know that I can recommend this movie all that strongly, since this is an utterly depressing viewing experience, but let me be clear that "Christine" is a well-made and well-acted movie for sure.
Did you know
- TriviaThe owner of the company that cut the film's trailer, Robert "Smitty" Smith at In Sync Advertising, was an actual intern at WXLT-TV who knew and was friends with Christine Chubbuck. He sought out the job when he found out about the film and saw it at Sundance; incidentally, the creators had tried to seek him out for interviews during the research phases, but were unable to locate him due to the ubiquity of his name.
- GoofsThough the movie suggests that Christine was avoiding the ovary surgery, the real-life Christine had her one bad ovary removed a year prior to her suicide.
- Crazy creditsEnd credits end in a white screen with a beep tone.
- ConnectionsFeatured in Film '72: Episode #46.2 (2017)
- SoundtracksAnnie's Song
Written by John Denver
Performed by John Denver
Published by Kobalt Music Publishing America
Courtesy of RCA Records
By arrangement with Sony Music Licensing
- How long is Christine?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Кристин
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $298,525
- Opening weekend US & Canada
- $13,384
- Oct 16, 2016
- Gross worldwide
- $313,465
- Runtime
- 1h 59m(119 min)
- Color
- Aspect ratio
- 1.85 : 1
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