The Death of Stalin

Taking his lead from the farcical absurdity which he has always done so well, director Iannucci turns to Soviet politics and the days after the death of Stalin. In doing so he produces a film that seems like a bit of a hard sell; truth be told it took me a minute to be motivated to watch it on the basis that it didn't "sound" good. From the opening scenes though, the tone is clear and strong. The uneasy actions of the inner circle are played out in a "relaxed" meal, while at the same time an entire orchestra frantically try to save their own lives by simply complying with a request from Stalin. These opening scenes are funny and absurd but yet they have a genuine menace and fear to them.

It is hard to describe but neither of these aspects undercut the other. The film manages to work as it plays out a massacre but yet has wonderfully funny dialogue and performances. This combination is deftly balanced and I wish I even had the skill to explain it, far less do it. The cruelty of the clamber for power, and the ruthless callousness of those who have it is chilling even as you laugh, but it is the laughter that is more impressive. The absurd but witty dialogue, combined with plenty of genuinely funny comedic touches in the small details (the accents, the pyjamas, the phrasing), all make the film very funny and had laughs where I least expected it at times. The cast are well served with the material, and are very good at making the most of it. Buscemi, Tambor, Beale, McLoughlin, Palin, Whitehouse, Friend, Isaacs, and really all the cast get the tone of the film just right. The comedic timing is spot on for all, but so too are the performances of men scheming and manipulating all the time while knowing the firing squad may be just around the corner.

Well worth watching. It has moments as funny as Thick of It etc, but yet has a darkness that makes it much more satisfying and engaging to watch.

This is an excellent film. And its treatment of the Stalin Era of the Soviet Union is both darkly humorous and actually very unflinching in its depicting the monsters and their monstrosities for what they were.

I was worried that, in an attempt to extract humor from the situation that they might've glossed over just how monstrous the key characters actually were. To Iannucci and Schneider's credit however, there was absolutely no glossing over at all. Beria, for instance, is portrayed as every bit the monster in human form that he was - this, even as that portrayal is also made darkly and delightfully humorous at times.

The whole cast played their parts well and played them "straight" - which only heightened the humor and the horror of what life was like under Stalin in the Soviet Union. Even the nominal "hero" of the tale, Nakita Khrushchev, is realistically portrayed as being just as conniving and callous and power hungry as everyone else. Buscemi would seem an odd choice for that particular role but he pulls it off with style and excellence. So too does Simon Russell Beale in his portrayal of Beria.

This is a nicely done film with excellent production values, a great script, fine acting, excellent pacing, and a compelling tale that is well told.

I highly recommend it!

"The Death of Stalin" is a somewhat fact-based film. In other words, it tries its best to recreate the events around the time of Stalin's death, though the sources aren't exactly unbiased or 100% truthful....and sometimes the writers needed to infer what was said and done behind closed doors. Look at it as the best guess as to the events instead....and in this sense and many others the movie is marvelous and very well made.

The story begins shortly before Stalin's death from a cerebral hemorrhage. The machinations before and especially after are what is intriguing about the story....and how various evil scum surrounding Stalin all vied for power after his demise. It culminates with a very vivid and bloody scene...of a man who truly deserved his fate but watching it is NOT for the faint of heart.

Apart from a bit of violence that might be off-putting (after all, the Stalinist regime was one of the most brutal and bloody in history), the film is a delight to watch. Excellent acting, amazing makeup and an interesting story all work together to make a really exciting film...well worth seeing.

There's no avoiding truths rapidly passed over in this depiction of chaos following the death of an evil dictator. Stalin had charm...to those who were not his subjects and were never a threat to his authority. He fooled many so-called intellectuals in the West but everyone around him knew the truth, and, most managed to tip-toe over eggshells in order to stay alive. To thrive in such an environment requires a certain kind of callous ruthlessness...perfectly depicted with suitable crass humour here. The cast is perfectly chosen...each very accomplished actor adding their particular star dust. There's more than a single sittings' content in this film which deserves another viewing. Impressive and engaging story-telling based on real life events. Bravo all.

Moscow, 1953. After being in power for nearly 30 years, Soviet dictator, Joseph Vissarionovich Stalin, takes ill and quickly dies. Now the members of the Council of Ministers scramble for power in the government and the army. That inner circle is comprised of: Nikita Khrushchev (Steve Buscemi) , First Secretary of the Moscow Committee; Vyacheslav Molotov (Michael Palin), Foreign Secretary; Georgi Malenkov (Jeffrey Tambor) , Deputy to Stalin; Lazar Kaganovich, Minister for Labor; Anastas Mikoyan, Minister for Trade; Nikolai Bulganin, Minister for Defense; and arguably most terrifying Lavrenti Beria (Simon Russell Beale), these high authorities attempt to curry the favor of Stalin's two adult children, Svetlana Alliluyeva (Andrea Riseborough) and Vasili Stalin (Rupert Friend). Furthermore, Field Marshal Georgi Zhukov (Jason Isaacs), Head of the Soviet Army, who has the manpower of the said army behind him. Everybody wants a piece !. When a great leader falls, the fight for leadership begins !. In the Kremlin, no one can hear you scheme !. It's every comrade for himself !. You'll laugh or else !. He's dying to replace him !. Russia 1953, a nation in fear of one man !. The deputy, the politician, the son, the spymaster, the general !.

A peculiar comedy of terrors loosely based on the true story. Armando Iannucci (Veep, Avenue 5, The personal life of David Copperfield, In The Loop) directs and writes the script for this satire with a lot of black humor about the days before and immediately after Stalin's death. In 'The Death of Stalin' (2017) is depicted the last days of Stalin in a satirical, and humorous way with a number of outlandish incidents, including the rollercoaster of incessant plotting, tireless machinations, and the twisted, frail allegiances. There are several hilarious references to historical events, so when the Politburo first discovers Stalin's comatose body the morning after his stroke and move him to his bed, they briefly allude to how they "got rid of the good doctors in Moscow." It's a reference to the Doctors' Plot, a campaign in 1952 and 1953 that accused doctors of Jewish ancestry of conspiring to assassinate Soviet leaders. Adapted from the graphic novel of the same name by Fabien Nury and Thierry Robin published in 2010, this multi-award-winning film (best comedy at the European Film Awards, four awards at the British Independent Film Awards) stars an ensemble cast that embodies the different contenders in the fight to occupy the position of the recently deceased Stalin. So Steven Buscemi is the politician Nikita Khruschev, Simon Russell Beale is the director of the Russian secret service, Jeffrey Tambor is the legitimate secretary general, Michael Palin is Vyacheslav Molotov and Andrea Riseborough and Rupert Friend are Stalin's own children, in addition Field Marshal Georgi Zhukov, who's head of the Soviet Army, and that's why he has a huge power. All of then giving splendid interpretations. Along with them, in minor roles appearing: Olga Kurylenko, Paddy Considine, Paul Whitehouse, Roger Ashton-Griffiths, among others, they complete the nice cast of this film that was prohibited by the authorities of Vladimir Putin's government in Russia.

Paced in the form of satire by director and co-writer Armando Iannucci (nominated for the Academy Award for his screenplay ¨In The Loop¨), this is a special film and out of the real events. Rating: 7/10. Better than average. The film will appeal to historical parodies enthusiasts. Well worth seeing.