They Remain

They Remain is a lean and mean movie. As a lover of cosmic/weird horror I tend to like stories that bring no easy answers and create scenarios that force the viewer to work a little and play detective. The film stays very true to the original story "30" by Laird Barron and most of the dialogue came straight from the text. Both the novella and the film live in that strange sub genre of small groups of people in remote areas freaking out. Films like "Picnic at Hanging Rock" and "Long Weekend" come instantly to mind in vibe for me. From the opening scene, there is a decidedly uncomfortable tension between the two characters. And having only an awkward coworker who you don't trust as your sole confident makes for a tense little slice of sci-fi/ horror. The real star of the film is the camera work, there is so much nature in this film, verdant, green and often swallowing up the actors in it. The film makes the mundane hostile, the lush greenery and daylight as oppressive as anything shot at night. The pace of the film is slow and dreamy and the score really helps create a strange un-reality. These scientists go into this assignment not sure what they are researching exactly and in doing so become the experiment. We as viewers are not privy to the corporate higher ups (or ancient evils, or cults, or who knows) that have poisoned this land and we, at the end, are left to decide for ourselves. Is the cult still active? Is the land haunted? Is there an evil giant goat looking for its sex horn? Or something else entirely? Gelatt takes the hard roads on this one, allowing characters to be unlikeable and hard to know and leaving few safe spaces for the wayward viewer. But like The VVITCH and The Blackcoat's Daughter last year and Annihilation this year, there is definitely an appetite in the horror/sci fi community for the stranger and more subtle stories within the genre. And I think They Remain succeeds on that front. Worth the watch and the thoughtfulness afterwards.

You know a movie is not really worth it when the top reviewer has to sell you a 10/10 by justifying it with "if you don't like really good slow creeping thriller horrors that really make you think about the plot, and instead like badly written half-scary slam-bam horrors, then you won't like this movie". Basically ANYTIME a review tells you that you won't like this movie if (insert generic comparison to good movie here) or you won't like this movie if you like movies that (insert generic comparison to horrible movie here) then you just skip over that review. THAT is not a reason to like a movie. THAT is a perfect example of paid reviews or reviews by people who are inflating the score.

The good thing here is that the movie was so bad that even the score can't be inflated past a 5/10. It truly is not worth more than that. This movie does not explain any of the back story or plot, whether subtly or through exposition. The viewer is just supposed to pay attention so much that they read the minds of the writer and director. (BTW, I have seen reviews that label the writer as some sort of MASTER horror author, yet the guy hasn't sold more than 100 copies of any of his books, and none of them are rated higher than 4/5. That means that the few people who have read them still didn't think they were MASTERFUL pieces, yet now we have movie reviewers that think his books are PERFECT and that this movie is a 10/10??? Please!)

How is anyone supposed to know that these two people have a romantic history with each other? It requires reading an explanation of the movie just to know that, because based on their acting and dialogue they are just two coworkers that have been assigned a job who constantly bicker back and forth with each other. The girl is always frowning, as if she has a lemon in her mouth, and speaks without any inflection. ZERO inflection. She sounds like a robot. And the guy is always staring at things as if he is protesting the concept of blinking. These people have no emotion, no character development, NO SOUL!

Are these people investigating a cult? Or are they the last people on the planet investigating genocide? Oh, now she discovered some wasps... are they biologists looking to see if an unknown chemical killed off all of the life? Oh wait, there is a hole in the ground with a crazy fossil of an unknown species... maybe there is a monster? Are they being stalked by hands? Is it a poltergeist that can fiddle with the cameras? Does someone live by with a pet dog? I mean, CMON... pick a direction and stick with it!! Its as if the director tried everything he could to make his own story scary (this is the guy who wrote Europa Report --- good movie!). Maybe he wrote this dribble years before.

At least the last 10 minutes or so of the movie is decent. It ends on a good note, but if you spend just a few seconds thinking about it you will realize that it is the type of ending that it just written into a story because there is nowhere else to go with it. It makes no sense and there is no explanation for anything. So many questions left unanswered, but not deeply profound questions.... just annoying distractions that leave you saying "huh? this sucks".

But the bottom line here is... DO NOT TRUST ANYONE WHO GAVE THIS A 7/10, 8/10, 9/10, or 10/10...... because what they are saying is that they think this movie equates with some of the BEST MOVIES EVER MADE. (Impossible). Even (biased) Rotten Tomatoes tried to make this movie stand out with their 60% positive reviews, but you will notice that the audience reviews gave it a score that more closely resembles the score on IMDB --- 30%. And the IMDB score has to wrestle with all of these fake 8/10, 9/10, and 10/10 ratings. Imagine what this movie would be rated if you got rid of all of the fake paid reviews???? Probably a 2/10 or 3/10.

I give it 3/10 because this movie sucks. Alternate recommendation: HALLOWEEN 3: THE ONE WITHOUT MICHAEL MYERS

This seems to be an attempt to create intellectual horror, or intellectual dread. There are atmospheric moments, but since the mishmash of story and backstory are ultimately incomprehensible, not in an artistic and interesting way but in the manner of incoherence, the movie is much ado about nothing. If you want an interesting and strangely suspenseful movie which moves along at a similarly deliberate pace, try Phase 4, and excellent understated science-fiction drama/eco-horror. They Remain seems to be trying to achieve something similar, but fails in ho-hum fashion.

Ponderous, pretentious and emotionally stunted, those are my lasting impressions of They Remain.

Whilst the back story holds together well enough, any promise this film might have had is wasted. This is a ponderously slow burn thriller that's laboriously wanders from vague pretentious symbolic abstraction to abstraction, offering the viewer a visual feast but a contextual famine.

The result is an aimless affair where the key characters are so caught up in the visual symbolism and inexplicable, moody, mono-tonal narrative, that any emotional range, that might have helped build the tension this thriller desperately needs, is lost.

In conclusion, a dissatisfying film, that wants to go somewhere but forgot to ask for directions. 4/10 from me.

I watched They Remain because it looks mysterious, the synopsis mention cult, and I expect some creature or monster in the cult environment, like The Ritual. I also watched because there are many good reviews.

I never felt so disappointed after watching a movie like I felt like this. I dislike Buried and Drive because they are so boring, but this is another level of boring.

This is my first review and I just wrote to express what I felt.