A modern retelling of the classic fantasy drama by William Shakespeare, A Midsummer Night's Dream holds a star-studded cast with euphoric effects and melodramatic storytelling.A modern retelling of the classic fantasy drama by William Shakespeare, A Midsummer Night's Dream holds a star-studded cast with euphoric effects and melodramatic storytelling.A modern retelling of the classic fantasy drama by William Shakespeare, A Midsummer Night's Dream holds a star-studded cast with euphoric effects and melodramatic storytelling.
- Director
- Writers
- Stars
- Awards
- 2 wins & 4 nominations total
Prisca Bakare
- Hermia
- (as Priscabakare)
Charlotte Dylan Blake
- Cobweb
- (as Charlotte Blake)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is fine. If you think it's worthy of a 1-star review, I'd ask you to sit down and watch the 2018 adaptation that sets the story in Hollywood and focuses on cell phones and (I know this secondhand, having shut the thing off 20 minutes in because I hated it) a human butt instead of a donkey.
At least they're trying to say something new with the text. The performances are all solid (BBC sets the standard for this sort of Shakespearean performance on television and should really have handled House of the Dragon instead of HBO, though that's neither here nor there). The sets are adequate. The ideological twist--that Theseus is a fascist Hitler-type dictator--either will or won't work depending on the viewer's taste; the symbolism is simultaneously obvious and opaque, accomplishing a lot by remaining relatively broad and open-ended and conveying meaning through set design and costume rather than the alteration of dialogue (see above comments on performance quality: good delivery and physicality).
At least they're trying to say something new with the text. The performances are all solid (BBC sets the standard for this sort of Shakespearean performance on television and should really have handled House of the Dragon instead of HBO, though that's neither here nor there). The sets are adequate. The ideological twist--that Theseus is a fascist Hitler-type dictator--either will or won't work depending on the viewer's taste; the symbolism is simultaneously obvious and opaque, accomplishing a lot by remaining relatively broad and open-ended and conveying meaning through set design and costume rather than the alteration of dialogue (see above comments on performance quality: good delivery and physicality).
This is a BBC-imagined modern retelling of Shakespeare's classic, with a diverse and stellar cast, intense presentation, a compelling score, fantastic costume design and energy at every turn. And the 90-minute running time moves the story along quickly! Check it out.
I'm baffled. I could swear I've read the play and have seen several performances, but this movie has me questioning everything. There are characters I don't remember, and lines I do remember were missing. And what about the opening scene?!? Did George Orwell rewrite this?
The actors were all superb and I would love to have seen them in A Midsummer Nights Dream, but I don't know what the hell this thing was. At least the special effects were interesting?
I don't know, it starts as a Nazi fever dream, then it toys with the idea of being the play itself, then turns into the musical adaptation of a Sonnet. Honestly if not for Puck's famous soliloquy asking us not to take offense I would be offended.
The actors were all superb and I would love to have seen them in A Midsummer Nights Dream, but I don't know what the hell this thing was. At least the special effects were interesting?
I don't know, it starts as a Nazi fever dream, then it toys with the idea of being the play itself, then turns into the musical adaptation of a Sonnet. Honestly if not for Puck's famous soliloquy asking us not to take offense I would be offended.
Midsummer nights dream is considered one of Shakespeare's best loved comedies. This Midsummer nights dream comes alive and delights the senses.
This updating of the play works beautifully I think.
I love Shakespeare and classic opera and I'm wary of modern updates - so often they are facile or irritating and get in the way of the text/score. But this was a delight: genuinely funny, lovely special effects and a real feel for the soul of the play. It wasn't perfect - occasionally the words got lost in the music or through less than perfect diction. I studied this play at school more than 50 years ago and didn't get much of the humour or the cruelty in the treatment of the characters that this production brought out.
I will want to see more traditional productions as well but will return to this one too. Well done RTD - overall it was a great 1hour 35minutes. The BBC have done us proud in the Shakespeare anniversary year with this and the wonderful Hollow Crown.
I love Shakespeare and classic opera and I'm wary of modern updates - so often they are facile or irritating and get in the way of the text/score. But this was a delight: genuinely funny, lovely special effects and a real feel for the soul of the play. It wasn't perfect - occasionally the words got lost in the music or through less than perfect diction. I studied this play at school more than 50 years ago and didn't get much of the humour or the cruelty in the treatment of the characters that this production brought out.
I will want to see more traditional productions as well but will return to this one too. Well done RTD - overall it was a great 1hour 35minutes. The BBC have done us proud in the Shakespeare anniversary year with this and the wonderful Hollow Crown.
Did you know
- TriviaAn interview in the UK Sunday Times revealed that actor David Tennant was originally hired to direct this TV special, but had to drop out (being replaced by David Kerr) due to personal life issues related to Tennant's wife's pregnancy. Tennant still acted unofficially as writer Russell T Davies' personal 'Shakespeare expert' during the time he was working on it.
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- Сон літньої ночі
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- 1h 30m(90 min)
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