IMDb RATING
6.3/10
2.3K
YOUR RATING
A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe t... Read allA lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as 'telephone walking'. Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.
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- 6 wins & 14 nominations total
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Featured reviews
A Swiss psychological drama; A story about a loner and private investigator whose surveillance equipment is stolen by someone who offers him the chance to break out from his self-isolation. This melancholic film is inventive, eerie, peculiar, captivating magic realism. It works a theme about escape from grief and loneliness, and addresses issues about digital surveillance and privacy. The film starts promisingly, but sags with the introduction of a weirdo-boy-meets-pretty-girl narrative and their madcap twists whereupon it focuses too much on clever technique than story spine. Nevertheless, intrigue is held across the strange characterisations and imaginative touches.
A very good sci-fi concept, poorly executed. As the film begins, you are reminded of Harry Caul of Coppola's "The Conversation," which was brilliantly played by Gene Hackman.
This film cannot boast of a Hackman or a John Cazale.
You have a dead father being cremated but we are never told how he died.
Secondary characters like Aloys' childhood classmate are never fleshed out. The concept of a drunk Aloy being locked up in a bus does not ring true. It appears he had urinated in his trousers in one shot. In a later shot, there is no such evidence.
All in all it is a film that had so much potential that fails to deliver.
This film cannot boast of a Hackman or a John Cazale.
You have a dead father being cremated but we are never told how he died.
Secondary characters like Aloys' childhood classmate are never fleshed out. The concept of a drunk Aloy being locked up in a bus does not ring true. It appears he had urinated in his trousers in one shot. In a later shot, there is no such evidence.
All in all it is a film that had so much potential that fails to deliver.
Seen at the IMAGINE film festival 2017 in Amsterdam. Despite technically nothing wrong with this movie, I fail to find anything remarkable in it, no logical dramatic development, and no plot whatsoever. I assume that the film makers were so obsessed with the basic concept of mixing fantasy and reality, that they forgot to add a comprehensible and edible story. The "help" given to Aloys for breaking out of his loneliness, went past me and I cannot imagine it offering any escape nor a solid path to achieve that goal.
All in all a pity, as the first half hour is mysteriously promising. After that, the jumps between reality, fantasy and the mix between what could be true and what seems fantasy, make you soon lose interest, particularly as it has no clear effect on the psychology of main characters and their future life. I don't think Aloys will improve his quality of living, and the life and motivation of the woman is unclear to such a degree that I cannot tell what her future looks like either.
All in all a pity, as the first half hour is mysteriously promising. After that, the jumps between reality, fantasy and the mix between what could be true and what seems fantasy, make you soon lose interest, particularly as it has no clear effect on the psychology of main characters and their future life. I don't think Aloys will improve his quality of living, and the life and motivation of the woman is unclear to such a degree that I cannot tell what her future looks like either.
One death. a phone call. and a knock on the door of a dark room/ leads to an amazing journey in love/ loneliness and imagination/ but you can never be sure what is real and what is not real. However sad and beautiful the story is/ this is one of those rare films that turns itself into a living dream. But If your into spoon fed narratives/ then please chose another movie. If you can let go. . .then you wont be the same again. I let go. . and enjoyed one the best films I have seen in many years/
This movie is not only visually stunning, greatly directed and performed, but is also extremely clever and interesting. I get it, it's a slow movie! But it's also how the story is told, slow paced and detailed, that makes you feel immersed in to the characters lives and fears and frustrations. It's about the human condition and how we cope with small things in life. People who dislike this are probably Nolan fans who cant understand an extremely over-explained blockbuster movie. Worth the watch over all these brainless new titles flooding streaming services every day. 10/10
Did you know
- TriviaAloys Adorn is played by Georg Friedrich while his father is played by Georg's real life father Karl Friedrich, who is otherwise not an actor.
- GoofsThe piano is actually a keyboard.
- Quotes
Aloys Adorn: [to a cat] You stupid pig! You're a stupid pig!
- SoundtracksFather Theme
Produced, arranged and composed by Tom Huber & Beat Jegen.
Vinyl/Digital Release 31.3.2016 @ Spezialmaterial
www.jegenhuber.com
Details
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- Also known as
- We Are (Dead)
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Box office
- Gross worldwide
- $523
- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 2.35 : 1
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