Quanta

A frustrated & obsessed scientist loses his job, but just can't let go of his project - the data & information transfer from Dark Matter/Energy which makes up 95% of the universe as we know it(all of the information of, & in, the Cosmos).

A lot of creative license is used, but I found the movie really enjoyable & the characters likeable (although his assistant was an arrogant spoiled brat that you really wanted to chastise in the most gratuitous fashion possible at times) which carried the story of the costs of obsession, the arrogance that can come with high intellect if it's not kept in check & the unforeseen consequences of causality when it's not.

It was also a warning of putting powerful new tech out into the world without proper R&D, without fully understanding it & the consequences of giving people more knowledge than they can understand (& how it can induce mental health issues & suicide in the wrong hands). Too late for the internet, mobile phones & social media in the real world, obviously!

A warning to all of the dangers of tech, AI & the abuse of technology. Don't lose your humanity people.

I've never met a scientist as dull and lifeless as they are portrayed in movies. I get that Hollywood types don't encounter people with above average intelligence in their daily lives. If they'd venture beyond their self-induced ignorance chamber once in a while they'd be shocked to learn scientists are real, actual human beings with personalities and interests beyond their area of expertise.

The premise of this movie was interesting but the script made it deadly. I dozed off several times and had to rewind, only to see I missed absolutely nothing. The film could be cut down to a commercial without losing anything. Half the film is about how rich the scientists will become creating a radio to listen to aliens so far advanced we're all Hollywood types in comparison. It simply makes no sense.

As for the dialog: words cannot express what those words could not express.

Three stars for an interesting concept. Zero stars for the plodding direction, atrocious acting, dreary sets, dull background music, first year film student camera work, and tepid editing.

Three stars.

One wouldn't necessarily hold that the acting wasn't adequate, or that the production was poor for a low-budget offering, and the premise, which immediately reminded me of Contact (1997), is also intriguing.

Unfortunately, however, the overall presentation just seemed lacking in any real drama. I wasn't in the least invested in the characters or even the outcome and some of the things which occur seem to have been put in to try and flesh out the story somewhat.

It could have been something pretty good, but, in the end, I was just left with a ho-hum feeling of disappointment and missed opportunity.

Another low-b film that goes nowhere and ends nowhere. The script has the same horrible dialogue that so many low-b films have. I wanted to like this film coming out the gates but as the minutes rolled by, I realized that I was wasting my time.

A discovery. Something cosmic about said discovery. Disagreement on how to handle the discovery. Government (or in this case a University) wants to hide and control the discovery. Sadly, the entire film is about the arguing of the discovery rather than exploring the discovery. Seriously!

This film is a lot of the same that we've seen in so many other small films yet nothing new or interesting. Watch at your own risk, the risk of wasting your time. the good news is that after watching this film, I quickly began to forget what I had just watched, so almost as if it had never happened.

This one's a mashup of "Flowers for Algernon" (Daniel Keyes, 1958) and "Contact" (Carl Sagan, 1985). Although it's derivative, the combo is really something fresh and new. Nathan Dalton manages to create a compelling story by taking elements of those two old science fiction classics and weaving them into a film that keeps you glued to the screen. There's real character development, plenty of clues to help the audience follow the plot, and lots of techno speak that's actually consistent with known science. (Although the idea of "radiation" from "dark" matter is somewhat of an oxymoron.) There are a few other instances of creative license, but for the most part it's believable.

The part where it departs from reality is in the motivations and behaviors of the characters. They seem to make unnatural decisions at times and don't always act like real people. But it's not uncommon in film to bend character behavior to advance the plot, so you just suspend disbelief and enjoy the movie.

The sound track was great. It set the mood and really helped provide clues about the plot and the emotions of the characters. The cinematography was likewise supportive of the moods and plot and didn't overpower the action happening on the screen. The acting performances, from relatively unknown actors, was superb. All these elements in the final product (with an insanely tiny budget) point to an extremely competent director whom I'm sure we have not heard the last of.

Overall, a great film if you are looking for a character-driven drama/scifi with lots of thought-provoking dialogue and you don't care about tons of special effects and starship shootouts.

Triggers: brief headline text ~80wpm, one subtle and minor ethnic reference