Allied soldiers from Belgium, the British Commonwealth and Empire, and France are surrounded by the German Army and evacuated during a fierce battle in World War II.Allied soldiers from Belgium, the British Commonwealth and Empire, and France are surrounded by the German Army and evacuated during a fierce battle in World War II.Allied soldiers from Belgium, the British Commonwealth and Empire, and France are surrounded by the German Army and evacuated during a fierce battle in World War II.
- Won 3 Oscars
- 68 wins & 236 nominations total
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Featured reviews
Maybe 7,5/10 but not more
I love Christofer Nolan. Great director. Great movies. No doubt about that. But unfortunately I think the movie was boring. It had awesome fight scenes, with different camera angles, music, costumes but it did not keep you at the edge of your seat like his other movies.
Almost no dialogue. You can say that it is realistic, because it is a war scene but the viewer needs to know something about the characters in order to identify with them. I felt like I was watching on youtube different war scenes in a 2 hours movie. It did not create the suspense I was hoping.
Almost no dialogue. You can say that it is realistic, because it is a war scene but the viewer needs to know something about the characters in order to identify with them. I felt like I was watching on youtube different war scenes in a 2 hours movie. It did not create the suspense I was hoping.
Capturing the spirit
For a teenager today, Dunkirk must seem even more distant than the Boer War did to my generation growing up just after WW2. For some, Christopher Nolan's film may be the most they will know about the event.
But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.
"Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.
Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.
The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.
The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.
There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".
An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.
This is a film that demands more than one viewing.
But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.
"Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.
Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.
The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.
The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.
There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".
An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.
This is a film that demands more than one viewing.
Unapologetically, I can say this is one of the best war movies ever made
If you read through the swarm of negative reviews, you might notice a common theme: boring, dull, lack of characters. It's incredibly disappointing that they seemed the miss the entire point of the film.This is not a film about heroic soldiers triumphing against all odds while blowing up Nazis with transformer-esque explosions.
This is a movie about scenes, not characters. -and every scene is memorable, from the bombings to the torpedoes to the aerial dogfights. My co-worker, who is obsessed with WW2 planes, noted how incredibly perfect they got the British Supermarine Spitfire from the roar of the Rolls-Royce engine to the rattle of the components in the cabin. The accuracy and intensity of the dogfight was captured perfectly as well, mimicking the aerial maneuvers, firepower and damage in a realistic and dramatic fashion. The torpedoes noticed only moments before impact with it's slow monotonous movement sent chills of realization down my spine. Even in the beginning of the film, the way in which the Nazi leaflets were presented gave you some glimpse into the panic and anxiety felt by those soldiers.
I felt the "lack of characters" was realistic and served the film as well. War is not about larger-than-life personalities with specialized weapons being bad-asses. It's about nameless and faceless soldiers facing an existential crisis, the possibility of randomized death, and how they can either respond with despair or hope.
If you want characters you can root for and a happy ending where the bad guy in vanquished, then there are plenty of movies for you. But if you want a small glimpse into the despair, anxiety, hope, courage, and will of the British WW2 fighters then there is no better film ever made than this one.
This is a movie about scenes, not characters. -and every scene is memorable, from the bombings to the torpedoes to the aerial dogfights. My co-worker, who is obsessed with WW2 planes, noted how incredibly perfect they got the British Supermarine Spitfire from the roar of the Rolls-Royce engine to the rattle of the components in the cabin. The accuracy and intensity of the dogfight was captured perfectly as well, mimicking the aerial maneuvers, firepower and damage in a realistic and dramatic fashion. The torpedoes noticed only moments before impact with it's slow monotonous movement sent chills of realization down my spine. Even in the beginning of the film, the way in which the Nazi leaflets were presented gave you some glimpse into the panic and anxiety felt by those soldiers.
I felt the "lack of characters" was realistic and served the film as well. War is not about larger-than-life personalities with specialized weapons being bad-asses. It's about nameless and faceless soldiers facing an existential crisis, the possibility of randomized death, and how they can either respond with despair or hope.
If you want characters you can root for and a happy ending where the bad guy in vanquished, then there are plenty of movies for you. But if you want a small glimpse into the despair, anxiety, hope, courage, and will of the British WW2 fighters then there is no better film ever made than this one.
10nimdude
A short review with a longer explanation of why its OK that this movie didn't have any "characters"
Dunkirk is, in my opinion, yet another masterpiece from mastermind Christopher Nolan. Since everything that is brilliant about the film has already been said I will briefly write what I think of the film and also touch on a topic that some people are criticizing the movie for.
The fantastically directed film is told from 3 perspectives non chronologically. It superbly tackles the narrative and the non linear story doesn't at all pull you away from the intensity of the events happening on screen that don't stop from 00:00 to the last scene. Hans Zimmer most likely gives one of the most fitting scores for a war film ever. Sometimes there is only one note playing followed by heartbeat sounds and a ticking clock while other times a massive orchestra is interpreting what is going on on screen. The movie brilliantly projects the feeling of each and every soldier on the beach to the audience. Confusion, turmoil and fear. The cinematography was breathtaking and I felt anxious throughout most of the run time. There is no lead in this film and I can't really say anyone stuck out as giving a brilliant performance because it wasn't needed and I'll explain why.
The biggest criticisms of Dunkirk that I've heard of so far are that the characters are lacking in depth and that we aren't given anything to be invested in them. I feel like Nolan was trying (successfully) to make the audience care for each and every one of the men on the beach. He needed to have some form of "main characters" to be in the story so that we can see the events unfold from the direct perspective of all of the soldiers. Usually in war films (I'll use saving private Ryan as an example) the plot revolves around certain soldiers (like Cpt. Miller and Ryan) being in a war and doing things in the war but its still about THEM not THE WAR as much. In my opinion Dunkirk is a telling the STORY OF DUNKIRK. Not of Harry Style's character or Tom Hardy's character but of Dunkirk. What any of the "main characters" felt, every other soldier felt. Nolan resorted more to film-making techniques to tell the story rather than dialogue and that is why some people might have had a problem with the lack of character depth but realistically this type of terrible event wouldn't be a place for someone to "develop" as a character but rather a event where MEN WANTED ONLY SURVIVAL, and Nolan showed that perfectly. As for what the top review of Dunkirk on IMDb says about 'lack of emotion' in the film, I believe this to be a completely incorrect statement. Maybe he was referring to the lack of 'brotherhood amongst men' or the feeling of moral or something epic like that. Again the longing for the 'Saving Private Ryan' format of war films. What the reviewer fails to see is that realistically there was NO emotion on that beach besides fear and confusion. And I can safely say that Nolan and Zimmer and the DP all successfully gave us those feelings.
9.5/10
The fantastically directed film is told from 3 perspectives non chronologically. It superbly tackles the narrative and the non linear story doesn't at all pull you away from the intensity of the events happening on screen that don't stop from 00:00 to the last scene. Hans Zimmer most likely gives one of the most fitting scores for a war film ever. Sometimes there is only one note playing followed by heartbeat sounds and a ticking clock while other times a massive orchestra is interpreting what is going on on screen. The movie brilliantly projects the feeling of each and every soldier on the beach to the audience. Confusion, turmoil and fear. The cinematography was breathtaking and I felt anxious throughout most of the run time. There is no lead in this film and I can't really say anyone stuck out as giving a brilliant performance because it wasn't needed and I'll explain why.
The biggest criticisms of Dunkirk that I've heard of so far are that the characters are lacking in depth and that we aren't given anything to be invested in them. I feel like Nolan was trying (successfully) to make the audience care for each and every one of the men on the beach. He needed to have some form of "main characters" to be in the story so that we can see the events unfold from the direct perspective of all of the soldiers. Usually in war films (I'll use saving private Ryan as an example) the plot revolves around certain soldiers (like Cpt. Miller and Ryan) being in a war and doing things in the war but its still about THEM not THE WAR as much. In my opinion Dunkirk is a telling the STORY OF DUNKIRK. Not of Harry Style's character or Tom Hardy's character but of Dunkirk. What any of the "main characters" felt, every other soldier felt. Nolan resorted more to film-making techniques to tell the story rather than dialogue and that is why some people might have had a problem with the lack of character depth but realistically this type of terrible event wouldn't be a place for someone to "develop" as a character but rather a event where MEN WANTED ONLY SURVIVAL, and Nolan showed that perfectly. As for what the top review of Dunkirk on IMDb says about 'lack of emotion' in the film, I believe this to be a completely incorrect statement. Maybe he was referring to the lack of 'brotherhood amongst men' or the feeling of moral or something epic like that. Again the longing for the 'Saving Private Ryan' format of war films. What the reviewer fails to see is that realistically there was NO emotion on that beach besides fear and confusion. And I can safely say that Nolan and Zimmer and the DP all successfully gave us those feelings.
9.5/10
All these bad reviews are a reflection of current media consumption trends and the attention span of the average consumer, not the movie itself
I guess I shouldn't be surprised how many people don't like this movie in an era of CGI, reboots, remakes, sequels, prequels, and generally easy to digest movies/tv shows. This is a real Christopher Nolan movie, not a Batman, but a real Christopher Nolan movie like Memento or Prestige. Watch it a few times. Pay attention to the details. Appreciate the sensory experience.
Most of these bad reviews are because the person watched it once and was upset they weren't spoon fed every aspect of the characters and story. There is a ton of characterization and a great story but you have to pay attention.
Most of these bad reviews are because the person watched it once and was upset they weren't spoon fed every aspect of the characters and story. There is a ton of characterization and a great story but you have to pay attention.
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaAccording to Sir Kenneth Branagh, roughly thirty Dunkirk survivors, who were in their mid-90s, attended the premiere in London, England. When asked about the movie, they felt that it accurately captured the event, but that the soundtrack was louder than the actual bombardment, a comment that greatly amused writer, producer, and director Sir Christopher Nolan.
- GoofsThe Luftwaffe did not start painting fighter aircraft nose cones yellow until later in 1940. However Christopher Nolan has admitted this was done deliberately to make the German aircraft easier to identify by the audience.
- Crazy credits"The following Dunkirk little ships recreated their courageous and historic journey for this film: Caronia, Elvin, Endeavour, Hilfranor, Mary Jane, Mimosa, MTB 102, New Britannic, Nyula, Papillon, Princess Elizabeth, RIIS I"
- Alternate versionsIn Spain, the film was projected on 2.35:1 screens in the 2.20:1 aspect ratio. But the film was finally projected with black bars on the four sides of the screen. This same situation happened with Jurassic World (2015) and just before the film started a text appeared on the screen explaining the 2.00:1 aspect ratio fitting on the 2.35:1 screen adding black bars up an down. Dunkirk (2017) didn't show any explanation before the film.
- ConnectionsFeatured in Film '72: Episode #46.1 (2017)
- How long is Dunkirk?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Dunkerque
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $189,740,665
- Opening weekend US & Canada
- $50,513,488
- Jul 23, 2017
- Gross worldwide
- $549,136,737
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.20 : 1
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