Our Souls at Night

Jane Fonda and Robert Redford both aged 80 in a 2017 movie, what a treat! The acting is superb as you would expect. To find love again at this age is the dream of many elderly widows and widowers. Life is still complicated even at this age and both have family to consider. It is not fast paced with a lot of action but it is a good script for these two actors in their twilight years. The atmosphere created by their very presence and experience is beautiful. They are a joy to watch. This movie may be wasted on some young viewers but there will be some who can appreciate perfection when they see it. For older people who know these two from previous movies just sit back and know we are lucky to have this movie from them. It is probably worth more than 8 but the lack of action and intrigue makes it a bit tame for some viewers. The acting is worth 10 though!

The source of interest was, for me, the presence in cast of Jane Fonda and Robert Redford as a sort of return to old cinema, more full of wisdom, serenity and real good job of actors, out of ambitions of blockbuster and a lot of special effects.

But the film proposes more than nice flavors of late time.

From the eccentric, only at the first sight, proposition of Addie, to the life of comunity, marriage crisis and death of child, relation with children, new chance and a call in night , confessions, memories, reactions of others, it is just a comfortable oasis , soft, precise in detail, proposing a sort of romance who is easy to be feel by a generation not so young but far to accept the fall of life.

A delicate poetry and admirable use of silent moments, good cinema and a rare delicacy serving the cause of a sort of friendship between two neighbors , not very familiar one with other, but discovering sparkles of life in gentle manner, returning to true love.

A film choosing its public with grace . And a beautiful story.

It was a good film for sure. Simple and touching story. Easy to watch and very heartwarming. It also tries to avoid as many clichés as possible which was a nice refreshing surprise, as the story was nothing extraordinarily new. Robert Redford was very good and this performance is possibly his best of the past years. Really beautiful performance and a very natural and appealing character. Jane Fonda had the more challenging role and mastered it wonderfully. She had a lot of different facets that were captured in her performances. A lot of secrets are involved in that character and she handled that excellently. Matthias Schoenaerts was also memorable. The film however did have some little lengths. Also some characters like the one of Judy Greer or Phyllis Somerville appear and in the next second disappear again without any significant to the story. It is always nice to see Bruce Dern but also he was rather wasted. The score was fitting the mood of the film but a bit overused. The direction was very calm and concentrated on the two lead protagonists but sometimes failed to give the story some drive. Still very worth to see on a rainy Sunday.

Truly amazing when 'shot callers' decide to team up and make a picture that is not jammed down your throat - and allows your heart to settle in with the story. Great story, acting, directing, lighting - a great lesson for those interested in making films - honest films. BRAVO to all involved!!! Audiences of all ages can enjoy this film - if given a change. Don't let the simplicity of the film cause you to ignore it. Sit down, relax, put down your phone and other gimmicks that numb you out to tasting the wonderful thing called life. Ya gotta do it.

I watched this movie in MAMI, year round program film screening. I had also got opportunity to interact with director of the film - Ritesh Batra. He is called as cinematic tinder of common man, because he brings romance into lives of characters that have faced struggle and challenges in life.

It is a beautiful story of old aged woman and man who were living alone for years after their spouses have died. They break silence and start sleeping over same bed only to escape loneliness. Both of them continue talking and gossiping about their past lives, happy moments as well as regrets. Their children have grown up and are living their own independent life. Film is an emotional drama, warmth in relationships, and shows sense of human life in dialogues. It explores psyche of old age through their responses to life circumstances. Film end up teaching many life lessons through these characters. Addie regrets that she has spent years thinking what people would be talking about her.

Film is adapted from the novel of same name by Kent Haruf, who died just few weeks after publishing his last novel.