The Discovery

Talk about a wasted opportunity.

A fine cast led by the underrated Jason Segal (still doing his best to break out from his How I Met Your Mother persona and delivering a so-so turn when you look back at his role in End of the Tour) and backed up by Rooney Mara, Robert Redford and one of the finest supporting players going around Jason Plemon's isn't enough to save Charlie McDowell's Netflix original Sci-Fi/Drama The Discovery from a disappointing result and ending its runtime as one of the most frustratingly forgettable films in many a moon.

The core idea behind The Discovery, that Redford's scientist Thomas Harber has discovered evidence of a confirmed afterlife, leading to a world in which the suicide rates have ramped up to epidemic levels with Harber then working on a secret project that looks to record this afterlife for those alive to witness is a fantastic one and an idea that strikes up many a various conversation point but McDowell's film which ends up being more of an unbelievable romance between Segal's charisma free Will and Mara's mumbling and emo Isla than anything else feels unable to make the most of its idea.

Perhaps hampered by budget restraint's (although this hardly seems to be a problem for Netflix originals these days) or perhaps just a lack of overall vision. The Discovery showcases glimmers of what could be in stall for us whether it's the oft mentioned suicides, the cult like following Harber has garnered thanks to his work or Will's and Isla's investigation into a possible glimpse of the afterlife they have recorded but all these intriguing elements are quickly swept under the rug and while the film's final reveal makes the journey feel more rewarding than it actually is, you can't help but escape the feeling The Discovery has short-changed its viewers with a mediocre effort of a far more interesting story.

It's great seeing Netflix continue to invest in unique and original film properties but The Discovery will be marked down as one of their clear failures and while this intellectual thinking man's Sci-Fi has moments of greatness, overall this emotionally void experience is one of the dominate companies worst original studio efforts this side of their Sandler "comedies".

2 bunk beds out of 5

Don't know why this is getting some bad reviews. This was actually pretty darn good.

This movie has an interesting take on consciousness and death that is worth the time to watch. Perhaps people are not liking the existential weirdness and the questions it brings up but I enjoyed myself on this one.

I think we all need to ponder consciousness and reality a little more.

They bait you into thinking that this will provide for some interesting ideas for you to reflect on, but nope.

The main problem is that the story doesn't hold. I mean, the message of the movie is good and inspiring, but the story is just a mess that is full of holes.

They just took one good old movie and re-told it slightly adjusting the focus. I won't spoil it for you so check this out if you're interested anyways.

But be warned, this movie is slow and packs quite a run time. What's more interesting is that they actually stretch it out intentionally, it has a lot of unnecessary scenes they should've cut and it wouldn't hurt the movie. Probably they had a run time to meet or something.

The dialogue is often forced, some scenes are written so badly they are barely believable. Also, the lead seriously underperforms, his acting is unconvincing and he is unable to deliver emotional moments (you'll see).

If you're a hardcore sci-fi fan, the ending will disappoint you (mostly because of how random it is). But you will know long before that the movie is going nowhere.

The idea behind the premise of The Discovery is an interesting one but its implementation isn't as refined as expected and only works in bits n pieces. It's a thoughtful feature that experiments with existential elements and poses some intriguing questions but it neither presents it in a convincing manner nor remains thoroughly gripping.

Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.

Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.

The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.

The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.

On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.

Just reading the synopsis raised my expectations, which is perhaps why the movie fell flat for me. Instead of an exploration of an intriguing idea, the film really became a declaration of faith in what is essentially a notion that cannot be proven and thus cannot really be known. When assertions are made about the mysteries of consciousness, you either believe them or you do not.

I would have given this a higher rating just for tackling such a difficult topic but the direction, acting and even cinematography never really came together. There were plenty of big, proven names who lent their prestige to this project and yet surprisingly none of the people involved seemed willing to commit. It was like they all knew the outcome would stink but no one wanted to sully their reputations by doing a bad job.

It is worth a watch if you are fans of some of the actors as I am. The arc of the plot is not unsatisfying even though it is in many instances frustrating. A film perhaps to while away the time and put yourself in a more contemplative mood.