Budapest Noir

1936 Budapest, with anti-Semitism on the rise. A woman is found dead on the streets in the district of whores. The body has no ID, only a Jewish prayer book, and appears to be dressed above the typical street whore. Intrigued, a newspaper crime reporter chases down leads by whatever means necessary, using contacts, thefts, and blackmail. He travels between high society and the rough streets, fighting off elements who want him to stop.

The "Noir" atmosphere is well rendered, and the portrait of a city with rising anti-Semitism seems realistic. The almost-final link seems to stretch believability (which is why I didn't score it higher), though the journey itself is enjoyable. I saw this at the Toronto Jewish Film Festival, and so was more sensitive to the Jewish background.

And this really isn't have english subtitle and audio on Netfilx??? What a madness. I don't really like hungarian films, because lot of them is very silly and lowbudget feeling like old czech films but badder because of they are very forced. So if somebody can tell you the truth listen to me, it's deserve to watch (if somewhere you can get the subtitle, i dont searched for, i just watched it on teh Netflix where it doesen't have). This and "The Whiskey Bandit (2017)" is the greatest hungarian films since "The Stationmaster Meets His Match (1980)" and the old blacknwhite hungarian films what had high quality of entertainment.

Having read the original novel, I was excited to see this movie since I loved the book.

As always, movies introduce changes from their original books to make the movie more "movie-like", and while I understand that it is difficult to have source material that is hundreds of pages long, something has got to go, I felt that they made some significant changes that lead to a worse movie.

In the books Zsigmond Gordon is quite a nice guy. He treats his girlfriend/wife all in all pretty well. In the movie he is portrayed as a bit of a chauvinist, a womanizer. The madame at the wh**e-house was also portrayed in a very different way, in the book she was sad and lonely. And so on, there are several changes like this.

Several of the locations felt very much like shot in a studio lot, which was also a shame since it would've given much more authenticity to the movie if more was shot in Budapest. But a difficult thing to pull of, logistically. The direction and acting was stiff at times, but all in all, not bad for a Hungarian movie with a limited budget.

In any case, a watchable movie!

Don't listen to some of the "professional" reviewers, this is a great film to watch. There is suspense, romance, humour and lots of atmosphere in this movie. Very nice images of 1930s Budapest and the interiors are great as well. Add to this excellent music, great acting, a not- too-complicated story, and there you have a start for a great evening with your spouse.

"Budapoest Noir" (2017 release from Hungary; 95 min.) brings the story of Zsigmond Gordon, a newspaper reporter on the crime beat, investigating a murder in 1936 Budapest. As the movie opens, a train rolls in the station, and we see the casket carrying the body of Prime Minister Gyula Gömbös. We then get to know Gordon, always looking for the next good crime story. At lunch, a mysterious woman asks him to light her cigarette (and manages to have him pay for lunch too). Then one day, he gets a tip that a woman is found dead in the streets. And wouldn't you know, it's the very same woman who had asked for a light. Turns out the woman is Jewish. As the country is readying for the Prime Minister's funeral, Gordon is determined to find the killer... At this point we are 10 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the big screen adaptation of the Hungarian bestseller, reportedly the first book noir in Hungary's history. I haven't read the book so I can't comment on how close the film stays to the book (or not). What I can comment on is that, regretfully, the movie lacks on all levels. The performers act in a wooden and very staged way, and you can practically hear the director yell "and... ACTION" at the beginning of each scene. I can't recall the last time i saw a film so incredibly awkward. As to the film's "noir" element, there's a lot (and I mean, a LOT) of cigarette smoking going on... That's about the only aspect I detected as being "noir". Bottom line: at no time did I feel ever any emotional connection or involvement with the movie's characters. I should care who murdered the young woman and wonder why she was murdered, but I simply didn't...

I recently saw this film at the 2019 Jewish & Israeli Film Festival here in Cincinnati, celebrating its 30th anniversary this year. I have attended the festival for years, and most of the time the festival's planning committee does an excellent job in putting together a worthwhile and engaging program. Alas, on this one, they simply whiffed and I cannot recommend "Budapest Noir" to anyone in good conscience, sorry.