A harrowing but meticulously observed look at teenage lives in the era prior to the Columbine High School massacre.A harrowing but meticulously observed look at teenage lives in the era prior to the Columbine High School massacre.A harrowing but meticulously observed look at teenage lives in the era prior to the Columbine High School massacre.
- Director
- Writers
- Stars
- Awards
- 4 wins & 5 nominations total
Philip H. Ashley
- Chad
- (as Philip Hackworth Ashley)
Olympia Nicole
- Girl #1
- (as Nicole Emmons)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
First off this is NOT a horror movie in any way. So I'm not sure why they have labeled it one. It's a dramatic thriller. The story was really good and I liked the era and setting it takes place in. But then towards the end it kind of loses me. It doesn't really wrap up anything with the individual characters and abruptly just ends. If there was some kind of a hidden meaning in there I didn't see it. Good movie but the ending just leaves you thinking but not in a good way.
A brilliant directorial debut by Kevin Philips. From the opening shot itself, the super dark mood is created in this film set in the mid-90s. A lot is communicated using visuals and incidents that aren't directly related to the main plot which solidifies the atmosphere of the film. Owen Campbell lives and breathes as Zach, even his inhaling and exhaling was so perfect for the character at each particular moment. But the third act was not a well-written part of the film where the characters act upon motivations that feel rushed without proper transition and ends up like a lot of other films.
Teenagers Zach (Owen Campbell) and Josh (Charlie Tahan) have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence. Not to mention both friends are interested in the same girl (Elizabeth Cappuccino).
Viewers of a certain age and upbringing will latch on to this film almost immediately. This was life in the pre-Internet era, circa 1992, with scrambled pornography on television being the most exciting thing a teenage boy could hope for. Perhaps an older brother will have a sword or some other contraband to show off to your suburban friends and be a hero for a day.
Through this film, we also get a peak at the "nerd" or outcast world, not far removed from the group of kids featured on Netflix's "Stranger Things", if we add a few years. Having been a part of that crowd and that generation, the reviewer can confirm that conversations about a prosthetic "hand that cooks steaks" might have been entirely plausible. Interestingly, the outcast world (the reviewer again confirms) has its own tiers. There is more than one kind or level of unpopular, and as we see in "Super Dark Times", the annoying overweight kid is likely to be looked down upon, even by those already ostracized.
Without giving too much away, let us just say an unfortunate death haunts this small band of outsiders, but what really shows off the cleverness of the script is how they deal with it in different ways. Who will be able to handle the pain and guilt? Who will be eaten up inside? And as the warning signs tart adding up, will anyone notice that this is not all just going to blow over? The acting is top-notch and you have to give these kids credit for tackling such dark material and executing it flawlessly.
The direction is strong, and this really comes through later in the film as we start to feel the pacing gnaw at us (in a good way). There is an incredible use of suspense and tension as the film reaches its climax, and if you find yourself literally on the edge of your seat, you are not alone. The viewer ultimately winds up caring about these kids, and cannot even attempt to look away as things could become worse or salvation swoops in. It could go either way – you just have to watch and see.
"Super Dark Times" screened on July 13, 2017 at the Fantasia International Film Festival (opening day). There are many strong films this year, as there are every year, but this film really sets the bar high for suspense and thrills. As the festival rolls on, other films will try – and possibly not succeed – in matching that bar.
Viewers of a certain age and upbringing will latch on to this film almost immediately. This was life in the pre-Internet era, circa 1992, with scrambled pornography on television being the most exciting thing a teenage boy could hope for. Perhaps an older brother will have a sword or some other contraband to show off to your suburban friends and be a hero for a day.
Through this film, we also get a peak at the "nerd" or outcast world, not far removed from the group of kids featured on Netflix's "Stranger Things", if we add a few years. Having been a part of that crowd and that generation, the reviewer can confirm that conversations about a prosthetic "hand that cooks steaks" might have been entirely plausible. Interestingly, the outcast world (the reviewer again confirms) has its own tiers. There is more than one kind or level of unpopular, and as we see in "Super Dark Times", the annoying overweight kid is likely to be looked down upon, even by those already ostracized.
Without giving too much away, let us just say an unfortunate death haunts this small band of outsiders, but what really shows off the cleverness of the script is how they deal with it in different ways. Who will be able to handle the pain and guilt? Who will be eaten up inside? And as the warning signs tart adding up, will anyone notice that this is not all just going to blow over? The acting is top-notch and you have to give these kids credit for tackling such dark material and executing it flawlessly.
The direction is strong, and this really comes through later in the film as we start to feel the pacing gnaw at us (in a good way). There is an incredible use of suspense and tension as the film reaches its climax, and if you find yourself literally on the edge of your seat, you are not alone. The viewer ultimately winds up caring about these kids, and cannot even attempt to look away as things could become worse or salvation swoops in. It could go either way – you just have to watch and see.
"Super Dark Times" screened on July 13, 2017 at the Fantasia International Film Festival (opening day). There are many strong films this year, as there are every year, but this film really sets the bar high for suspense and thrills. As the festival rolls on, other films will try – and possibly not succeed – in matching that bar.
If there's another 2017 film that starts off really well and continues greatness until it loses all its momentum and potential and becomes a mess in its third act, then I haven't seen it. This film is an intriguing but realistic psychological drama/thriller for its first two acts and then decides to become a genre film instead. By doing so, it loses everything that made it interesting. Maybe in retrospect and on a possible rewatch I will think the third act is fine for what it is, but it's such a shame the turn the film makes. Still, it remains a worthy effort overall, with some fine performances from its cast and some effective imagery.
Then Super Dark Times might have been it. Overall I enjoyed this film and I do recommend it. The performances of the young actors are well done;I especially enjoyed the performance of Amy Hargreaves (the attractive mother) who plays the mom as someone who is unaware of the exact situation her son has gotten himself into, but she is NOT your stereotypical naive and clueless parent that is so often portrayed in such films.
That said, the film is not without its faults. The opening scene which the director NEVER returns to makes absolutely NO SENSE in the context of this movie. Additionally, having been a high school geek myself (although that was back in the late 70s and early 80s), I find it odd that the cute girl (played by Elizabeth Cappuccino) would even have the slightest romantic interest in the nice guy geek Zach played by Owen Campbell; sorry but those of us who fall into the "late bloomer" category know that growing up, the most we could hope for from the cute girls was to end up in the friend zone and foolishly hope that one day she would wake up and realize that the nice guy is the guy for her (BALONEY!) That subplot reeked of a writer's fantasy to me.
One particular standout was Sawyer Barth as the eighth grade boy from another school who accidentally gets caught up in the violence. I must say, this young fellow gave a very underrated by convincing performance in a supporting role.
Finally, a few points about how the ending unfolds as it does left me somewhat confused. I could not understand why one particular character behaved a certain way, nor did I understand why someone else did NOT do something that should have been fairly obvious. That's all I want to say since I don't want to spoil it for anyone. I give it a recommendation if you like dark coming of age stories.
That said, the film is not without its faults. The opening scene which the director NEVER returns to makes absolutely NO SENSE in the context of this movie. Additionally, having been a high school geek myself (although that was back in the late 70s and early 80s), I find it odd that the cute girl (played by Elizabeth Cappuccino) would even have the slightest romantic interest in the nice guy geek Zach played by Owen Campbell; sorry but those of us who fall into the "late bloomer" category know that growing up, the most we could hope for from the cute girls was to end up in the friend zone and foolishly hope that one day she would wake up and realize that the nice guy is the guy for her (BALONEY!) That subplot reeked of a writer's fantasy to me.
One particular standout was Sawyer Barth as the eighth grade boy from another school who accidentally gets caught up in the violence. I must say, this young fellow gave a very underrated by convincing performance in a supporting role.
Finally, a few points about how the ending unfolds as it does left me somewhat confused. I could not understand why one particular character behaved a certain way, nor did I understand why someone else did NOT do something that should have been fairly obvious. That's all I want to say since I don't want to spoil it for anyone. I give it a recommendation if you like dark coming of age stories.
Did you know
- TriviaAccording to Kevin Phillips, the opening scenes involving the deer getting put down in the cafeteria were based on an urban legend that occurred in his school in Pennsylvania.
- ConnectionsFeatured in Horrible Reviews: Best Movies I've Seen In 2023 (2024)
- SoundtracksSadie
Performed by Bitch Magnet
Written by Sooyoung Park, Jon Fine and Orestes Morfin
Courtesy of Temporary Residence Ltd
By arrangement with Bank Robber Music
- How long is Super Dark Times?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Очень тёмные времена
- Filming locations
- Kingston, New York, USA(Location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $33,109
- Opening weekend US & Canada
- $19,328
- Oct 1, 2017
- Gross worldwide
- $33,109
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content