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A couple in a troubled marriage locate a meteorite, initiating an encounter with a mysterious creature. Their lives are turned upside down by the discovery of the creature, which is a source... Read allA couple in a troubled marriage locate a meteorite, initiating an encounter with a mysterious creature. Their lives are turned upside down by the discovery of the creature, which is a source of both pleasure and destruction.A couple in a troubled marriage locate a meteorite, initiating an encounter with a mysterious creature. Their lives are turned upside down by the discovery of the creature, which is a source of both pleasure and destruction.
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"Phallocentric" fiction comes to mind when this bizarre Mexican horror film, The Untamed, opens with Veronica (Ruth Ramos) masturbating or not; in a short while Ale (Simone Bucio) has a snake-like creature leaving her vagina. Well, this is like no other alien you have ever seen, and its power to make sexually crazy more than one object of its affection propels a little sci-fi into Freudland and for a long time into the audience's imagination, not soon to leave.
Mexican auteur Amat Escalante has crafted an odd drama about frustrated young adults, one of whom, Angel (Jesus Meza), is having an affair with Ale's brother. Angel, of course, acts like a macho homophobe when he isn't either. He's a coward tormented by his closeted world.
But have no fear, for your tentacled alien, housed in the dark woods by a troubled couple, can bring pleasure and destruction when the situation suits. Because this giant phallus is addictive, the victims come back for more until it all isn't safe anymore.
If you long for philosophical ruminations, such as Rod Serling might give at the end of a Twilight Zone segment, forget it. So deeply is the passion of the players buried in their primitive sexual desires, we enter a spiritual realm that despite the octopus-like alien is a figurative representation of repression and liberation and not easily explained.
After all, the rapture of the enraptured is depicted as if a python had coiled its victim in readiness for a very big feast. As in life itself, the sway of sexuality can be underestimated but never avoided. The Untamed proves in a figurative way what we all knew from the nuns, namely, sex is a killer.
Mexican auteur Amat Escalante has crafted an odd drama about frustrated young adults, one of whom, Angel (Jesus Meza), is having an affair with Ale's brother. Angel, of course, acts like a macho homophobe when he isn't either. He's a coward tormented by his closeted world.
But have no fear, for your tentacled alien, housed in the dark woods by a troubled couple, can bring pleasure and destruction when the situation suits. Because this giant phallus is addictive, the victims come back for more until it all isn't safe anymore.
If you long for philosophical ruminations, such as Rod Serling might give at the end of a Twilight Zone segment, forget it. So deeply is the passion of the players buried in their primitive sexual desires, we enter a spiritual realm that despite the octopus-like alien is a figurative representation of repression and liberation and not easily explained.
After all, the rapture of the enraptured is depicted as if a python had coiled its victim in readiness for a very big feast. As in life itself, the sway of sexuality can be underestimated but never avoided. The Untamed proves in a figurative way what we all knew from the nuns, namely, sex is a killer.
A elderly couple house a strange creature from space in their barn. This creature provides great sexual pleasure and indeed brings hidden desires for instant gratification to the surface. However, the creature is also capable of destroying. In the forefront of the story though is a decaying marriage where the wife seeks a better life and a decent sex life, as her husband is bored, abusive and having a failing relationship with his brother in law.
Very odd mixture of horror / sci-fi and domestic drama in that whilst the performances and the tone are well enough handled, the sci-fi and the domestic drama don't always compliment each other successfully, such that the switch from one to the other is frequently uncomfortable and unfulfilling story wise. Very much more domestic drama than Sci-fi, by the end you can't help wondering if a bit more exploitative horror might not have helped.
Very odd mixture of horror / sci-fi and domestic drama in that whilst the performances and the tone are well enough handled, the sci-fi and the domestic drama don't always compliment each other successfully, such that the switch from one to the other is frequently uncomfortable and unfulfilling story wise. Very much more domestic drama than Sci-fi, by the end you can't help wondering if a bit more exploitative horror might not have helped.
This film is about finding pleasure. The five main characters are husband, wife, brother, girl and alien. There are lies, sex, orgasmic encounters and jealousy. Good setup for a strange sci-fi drama.
This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.
This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.
The Untamed wasn't terrible. It's a science-fantasy or space opera story: an alien falls to Earth and radiates sexual satisfaction, affecting man, woman, and beast. I generally like this type of story, and it was well acted for the most part, with good production values.
But the plot seemed to drag quite often. I think the reason is, we don't get much communication from the women or the man most directly affected: How is penetration of multiple orifices by this non-verbal, non-human, definitely not cuddly beast superior to or substantially different from penetration (presumably of multiple orifices) by those folks' not-very-verbal, not very communicative, not-sticking-around-to-cuddle human partners? This is not at all clear. Neither is it clear how some people were injured, nor why, knowing the risks, some people continued to rendezvous with the alien.
Normally we would say, "Show, don't tell." But doing that would have turned the film into pure porn. Okay, why not tell us, using the usual stratagem of one character sharing their experience and their feelings with another character, so we get to overhear it? We see how the situation creates peripheral, real-word problems for the characters, but that just wasn't enough - for me - to build empathy. It left me cold, and the rather cavalier, nonchalant attitude expressed in the final scenes did nothing to build any redeeming affection for the characters.
It's okay, but the writers and director let us down, because it could have been a lot better.
But the plot seemed to drag quite often. I think the reason is, we don't get much communication from the women or the man most directly affected: How is penetration of multiple orifices by this non-verbal, non-human, definitely not cuddly beast superior to or substantially different from penetration (presumably of multiple orifices) by those folks' not-very-verbal, not very communicative, not-sticking-around-to-cuddle human partners? This is not at all clear. Neither is it clear how some people were injured, nor why, knowing the risks, some people continued to rendezvous with the alien.
Normally we would say, "Show, don't tell." But doing that would have turned the film into pure porn. Okay, why not tell us, using the usual stratagem of one character sharing their experience and their feelings with another character, so we get to overhear it? We see how the situation creates peripheral, real-word problems for the characters, but that just wasn't enough - for me - to build empathy. It left me cold, and the rather cavalier, nonchalant attitude expressed in the final scenes did nothing to build any redeeming affection for the characters.
It's okay, but the writers and director let us down, because it could have been a lot better.
Giving in to your lust and pleasure and indulging in it, may not be the safest thing to do. And even though we know this (even if it sometimes it's just somewhere buried deep inside, we do know it), we can not help ourselves from time to time to go overboard. Or to just simply do something that makes no sense.
All this get heightened when we mix something from far out there. Although in this case it seems enclosed and contained, it is anything but. In a way this reminds me a bit of little shop of horrors. But this is not made in a funny way and it is pretty sexual. So mix in a bit of alien Hentai and you get this here. It is explicit but while I didn't stop/pause or rewind I don't think to the point of actual penetration. Still weird stuff to say the least and obviously meant to shock in more than one way.
Story makes sense (if you get over the initial Science Fiction part of it) and is decent - again, only if you're not offended by the nature and the depiction ...
All this get heightened when we mix something from far out there. Although in this case it seems enclosed and contained, it is anything but. In a way this reminds me a bit of little shop of horrors. But this is not made in a funny way and it is pretty sexual. So mix in a bit of alien Hentai and you get this here. It is explicit but while I didn't stop/pause or rewind I don't think to the point of actual penetration. Still weird stuff to say the least and obviously meant to shock in more than one way.
Story makes sense (if you get over the initial Science Fiction part of it) and is decent - again, only if you're not offended by the nature and the depiction ...
Hispanic and Latin American Horror Movies
Hispanic and Latin American Horror Movies
Some of the best horror films of the 21st century have been from Latin America and Spanish speaking countries, including classics The Orphanage, When Evil Lurks, and more.
Did you know
- TriviaThe film is dedicated to Polish director Andrzej Zulawski, whose cult film Possession (1981) inspired the concept.
- ConnectionsFeatured in Horror's Greatest: Hidden Gems (2025)
- SoundtracksCamino de Guanajuato
Written and Performed by José Alfredo Jiménez
Bajo licencia de La Banda Yurirense y PHAM
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- La región salvaje
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $27,593
- Opening weekend US & Canada
- $2,718
- Jul 23, 2017
- Gross worldwide
- $61,249
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.66 : 1
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