Sweet, Sweet Lonely Girl

I can't really comment on this movie, let alone give my review, because I don't know wtf I just saw, all I know it was really darkling loveliness, very much so , totally well written even though I have no idea wtf... lol, I can definitely say one thing, A.D. Calvo, this is his last film on his list of films but my first of his to see, I came here cause of the terrific! thespian Quinn Shephard; fell in love with the sweetness of an angel named Erin Wilhelmi in all her creepy lovely melancholic adorableness - just have to see it to actually believe this ending, what a ride, hella awesomely weird - I mean H.P. Lovecraft can't compose something this awfully creepy! But yet so cute all at the same time!

For style as for the movie thank you for Wasting My Time like time is free I came for entertainment I got bored

Lonely Adele moves in with her agoraphobic aunt to take care of her and get some money for her family and meets a free-spirited peer who leads her down a dark path.

Those uninterested in slow paced character studies would be wise to swipe Sweet, Sweet Lonely Girl off their watch list immediately. Even those who enjoy such films might find parts of the journey interesting even when the destination isn't much to write home about. Performances are mostly decent to fairly good and the film is beautifully shot, evoking a 70's/early 80's mood right from the start. There are moments when the film could sit comfortably alongside the likes of Let's Scare Jessica To Death, The Nesting, or even the more recent House of the Devil. Unfortunately, it doesn't seem to know how to end in a satisfying fashion and all that great mood and build up feels like it was all for naught.

This atmospheric gem is comparable to the same-year film The Caretaker. Both are great bookends for scary-old-lady films made famous at first by Bette Davis. Creepy, artsy, with some sexual scenes but no nudity. No ghosts either.

There is something here. Something that is not fully explored, but there is also hints and nods to classic horror movies. Like haunted house ones or ones with weird unknown old people in the same house the protagonist is in. Or are they really there? Or even better: who are they? Do we get to see that person? Not here, because the aunt who is helped by her niece here, does not like anyone to enter her room. Or do stuff in that large house of hers.

You could re-watch this and probably find things you didn't notice the first time around. Or at least see them in a different light. Then again you may already see a couple of things, especially if you are film savvy, the first time around. As stated above the potential is there, but it's not always fully explored. And I don't just mean tone-wise or in the form of getting rid of shells/clothes to bare something deep skinned. The movie does seem to play it safe in certain areas and yet there is a lot of subtext. There is a lot of things that you can interpret however you see fit ... What will it be?