IMDb RATING
6.8/10
5.2K
YOUR RATING
Tells the story of Whitney Houston's extraordinary life and tragic death.Tells the story of Whitney Houston's extraordinary life and tragic death.Tells the story of Whitney Houston's extraordinary life and tragic death.
- Directors
- Writers
- Stars
- Awards
- 1 win & 3 nominations total
Whitney Houston
- Self
- (archive footage)
John Russell Houston Jr.
- Self
- (archive footage)
- (as John Houston)
Ellin Lavar
- Self - Friend and Stylist
- (archive footage)
- (voice)
Robyn Crawford
- Self - Whitney's Closest Confidant
- (archive footage)
Clive Davis
- Self - Chairman and CEO, Arista Records
- (archive footage)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There is not much new that is revealed in this documentary. What is new is the fact its brought to our attention that Cissy Houston was a terrible mother!
Cissy, you & Whitney would perform at Gay Bars (When Whitney Was Young) and yet you despised gay people because "Against God". So is divorce yet you had one. Drx before marriage BINGO that's against God as well. What troll you are Miss Cissy. Gay dollars were fine but we "Are going against God". Your foolish belief cost you not only your daughter but your grand daughter. It also seems no matter who "Whitney Loved" you were always against it. I think you were mad every time Whitney sold another record.
Long before Whitney Married Bobby she was rumored to have a girlfriend and her new name is front and center in this documentary. Sad that Whitney felt forced to be straight because of her jealous mother made her life hell.
I said years ago "Stop Blaming Bobby". Whitney's problems started long before he came along.
Its just too to know what happened not only to Whitney but her daughter as well!
Cissy, you & Whitney would perform at Gay Bars (When Whitney Was Young) and yet you despised gay people because "Against God". So is divorce yet you had one. Drx before marriage BINGO that's against God as well. What troll you are Miss Cissy. Gay dollars were fine but we "Are going against God". Your foolish belief cost you not only your daughter but your grand daughter. It also seems no matter who "Whitney Loved" you were always against it. I think you were mad every time Whitney sold another record.
Long before Whitney Married Bobby she was rumored to have a girlfriend and her new name is front and center in this documentary. Sad that Whitney felt forced to be straight because of her jealous mother made her life hell.
I said years ago "Stop Blaming Bobby". Whitney's problems started long before he came along.
Its just too to know what happened not only to Whitney but her daughter as well!
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
When world famous recording superstar Whitney Houston died from a drug overdose in February 2012, it sent the showbiz world into chaos and had everyone talking. Director Nick Broomfield examines her life leading up to her death, from her upbringing in the slums of the ghetto, where she first began experimenting with drugs, but also discovered her amazing, soulful voice, that would lead to her conquering the world with her singing, where she harmonised it singing in the choir in the local evangelical church. When she first hit the big time, she first experimented with her sexuality with assistant Robyn Crawford, before settling down with r n' b singer Bobby Brown, which sadly lead to a downward spiral of drink and drugs that ruined it all.
If there are many things Broomfield's documentary misses out on, one salient point it does raise is how unhappy Whitney apparently was with the manufactured, fuzzy commercial pop she was made to sing by her record company, designed to appeal to the mainstream white suburban America that was apparently more likely to buy the records, rather than stuff that was more grounded in her roots, with no one wanting her to become 'the female James Brown.' While these were the tunes that made her famous, it's disconcerting to know she felt so little of it behind the scenes. As if out of some weird respect for this, Broomfield brushes over most of her early back catalogue, and musically, focuses on her 1992 cover of Dolly Parton's I Will Always Love You, from the hit motion picture The Bodyguard.
Another touchy subject that has never received much attention before is her rumoured bisexuality, which is sparingly explored here in the early stages, but what's more revealing is the disdain for such things that exists among, or did exist among, the black community in America at the time, and if Whitney wasn't spurned by her fans or wider society, she would have been by those closer to her. Running under the two hour mark, it's hard not to surmise that Broomfield may have had a lot of missed opportunities, and stuff he neglects to explore or delve into that could have added more substance to the proceedings, and given it a more interesting edge.
It all feels very similar to a lot of what has already been documented about Whitney's personal/private life in TV documentaries and such, and at this late stage it's hard not to feel like you're seeing stuff you've already seen. But it's still a fairly well made and focused documentary of a cultural icon. ***
When world famous recording superstar Whitney Houston died from a drug overdose in February 2012, it sent the showbiz world into chaos and had everyone talking. Director Nick Broomfield examines her life leading up to her death, from her upbringing in the slums of the ghetto, where she first began experimenting with drugs, but also discovered her amazing, soulful voice, that would lead to her conquering the world with her singing, where she harmonised it singing in the choir in the local evangelical church. When she first hit the big time, she first experimented with her sexuality with assistant Robyn Crawford, before settling down with r n' b singer Bobby Brown, which sadly lead to a downward spiral of drink and drugs that ruined it all.
If there are many things Broomfield's documentary misses out on, one salient point it does raise is how unhappy Whitney apparently was with the manufactured, fuzzy commercial pop she was made to sing by her record company, designed to appeal to the mainstream white suburban America that was apparently more likely to buy the records, rather than stuff that was more grounded in her roots, with no one wanting her to become 'the female James Brown.' While these were the tunes that made her famous, it's disconcerting to know she felt so little of it behind the scenes. As if out of some weird respect for this, Broomfield brushes over most of her early back catalogue, and musically, focuses on her 1992 cover of Dolly Parton's I Will Always Love You, from the hit motion picture The Bodyguard.
Another touchy subject that has never received much attention before is her rumoured bisexuality, which is sparingly explored here in the early stages, but what's more revealing is the disdain for such things that exists among, or did exist among, the black community in America at the time, and if Whitney wasn't spurned by her fans or wider society, she would have been by those closer to her. Running under the two hour mark, it's hard not to surmise that Broomfield may have had a lot of missed opportunities, and stuff he neglects to explore or delve into that could have added more substance to the proceedings, and given it a more interesting edge.
It all feels very similar to a lot of what has already been documented about Whitney's personal/private life in TV documentaries and such, and at this late stage it's hard not to feel like you're seeing stuff you've already seen. But it's still a fairly well made and focused documentary of a cultural icon. ***
The stage curtains open ...
I just finished watching and reviewing the other documentary on Whitney Houston simply titled "Whitney" (2018) - and felt compelled to watch this one as well. I think the aforementioned documentary was better made and more detailed. But what I really appreciated about this one was the concert footage, and the behind-the-scenes / backstage footage as well.
When Whitney came off stage and went to the make-up/hair booth to catch a breather, and I saw the tears in her eyes and the drain and toll it was all taking on her, my heart broke for her. She really did pour everything she had into her singing, emotionally, physically and spiritually. And then she managed, somehow, to get it together in time to go back out on stage and finish the show.
There is just so much that went wrong in Whitney's life. Some blame Bobby Brown, others her Mom, others her Dad, others Robyn, and still yet others the time she was living in and what was socially acceptable and not acceptable. I guess I'm one who believes it was a combination and culmination of all of the above. I am also one who believes that we are all better for having had her in our lives, in whatever respect that may be.
I enjoyed this documentary. It was honest, fair and presented in an unbiased way. It is worth watching, if only to remember the heart of gold that Whitney always had - even during her inner conflict and pain. She always had that.
I just finished watching and reviewing the other documentary on Whitney Houston simply titled "Whitney" (2018) - and felt compelled to watch this one as well. I think the aforementioned documentary was better made and more detailed. But what I really appreciated about this one was the concert footage, and the behind-the-scenes / backstage footage as well.
When Whitney came off stage and went to the make-up/hair booth to catch a breather, and I saw the tears in her eyes and the drain and toll it was all taking on her, my heart broke for her. She really did pour everything she had into her singing, emotionally, physically and spiritually. And then she managed, somehow, to get it together in time to go back out on stage and finish the show.
There is just so much that went wrong in Whitney's life. Some blame Bobby Brown, others her Mom, others her Dad, others Robyn, and still yet others the time she was living in and what was socially acceptable and not acceptable. I guess I'm one who believes it was a combination and culmination of all of the above. I am also one who believes that we are all better for having had her in our lives, in whatever respect that may be.
I enjoyed this documentary. It was honest, fair and presented in an unbiased way. It is worth watching, if only to remember the heart of gold that Whitney always had - even during her inner conflict and pain. She always had that.
Wasn't expecting this to be a happy watch, but I really didn't know just how sad Whitney Houston's life was. It was a powerful and generally respectful and even-handed documentary look at her life.
I don't expect it would have much appeal to her fans or those who know a lot about her, because it's a pretty straightforward summary, and structured in the way you'd expect.
There's a biopic coming out about Houston which is going to be difficult. If they don't hold back, it's going to distress and depress many viewers. But if they sugarcoat her life and ignore the dark times, that's going to be dishonest and maybe even disrespectful. Good luck to the makers I guess - the film's completed, so it'll be interesting to see the reaction to it when it's released.
I don't expect it would have much appeal to her fans or those who know a lot about her, because it's a pretty straightforward summary, and structured in the way you'd expect.
There's a biopic coming out about Houston which is going to be difficult. If they don't hold back, it's going to distress and depress many viewers. But if they sugarcoat her life and ignore the dark times, that's going to be dishonest and maybe even disrespectful. Good luck to the makers I guess - the film's completed, so it'll be interesting to see the reaction to it when it's released.
We got the perfection with the bumps. I found this to be very respectful and I appreciated it greatly. What a fantastic talent who was a woman-- human. Gone too soon, like far too many others.
Did you know
- TriviaMuch of the footage in this documentary stems from backstage film shot during Whitney Houston's 1999 tour by Nick Broomfield's co-director, Rudi Dolezal. All the interviews with Houston's friends and family date from that time as they all refused to co-operate with Broomfield. Dolezal had over 100 hours of footage to draw from.
- Quotes
Whitney Houston: I want people to remember me just being a real nice person.
- ConnectionsReferenced in The Andrew Klavan Show: Is MAGA Over? (2017)
- How long is Whitney: Can I Be Me?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Vitni Hjuston: Biti svoja
- Filming locations
- Vienna, Austria(in concert)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $341,402
Contribute to this page
Suggest an edit or add missing content