Tehran Taboo

The idea of an animated film through rotoscope made the frames eye catching and interesting to watch. It also helped to make the movie more believable since it has not been shot in Tehran. But the story has been superficially narrated and has not gone to more than a collage of the misery of a nation.

The spectator cannot sympathize with the characters, since there is just a lot of unfortunate incidents taking place one after another, without answering fundamental questions. For instance, why is the boy mute? Is it congenital or has anything happened to him? Why does the woman become a prostitute? Why has the neighbor aborted her child two times? The movie COULD make us to take SOME of the conditions for granted, but the questions are too many and the story seems to be a realistic one.

The director/writer could instead take few of the issues that he brought up in the movie, and just develop the story around them, instead of narrating all of the misery one after another. Unfortunately this type of story telling makes the movie not last for long and be only useful to win awards.

A great movie showing the problems of Iranians in these days. It's so sad that these are really happening. An interesting choice was Zahra Amir Ebrahimi who was the victim of this Iranian morality that forced her to leave Iran. She was a victim of the same thing in the movie, too.

...one of the most powerful and provocative and useful. Its subject - the freedom. Not only in Iran but as escape from hypocrisy, fear, pressures and fear. Lives . And decisions controlling aspects defining them. Great animation, solid stories, special manner to explore the near reality. And tools for defining it. At first sigh, a film against oppression of religion. In essence, a pledge for accept the rights of the other. Well crafted, it remains a time in memory for the atmosphere. And for the clear, honest message.

A powerful film that leaves the viewer completely appalled at the end. Rotoscoping is ideally suited to this film by allowing the viewer to focus on the action and dialogues without being distracted by the details of untransformed images. This lets the viewer realize how religions, especially that which prevails in Iran and elsewhere, have been invented to control people, especially women. In Tehran Taboo, religion is clearly exposed as a catalyst used by criminally insane authorities to facilitate their crimes. Made me glad to be an atheist.

Exploring the sexual & gender double standards in contemporary Iran, all resulting from their strict religious codes, Tehran Taboo paints a thoroughly fascinating portrait of everyday life lived in the bustling modern metropolis where breaking societal taboos has now become the only way for its people to achieve freedom & happiness.