A young writer battles the intelligent software designed to help her write her new book and stumbles upon a conspiracy of social control.A young writer battles the intelligent software designed to help her write her new book and stumbles upon a conspiracy of social control.A young writer battles the intelligent software designed to help her write her new book and stumbles upon a conspiracy of social control.
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If this lead character had a single friend or family member to contact, this movie could be palpable.
Reality seems like a foreign language in this art piece. The message is interesting, but it could have been executed much much much better. As an episode of the Twilight Zone.
Reality seems like a foreign language in this art piece. The message is interesting, but it could have been executed much much much better. As an episode of the Twilight Zone.
This movie was quite the bizarre fest as a writer gets introduced to TECH that helps her write better. Haha.... I don't know quite how I feel about this one. So I'm going to give it a 5/10
This is yet another movie that really isn't as good as the writer intended and nowhere near as good as it could have been. So many writers these days have really, really good concepts and ideas to get across, but they get so caught up in being unique or Avant-garde that they end up making their work completely incomprehensible.
This movie had a great idea to convey how the lines between human creators and technology are being so blurred these days and how the corporate control of creative endeavors is destroying the creativity that should be inherent to the process. The beginning and ending of the movie did a good job of forwarding those ideas in an effective yet unique way. The problem was the entire middle half of the movie which made little to no sense even with drugs factored in!
Ever since the 1960s, there has been a growing number of writers, especially young writers, who have gotten the idea that leaving the audience with more questions about the movie when it is over than they had when it started is somehow a good thing. This. Is. A. Lie. You can have an excellent movie that leaves you with many questions, but if you are walking out of the theater or turning off the TV and are still wondering what in the hell the movie was about, the writer has done a BAD JOB OF WRITING! I know there are people who will be very opposed to my opinion, but the thing is, it is not just my opinion, it is the opinion of almost every person on this planet who is not trying to be a pretentious jerk by saying that people who don't "get it" are just not intelligent, deep, or special to understand.
Writers need to learn to write WHOLE stories, stories that have a beginning, a middle, and an end so that when the audience has finished the story, they can actually tell what it was about. Can writing schools please start teaching that again? Because I am really tired of watching movies with really great ideas that completely fail to come together because the writer never got past the idea stage, but still somehow made it into a movie.
This movie had a great idea to convey how the lines between human creators and technology are being so blurred these days and how the corporate control of creative endeavors is destroying the creativity that should be inherent to the process. The beginning and ending of the movie did a good job of forwarding those ideas in an effective yet unique way. The problem was the entire middle half of the movie which made little to no sense even with drugs factored in!
Ever since the 1960s, there has been a growing number of writers, especially young writers, who have gotten the idea that leaving the audience with more questions about the movie when it is over than they had when it started is somehow a good thing. This. Is. A. Lie. You can have an excellent movie that leaves you with many questions, but if you are walking out of the theater or turning off the TV and are still wondering what in the hell the movie was about, the writer has done a BAD JOB OF WRITING! I know there are people who will be very opposed to my opinion, but the thing is, it is not just my opinion, it is the opinion of almost every person on this planet who is not trying to be a pretentious jerk by saying that people who don't "get it" are just not intelligent, deep, or special to understand.
Writers need to learn to write WHOLE stories, stories that have a beginning, a middle, and an end so that when the audience has finished the story, they can actually tell what it was about. Can writing schools please start teaching that again? Because I am really tired of watching movies with really great ideas that completely fail to come together because the writer never got past the idea stage, but still somehow made it into a movie.
So the setup is pretty simple and rife for some manner of scifi/horror examinations or exploitations; a broke writer grudgingly accepts an AI editor to basically live-edit her newest work as she writes and her publisher will pay her bills and such so she can keep writing.
Over time, they keep sending more upgrades and additions to the AI, to the point where the AI begins to manipulate the story itself.
But none of that is important or really tangential to whatever this film was going for. Instead, the writer, Bobbi Johnson, goes on drug-fueled writing binges rife with laughable "techie-techno" style music and flashing lights while writing some absurdly over the top purple prose. What little of it we are shown is essentially meaningless word salad. The tone of the film and its alleged theme seem to indicate this was intentional.
Along the way, Bobbi is harassed by a stalker who sends her video tapes, a brother who keeps pestering her to hold onto drugs and guns, a deadline that is thrust in her face at the very top of the neon-light eyesore of a computer she has to work from, and the fact that she is inexplicably coughing up ink and her fingers, hands, and arms are slowly becoming coated black with ink.
All of this keeps escalating and culminating in a finale that, without spoiling, seems to make little to no sense either to someone outside of the writing and publishing world, or else like the incoherent, esoteric rantings and ravings of a high-minded writer complaining about the state of modern literature without really having any specific issue beyond buzzwords like "technology" and "truth" and "lies" and "fourth estate".
What message is trying to be said is in no way reflected by what the film is actually showing us. The rising issues of "fake news", propaganda, and expanding corporate media are in no way reflected by Bobbi becoming inky and presumably hallucinating a lot and computer tentacles.
If this scattershot assortment of imagery and themes was supposed to say something meaningful to someone, it clearly wasn't someone like me.
Over time, they keep sending more upgrades and additions to the AI, to the point where the AI begins to manipulate the story itself.
But none of that is important or really tangential to whatever this film was going for. Instead, the writer, Bobbi Johnson, goes on drug-fueled writing binges rife with laughable "techie-techno" style music and flashing lights while writing some absurdly over the top purple prose. What little of it we are shown is essentially meaningless word salad. The tone of the film and its alleged theme seem to indicate this was intentional.
Along the way, Bobbi is harassed by a stalker who sends her video tapes, a brother who keeps pestering her to hold onto drugs and guns, a deadline that is thrust in her face at the very top of the neon-light eyesore of a computer she has to work from, and the fact that she is inexplicably coughing up ink and her fingers, hands, and arms are slowly becoming coated black with ink.
All of this keeps escalating and culminating in a finale that, without spoiling, seems to make little to no sense either to someone outside of the writing and publishing world, or else like the incoherent, esoteric rantings and ravings of a high-minded writer complaining about the state of modern literature without really having any specific issue beyond buzzwords like "technology" and "truth" and "lies" and "fourth estate".
What message is trying to be said is in no way reflected by what the film is actually showing us. The rising issues of "fake news", propaganda, and expanding corporate media are in no way reflected by Bobbi becoming inky and presumably hallucinating a lot and computer tentacles.
If this scattershot assortment of imagery and themes was supposed to say something meaningful to someone, it clearly wasn't someone like me.
Peripheral was a strange movie. Not just in its title which is equally odd but must have some meaning, but also by the events that happen in it. Hannah artenten plays bobbi. A writer that uses a typewriter for her stories. But one day because of her boss something weird turns up on her doorstep. A strange computer or ai that is very advenced and can help her write more and so bobbie can be productive. It bassically wants to brainwash her and weird things happen after that and it leads somehow to a pregnancy due to the computer and bobbie starts to turn into one herself almost. Overall this movie is weird but it is acted well and the story was interesting.
Did you know
- TriviaBobbi has pictures of famous writers on the walls of her house...Kurt Vonnegut, Jack Kerouac, Franz Kafka, Virginia Woolf, Alan Ginsberg(?) and one other larger photo of a male author who remains - as yet - unidentified.
- Quotes
Gilmore Trent: No great writer ever turned away from a blank page in fear.
- How long is Peripheral?Powered by Alexa
Details
- Runtime
- 1h 29m(89 min)
- Color
- Aspect ratio
- 2.35 : 1
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