Stagecoach: The Texas Jack Story

Save 1 1/2 hrs of your time and don't bother. We gave it more time than the other review in hopes that it would improve. Unfortunately, it didn't. Trace Adkins' acting was comparable to the other characters but the story line did not have the depth necessary for it to be a good western. We like good westerns but this definitely failed to deliver.

...should stick to music.

Saw a few good reviews for this one and assume that they were either part of the cast or watching a different movie.

Lame story. Bad acting. Apparently couldn't even be bothered to come up with new names for the characters. Not engaging, not amusing, not up to the standards of your cheesiest spaghetti western. Fan of B movies and this doesn't even hit that standard. Kept waiting for some redeeming feature...nothing showed.

Way too many minutes of my life gone forever.

"There's a man coming from and he aims to bury you." Nathaniel Reed (Adkins) lived the life of a stagecoach robber and was successful. After taking down a large score him and his band decide to go their separate ways and live straight. Years later his past comes back to haunt him, and Calhoun (Coates) a former victim turned US Marshall is bent on revenge. In recent years most westerns have been what I call the $5 Westerns, meaning that the movies seem to be made on a budget of $5. This one had higher quality, not a ton, but enough. The thing this really had going for it though was that it was good. Surprisingly good. The movie isn't all that original or amazing, but compared to the recent crop of B-westerns this is easily one of the best. The acting is what you would expect but the story is actually well developed and interesting enough for you to stay interested in. The one down fall of this movie was the time jumping. The movie went from past to future to past to present and it was overly confusing. Some of the events didn't seem to line up, but other than that this is defiantly worth watching. Overall, one of the better westerns lately and one that I liked a lot more than I expected to. I surprisingly give this a high B.

Masked men led by Nathaniel Reed (Trace Adkins) rob a stagecoach driven by Calhoun (Kim Coates). Some years later, Nathaniel is three months behind on his mortgage. His wife Laura Lee Reed (Michelle Harrison) is sick. Former running mate Frank Bell arrives with news of another former mate being killed after tortured for information. Despite the warning, Nathaniel refuses to run. Calhoun is now a Marshall and arrives with Bonnie Mudd looking to capture him alive. In the gunfight, Calhoun kills Laura Lee. Nathaniel goes back to robbing with Frank and another mate Sid (Judd Nelson).

My first complaint may seem petty but it is important. I don't like some of the gunshot sounds especially inside the house. They sound soft almost like a cap gun. They need more power. The second annoying thing is the need to make Nathaniel the hero of the story. He insists on not hurting people during the robberies. It's such a weak and obvious move. He's almost a gentleman in the way that he's written. While Trace Adkins has functional acting skills, it is nowhere deep enough to be an emotional performance. All in all, this is not exciting. It is not insightful. It is not that interesting other than getting me to skim through Nathaniel Reed's wiki page.

Disappointing in almost every single way.

Where to start...the dialogue felt like the characters had just stumbled off some sit-com set, and were discussing what's for dinner or the latest on who's dating who. I can't think of a single character who delivered their lines with any grit, as we have come to expect in the Western genre. Some realistic acting limited to the facial expressions, at least - occasionally.

Some of the gunfights are almost comical, childish. Two enemies leaning around corners and shooting at nothing much, while their opponent is out of sight. Which is partly interrupted by some dialogue. Don't think I've seen guns fired on screen anytime, ever, where there was absolutely no tension. It is farcical at times.

The music feels like something from a video game. No variation, the dynamics are almost distracting from what is happening on-screen as they do not seem to match. Occasionally the music cuts out before resuming again 'for effect' I guess that was supposed to be. Interesting that the score is performed, recorded and mixed by just one man. Midi I am guessing then (that would make total sense, in hindsight).

I'm repeating what other reviewers have said, that it just feels like it is going through the motions. We are never captivated by the characters.

In its defence, the setting and the props (carriages, not so much the guns) seem fairly true to the genre. It gets 2 rather than 1 star for evoking something of the wilderness of the Western setting effectively.