Golden Exits

At times almost theatrical in dialogue/monologue, whilst in others, the encounters are real enough to make you feel like a voyeur in a conversation that's either awkward or personal.

Pretentious, over-written diarrhea. Yet another Woody Allen wannabe, peudo-sophisticated, verbose snooze fest.

This film tells the story of a man with a history of infidelity, who hires a young woman as an assistant. The dynamics at home changes dramatically.

I'm not sure why the film is titled as such, as the title does not seem to be connected to the story. However, that does not stop me from finding the story engaging. It portrays complex human emotions well. It has many recognisable faces as well.

I wanted so badly to like this. The cast... My goodness. Emily Browning, Mary Louise Parker, Lily Rabe, Chloë Sevigny, Ad-rock, Schwartzman. Come on. What a lineup.

But even they couldn't save this movie. All I saw were a bunch of unhappy women wondering about their husband's attention to them and if said husbands were cheating.... or unhappy women wishing they had men, as they are just sooo unhappy being alone. As a bonus, you also get to watch unhappy men seeking validation and attention that apparently their successful and beautiful wives can't provide. All this displayed through boring and unrealistic dialog and actions.

You're going to line up a cast of badass women and then place them in these surface level roles? Really? An absolute waste.

This movie wanted to be profound and intertwined but missed both of those goals by a mile. It really is a shame.

The film was shot in 15 days. It felt like it took that long to watch it. The character development had potential, but it was a paradise lost. The New York setting could have been utilyzed to it's benefit, but it was nowhere to be found. I kept hanging on for some plot development. It went down like a leak in an ignored tire... very slowly. I've rated movies this poorly due to gratuitous sex. That would have improved this loser.