You Were Never Really Here

I'm a huge fan of art films. This film is definitely inspired by taxi driver and that's one of the reasons why it caught my attention as I love that movie, but this film is a huge let down. It's not good. The acting is 10/10, the cinematography and camerawork is 10/10, but the plot is horrible and boring. Take blade runner 2049's slow (but awesome) pacing and slow it down, throw in an uninteresting predictable repetitive recycled plot we've seen a billion times which could have been told within 20 minutes, give the main character psychological traumatic issues and show us random crap that's going on in his mind, and you have this movie. It brings nothing new to the table and is done in a way that simply bores you. I love dramas, I know this movie is one, an art drama film, but there Wonder, no suspense, no clever conversations, no anything really. I felt like I was watching a long video demonstrating Joaquin Phoenix's phenomenal acting.

In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.

Joe (Joaquin Phoenix) is a man you hire to track down missing people. Joe is also a skilled ex veteran who is permanently traumatised by his dark past. When Joe works, he walks around with confidence and has no problems using violence in order to get the job done. After getting the job done and collecting his pay, Joe comes home to his elderly mother who he takes care of.

After completing a recent job, Joe is soon offered a new mission from a New York senator. The mission is to find and rescue the Senator's 13 year old daughter who may have been captured.

I enjoyed the fact that Joe as a character is no 007. It's clear that while he is skilled, he's also a man with a horrible past, but in the end... he is very capable for any task. To the audience, we feel Joe does what he does to distracts himself or perhaps occupy to his thoughts from dwelling on his own personal hell.

The film is loaded with tension, but to my surprise it's also all shot beautifully. When Joe is on a mission, we don't do see the smashing and bashing. The director here gives us enough understanding to know what Joe is doing each step of the way without needing to show us every single detail. Other scenes are filmed creatively, allowing us to see Joe's mind and thoughts. These scenes can come across like a dream sequence and viewers might possibly find this slow and boring. Others may lock into what we see of Joe's world and be thankful for how much we get to see of his personal life. For me personally, I loved how creative this film was. Showing different camera angles and Joe's mind in depth only helped me to gain greater understanding of the situation and the characters. Naturally it's these types of moments that also build the suspense!

From a performance level I loved Joaquin Phoenix. While I understand the actor has kept himself busy on screen, I personally enjoyed his work here more than anything else I've seen of him recently. The actress of the 13 year old victim (actress Ekaterina Samsonov) also acts incredibly and provides perfect screen chemistry with Joaquin Phoenix's character. I personably enjoyed seeing these two work together as the story built up.

Overall, I found this film rather surprising in a positive way. The film is dark, gritty and loaded with tension as it progresses, but we also gain a greater understanding to Joe's thoughts and his mind. We are given plenty of creative detail thanks to the awesome work from the director. That being said, I feel many will enjoy the film's creativity while others might start to look at their watch during the film. For me, I loved it, and it was great to see something new and fresh in 2018 with yet another solid performance from actor Joaquin Phoenix. Worth a look!

8.2/10 Walkden Entertainment

Joe (Joaquin Phoenix) is troubled living in New York City caring for his elderly mother and asphyxiating himself for comfort from a troubling past. He is hired to recover State Senator Albert Votto's runaway young daughter Nina from an underaged girls brothel. He buys a hammer and smashes his way through his crusade. He saves Nina but are confronted by murderous corrupt cops. It's the tip of a dangerous conspiracy leading all the way to the governor's mansion.

The first thirty minutes is a bit rough. It's an artsy meandering slow disjointed slice of life into Joe. I get it but it could be clearer. It does give a feel for the guy. It would be great to have a more complete flashback to his military or policing days instead of short flashes of everything. Once he gets hammering, the movie goes like a freight train with Joaquin driving hard. He delivers a great performance as usual. There is a shock ending which I don't like. Indies like to punctuate the end of their movies with a gunshot. It's a bit cheap and feels amateurish. Overall, there are some great work with a few flaws.

Yes I am aware that many thought this film was slow. However, it the slow and thoughtful burn of this film that makes it so unique and well done. It is, overall, a story about trauma and how this trauma has afflicted the protagonist. This is what trauma looks like. I already loved it but could further appreciate it after viewing a video by screened titled " How to Show Trauma" Just watch this video and then decide for yourself. Everything about this film was very much intentional and for good reason.

I'm still processing this. The comparisons to "Taxi Driver" are fair: the performances, the director's vision and exectution, the understated script..... those are some of the similarities. The major differences, for me include the depth to which the protagonist's trauma is not played out for us to view as observers, but drip-fed in increasing doses, often from a first-person perspective, which in my watching felt more like we were experiencing Joe's trauma with him, rather than seeing it played out for us. The film also has a lot of relevance to current discussions of modern masculinity, and here the gendering of social roles is presented very much more as a question than a statement.

If you prefer to finish watching a film with your friends and be able to agree pretty much without discussion on what it was about, then I suspect you might find this film pretentious or light on plot. If you're the type who enjoys discovering what your friends think they just saw, and don't mind spending a lot the movie time watching Joaquin Phoenix' face doing some really admirable acting, then this film might be as worthwhile for you as it was for me.