The Woman Who Left

Too long and too slowly need slowly watch The dilemma of real life and rascal

I had high expectation for this movie but 30 minutes after, I wanted to fast forward. It's not that I don't like long Lav Diaz movies, I was totally entertained with Norte; but I found Horacia, perhaps uninteresting. Perhaps I have a bias with Santos-Concio, a bigwig in TV in the Philippines, and I have trouble believing in her portrayal as a wronged woman. Having seen the ad also didn't help, all the highlights of the movie is in the 1 minute ad, the rest of the movie is just long takes of street view, night view, church view, etc. That's ok except, it has little to do forwarding the story. I also frown upon black and white movies that are too grainy, I wanted to turn on the sharp button. So see this if you are a Lav Diaz fan or if you have 3 hours to spare. Otherwise, you are better off with Norte.

Revealing the truth cleanses the soul, yet carelessness in doing so will condemn it. The knife cuts both ways. After 30 years in a prison work camp for a crime she did not commit, Horacia makes revealing the truth a priority in her life. With righteous fire she begins a quest to expose the true culprit. Her mark is Rodrigo; an arrogant and privileged former lover. Unlike Rodrigo, Horacia has a heart and this sensitivity and sympathy for others makes her vulnerable to distraction, to being found out before she has a chance to strike, or to losing her resolve in some way. Yet her good heart is also her strength. As Horacia closes in on Rodrigo, unexpected circumstances intervene.

This beautiful black and white film provides a intriguing portrait of small town Philippine society. Ambient sounds of wind in tree branches, tires on pavement and bird songs, lend authenticity to the images. At nearly four hours, the fans of "slow film" will certainly be in for an enjoyable, albeit snail-paced ride. I really enjoyed exploring the theme of how holding onto the truth, to hopes in your heart and helping others, invites both vulnerability and vindication. Winner of the golden lion and top prize at the 2016 Venice film festival.

Seen at the Viennale 2016: No, this movie is not too long. Don't be afraid of the many minutes. Lav Diaz knows how to entertain the movie buff. Most of the action takes place in the night and is filmed in black and white. I wondered, whether the use of b/w-film for the night scenes in the small village streets was a good idea. To my feeling the nights are darker in color. Anyway, too less story for the long-timed frames. The drama was not catchy enough for me to stay within the story. The long-timed frames provided (to me) too much time. So my mind wandered away from the movie and came back again and wandered away again and so on. This is okay with certain abstract movies, when your mind is set free with ideas and inspiration. Ang Babaeng Humayo did (to me) not provide this inspiration. Only the end is non-real enough to start dreaming. But there the movie ends abruptly. I saw it yesterday. And already today this nearly 4 hours are nearly forgotten. Left me unimpressed. But, praise to Lav Diaz! He wants and he dares. And for sure, I will go and see his next movie.

This beautiful black and white film provides a intriguing portrait of small town Philippine society. Ambient sounds of wind in tree branches, tires on pavement and bird songs, lend authenticity to the images. At nearly four hours, the fans of "slow film" will certainly be in for an enjoyable, albeit snail-paced ride. I really enjoyed exploring the theme of how holding onto the truth, to hopes in your heart and helping others, invites both vulnerability and vindication. Winner of the golden lion and top prize at the 2016 Venice film festival.

Revealing the truth cleanses the soul, yet carelessness in doing so will condemn it. The knife cuts both ways. After 30 years in a prison work camp for a crime she did not commit, Horacia makes revealing the truth a priority in her life. With righteous fire she begins a quest to expose the true culprit. Her mark is Rodrigo; an arrogant and privileged former lover. Unlike Rodrigo, Horacia has a heart and this sensitivity and sympathy for others makes her vulnerable to distraction, to being found out before she has a chance to strike, or to losing her resolve in some way. Yet her good heart is also her strength. As Horacia closes in on Rodrigo, unexpected circumstances intervene.