Roman J. Israel, Esq.

In "Roman J. Israel, Esq.," a drama written and directed by Dan Gilroy with Denzel Washington in the title role, the American legal system and the people who must somehow operate within its confines are exposed for what they are: an uneven mix of good and bad, with the tilt toward one or the other dependent as much or more so on the moral compass and grit of the individual as on circumstance, no matter how imposing or seemingly impossible they might be.

When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.

Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.

When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.

Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.

When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.

What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.

This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.

This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.

The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.

At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.

I initially wanted to condemn the film as reverse racist after the flag pin remark but I decided to give it a bit more time and ended up watching it to the end. Some say they were disappointed at a slow plodding film that misused the talented Denzel and slapped them with a crappy ending. We were not watching the same film. Here Denzel portrays a man with every possible thing against him: he's a black man with a presumed Muslim last name, who has an almost autistic nature because of his savant abilities which has repressed his ability to be financially successful because he has no real interest in money and prefers to pursue truth instead. Once scene depicts him well when he appears to be rambling and then slaps us with the conclusion bringing it all together: there is no way to retain purity. Bam. We are hit with Roman's plight.

It is these savant abilities that drive him mad in his own mind while his simplistic brilliance is overlooked and mocked. As he struggles with his predicament after losing his purpose, he makes a fatal error. But in the end we see it was really the people who looked down on him who made the error by misjudging what Roman had to offer.

In the most subtle way, the film also asks us to review how we've treated people who seem strange to us and who we have mocked for thinking or sounding different then what we believe people should sound like.

A profound character study that studies not only him impact but those who impact him.

I tried to edit my initial review but didn't see any way to do that since it wasn't published yet.

It was a good movie, but a tad confusing. DW is just as good as ever, it's worth watching. The movie was a little slow, but still not bad. If your a Hard core DW fan its worth a watch, but for a casual movie fan id say you can pass on it.

Denzel Washington stars as Roman J. Israel, Esq. a mildly savant criminal defense attorney whose life is turned upside down when his longtime law partner passes away. Suddenly the passionate civil rights attorney who thanks to his fiery demeanor should stay far away from an actual courtroom, is left looking for a job. He is forced to settle for working for George Pierce (Colin Farrell) a successful defense attorney, whom Roman views as a profiteer who doesn't care about his clients. The entire ordeal breaks Roman, who sells out his ideals and loses sight of who he was.

Denzel gives a good performance as the extremely passionate and slightly eccentric Roman J. Israel Esq., but Roman's penchant for long rambling speeches made for tedious viewing. Colin Farrell's Pierce develops into a much deeper character than he originally appears to be and is utilized well. However, while Roman's struggle to find his identity is the core of the film it never really is able to captivate. Ultimately the film settles in as an interesting character study that struggles to come together as anything more than that. While many would be content with that, it is a disappointing follow up for Dan Gilroy after his excellent debut with Nightcrawler.

This is a BRILLIANT journey from the perspective of someone utterly detached from any personal connection to those around him.

The story is told and presented in such a way that you, the viewer, feel as detached as Roman is, but compelled to follow his journey to the end. For although he has difficulty with human interaction, and detached from humanity on a personal level, he feels a strong responsibility for humanity itself.

Denzel, as Roman, is a behind the scenes lawyer, a legal savant with some mental complications (I'm no doctor) which many brilliant people, especially savants, often face.

Colin Ferrell is a successful lawyer who finds himself perplexed by Roman's behaviors while increasingly inspired to adopt Roman's mission in life as he is reminded of the reasons he went into law himself.

As the story unfolds, you find a detached sympathy for Roman in the same way he would feel for you. How uncanny that we can be so manipulated in the acting and direction process, while some viewers leave disappointed with the movie as "flat" or bad because they couldn't get emotionally involved with Roman, silly gooses, that was supposed to happen.

Roman's emotions are absent, or sometimes buried, as in the way he continually failed to express a normal response to the health predicaments of his former legal partner, something presented from the beginning of the movie and throughout.

It's a story which moves fast but isn't an action movie, it has no needless scenes or dialogue. In addition to the story of Roman, it tells the story of one particular concern within our legal system. It certainly deserves much more than the 6.4 rating it currently has. I would give it a solid 7.5 which is quite respectable at IMDb.