Deep Water

I suppose my title is as much a comment on me as the show. Only four episodes long, this series is confusing with multiple similar characters and intertwining subplots. Maybe this just an accurate reflection of true cop cases - many shades of gray and inferential evidence with few clearcut leads - but it doesn't make for good viewing. Maybe it's just my Pooh-brain too dithered to keep track of them all, but not for lack of experience.

How is this diminutive detective (played by Yael Stone) supposed to run down bad guys in boots with 3 inch heels. Why couldn't the director just accept she's only 5 feet tall and let her wear sneakers? Is there some sort of cinematographic rule against letting short people be short? Ironic because the director seemingly has no problem repeatedly filming closeups of her dwarfish, stubby fingers.

Deep Water is, for the most part, an engaging Australian crime/thriller series with a qualifier.....

In my opinion there's a discernible thread of rather brittle, well worn political correctness that would have best been discarded in favour of a more down to earth approach. The key character is buttoned up to a degree that undermines the simple, flawed humanity we all share. Instead she comes across as a poster boy (oops I mean girl) for the kind of saccharine, intolerant, tolerance, we have all been force fed by big government and its mainstream media stooges, over the last 20 or so years.

Her colleague, who seems infinitely more real as a person, is often a sounding board for her somewhat prickly "tut-tutting". Its a shame what, I feel, is a timid, almost apologetic, approach to scripting, has been adopted. Mainly because, in all other respects, Deep Water is a very engaging, intelligently written and well acted mini series.

In summary another decent Aussie series that has an important message about intolerance which, I believe, would have benefited from a more open and down to earth approach. Still a worthy watch. Eight out of ten from me.

A solidly okay series, the storyline was interesting if not a bit drawn out. The first two episodes introduced a lot of characters which made it hard to keep track of events. The last two episodes wrapped up nicely, but could have been shorter. Overall good cinematography and decent acting. Characters didn't have much depth.

It's Australia Day. Police detectives Tori Lustigman and Nick Manning are assigned the murder of Haris Rexhaj in his Bondi beach condo. He's a young gay Muslim. Tori suspects the homophobic neighbor but her superior directs them to the gay lover Rohan Assad. Rohan fears being deported to Iran. Further investigation uncovers a possible serial killer targeting homosexuals using a gay dating app. Tori is a single mom and new to the force from Goulburn. She is still haunted by a childhood incident with her gay brother.

This is a functional crime drama. There is a bit of ripped-from-the-headlines flavor. It does need a few more ingredients to extend this drama into a compelling 4 hour watch. Tori's childhood incident could have been heightened by doing a flashback. Her recollection of the incident is probably an emotional high point. The other part that needs expanding is the villain of the piece. It needs to make the supervisor a bigger character and more culpable. The story needs more drama and a bit more flavoring.