Use Me

I read somewhere this is a documentary but it isn't. This is basically trying to promote a nobody to mainstream. She's not interesting and rather boring. Zero charisma. Just another young body with a face that looks pretty with makeup. They take "real" bits about some cam girl and add fiction to make it seem legit. Kind of like how "reality" tv is made. And if you're hoping to see this cam girl fully naked then don't waste your time with this. You'll see some footage of her cam sessions where she's wearing lingerie whilst posing in a sexually suggestive manner and that's about it.

It's the worst type of film.It is somehow elitist while being gaudy and cheap. It is pretentious but the confidence emanates from entitlement. Talent is assumed not earned or revealed. The plot is chaos without point, cohesion or a flicker of creativity. Watching this is like being around a gaggle of teenagers, giggling and shrieking while telling a story that they assume to be a riot but is just noise that goes on endlessly, way past the time you can maintain your polite smile.

This is one of the best movies I've seen in a long time. I originally wished to watch it as I am a fan of Ceara Lynch. What I found was an immersive experience that really keeps you guessing.

I don't want to give away any spoilers but the screenplay in this movie is amazing. Every time you think you know what will happen next the movie mind screws you. The acting is top knotch as well. Ceara is of course beautiful and a natural actor. Julian really went above and beyond and proved his ability not only as a screenwriter/filmmaker but a talented actor. Even the supporting cast was much more convincing than so much of the "talent" big budget movies offer these days.

Even if you're not a fan of the main stars this movie is well worth a watch, it's a brilliant piece that everyone should experience.

Could have been great as the subject is fascinating, just a shame the director is a narcissistic that has to make the movie about himself.

As a viewer, the thrilling part of experiencing this film is trying to ascertain where the line of reality begins and where the fiction ends. Particularly when many players in the fetish scene make cameo appearances and footage from the annual Las Vegas sex expo is integrated into the story. "These characters are kind of ourselves, or like the dark sides of ourselves" explains Shaw. "Even these fictionalised versions of ourselves come from some place of truth and I've just greatly blown it up for dramatic effect"