Rift

Ahhh, the power of the Indie. Do whatever, splash whatever paint on any canvas, call it "art" and let the viewer decide because the artist has no clue.

Oh, sorry, that's just 10% of the movie. The rest of it was nearly fantastic. Well written, completely believable acting, beautifully shot, awesome score and song (in credits.) Not to mention, you truly believed the love between the leads.

But, oddly, and as that paint splashes, brief moments of "horror" are spread throughout this movie which is mostly a drama. An effective drama and those horror elements almost want to stand in the way of this being elevated.

The movie's 1st hero is "Steve Buscemi as Norman Bates" who goes back to control, er, I mean, be the dominate one to the submissive, er, lemme start over. Concerned "Norman" thinks his ex might do something bad. Turns out, his ex is slightly off and he might have motivations of his own.

"Norman" and his ex spend several days in his ex's parents' isolated cabin and while they revisit their recent and abrupt breakup, weird things are going on around the town with a population of 2. (Maybe more, depends on what you call "population.")

The weird stuff, I guess could blend in with the main story, but it also could've easily been deleted and though it might have been a thick and heavy drama, I probably would've loved it more. Especially without the ending we did see.

No spoilers, but it's another indie-cliché of a finale that's kind of disappointing. Especially in a movie so competently made in so many ways.

Well, it's nearly 2 hours. Maybe we can see a cut of this without the weird, Exacto Knife Knocker Killer and his Kid.

***

Final thoughts: Shudder, oh, you "horror" streaming service. Disappoint me, you do more than impress me. You keep getting movies that have 1-10% horror elements and feature them as the latest in horror and/or *EXCLUSIVE TO SHUDDER!* Huh. 1-10% horror IS NOT A HORROR MOVIE. It's a drama or comedy or action with so little horror, it's like calling Disney's The Lion King horror since it had 40 seconds of scary scenes in an hour and half. Tsk. Please stick to what you advertise.

"Rökkur"/"Rift" (Iceland 2017) This is a pretty well crafted psychological thriller that will keep you guessing right up to the end (and beyond!). Months after their relationship has ended, Gunnar is awakened at 3:03am by his ex-boyfriend, Einar. His message is cryptic, "Do you ever wake up in the middle of the night and get the feeling that something is with you? Or someone?". He is calling from his family's remote cabin...and Gunnar is sufficiently worried to get dressed, hop in his car, and drive all night to get there ASAP. From this point on NOTHING is what it seems! The acting is very good, the stark scenery of the Icelandic countryside is chilling, and the storytelling is creepy as hell.....I'm just not quite sure exactly what happened. LOL. I have some theories, but if you watch this one -- I will be interested to hear your thoughts on just what this film is about. Many reviews have called it "Hitchcockian" -- but I've never seen an entire Hitchcock film to say if that is true or not....but it sounds good on paper. ;) [4/5]

I went into this not knowing what to expect. Is it a slasher? Ghost story? Psychological thriller? Home invasion? I ended up finding out it's a slow mystery. The movie runs a little too long but the characters are interesting and the movie had a decent plot and for that I give it 6 stars. Not bad at all, good, just not great. The actors performances were great though. It's unique to find LGBTQ mysteries so see it for yourself if this subject interests you.

Ambiguous, hunting, unsettling, painfully sad and tormenting at times, this movie is psychologically true in terms of capturing the inner world of characters lost in past trauma and broken love, all contained in the space of shivering beautiful icelandic landscape.

This is a powerful film, but not for the faint of heart!

The isolated Icelandic landscape setting gives this break-up story story an eerie feel. The characters' memories of their broken relationship are as beautiful as they are haunting. The film is sometimes frighteningly tense, and despite the scarce dialoge it manages to stay aesthetically interesting throughout.