Dramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of h... Read allDramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world.Dramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world.
- Awards
- 2 wins & 25 nominations total
Wickham Reeve
- College on the Hill
- (as Wickham Bermingham)
Mathew Williams
- College on the Hill
- (as Matthew Williams)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As someone who didn't read the book the movie is based on, i will say that i did not connect with this movie or the characters. Am ok with not connecting with characters but the characters in this movie are hard to understand which is odd because they talk and talk (usually at 100 miles an hour and over each other) so you think they would be all out in the open but it was like a wall between them and me. Like i completely failed to understand what it was that the author was saying about the world or the country when he wrote the book. Though i assume that the book was making some sort of commentary about the state of affairs because this movie feels somewhat too large in scale to just be a movie about coming to term with mortality and the difficulties that can arise in a marriage. Like the movie isn't bad but what are you? I will watch it again when it comes out on Netflix to try and see it with fresher eyes but if the purpose of the movie is to frustrate people so much that we rewatch it multiple times, i will say that they will succeed.
For the first hour of White Noise, I found myself very entertained. But for the second half I found myself incredibly bored. They felt like two separate films. If the first half had just been the whole film. I probably would have have given this film an 8. Or possibly a 9. It goes from being an apocalyptic family satire, to a revenge tale. I believe Noah Baumbach didn't even know what exactly he was going for. White Noise was average. The two aspects holding me back from giving it a 4 are again the first half and another stellar performance from Adam Driver. Nowhere near as good as Marriage Story. Then again they are very different films.
What exactly does this film want to achieve? Why should the weird and sometimes paranoid look or angle of a director or script writer be something worth mentioning, let alone made into a movie? I honestly tried to see this movie with as clear a mind as I can... Is there something wrong with me? Is there some secret dimension hidden in this film that I (40 years old) can't grasp? Where is the director looking forward to? Amuse us? Entertain us? Drive us crazy? The last one, he succeeded! What did I watch? A strange, motley family whose members' dialogues use pretentious expressions full of disjointed, meaningless words and a tendency to impress even the teenagers of the family with their knowledge and strange inclinations! Do us a favor... We are not so easy to get. 1/10 from me.
It's obvious a lot of reviewers of this film had no idea what to expect because of having no idea what is in the book it's based on. I'm not criticizing; there's certainly an argument for the fact that an adaptation should work on its own, even if you're unfamiliar. I'm not objective because I've read the book, and I thought it was pretty stunning. As an adaptation, the movie replicated the experience I had reading it-which is what I wanted and expected.
I expected stylized dialogue and characters, with wildly surreal, satirical plot points united by theme rather than subject. If you don't understand what exactly unites the movie's acts and their progression, I struggle to explain it without getting overly spoilery but would suggest deeper investigation and checking out the novel, which is superb. To me, it makes sense. The interaction of the intensely personal with the broadly circumstantial creates a framework to discuss the capital I "Issue" that every human must deal with-and the ways we choose to cope, together and separately.
What I applaud Noah and his actors for is making me care. The book has a brilliant writing style, but its surreality failed to give me some of the visceral sucker punches managed by Adam and Greta in particular.
This film is not going to be for everyone, and I suspect its cast and crew was well aware of this. It's self-consciously extremely intellectual, long, and strange, with humor as dry as a desert. And it's purposefully unsettling. I would argue that it very much should be. It's making us look at something we all face daily-whether we like it or not.
I expected stylized dialogue and characters, with wildly surreal, satirical plot points united by theme rather than subject. If you don't understand what exactly unites the movie's acts and their progression, I struggle to explain it without getting overly spoilery but would suggest deeper investigation and checking out the novel, which is superb. To me, it makes sense. The interaction of the intensely personal with the broadly circumstantial creates a framework to discuss the capital I "Issue" that every human must deal with-and the ways we choose to cope, together and separately.
What I applaud Noah and his actors for is making me care. The book has a brilliant writing style, but its surreality failed to give me some of the visceral sucker punches managed by Adam and Greta in particular.
This film is not going to be for everyone, and I suspect its cast and crew was well aware of this. It's self-consciously extremely intellectual, long, and strange, with humor as dry as a desert. And it's purposefully unsettling. I would argue that it very much should be. It's making us look at something we all face daily-whether we like it or not.
Most of the reviews that I have read thus far were negative, or a bit overly kind. The low rating is likely due to people going out for a light story, expecting to see a disaster action flick or end of the world comedy. This is essentially a reflection on mans fear of his own mortality, or perhaps more specifically on a certain subcultures fixation on their own impending end. If you take the movie as a series of reflections on that idea, and most of the characters as representations of certain personality types, perspectives and ideologies, then it all makes a lot of sense. And, it is pretty damn (darkly) funny as well. Enjoy.
Discover the nominees, explore red carpet fashion, and cast your ballot!
Did you know
- TriviaThis is Noah Baumbach's first time writing and directing a book-to-screen adaptation, and only his second adaptation after co-writing the screenplay for Fantastic Mr. Fox (2009).
- GoofsIn the opening scene, many vehicles featured in Murray's crash sequence reel are from the 1990s and 2000s, whereas White Noise takes place in the 1980s.
- Crazy creditsThere is a scene at the end where the characters dance in a supermarket. As the credits start to roll, this sequence is played partially in reverse as the music continues to play normally.
- SoundtracksLincoln Portrait
Written by Aaron Copland
- How long is White Noise?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ruido De Fondo
- Filming locations
- Wellington, Ohio, USA(Storefronts are built out and set up for July filming)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $145,000,000 (estimated)
- Gross worldwide
- $71,728
- Runtime
- 2h 16m(136 min)
- Color
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content