November

This was a really slow burn of a film, but it was also kind of intense at points. The cinematography was incredible, and I enjoyed the interplay of the pagan and Christian beliefs. It's not everyone's cup of tea, but I would watch this again.

Adaptation of an Estonian novel, it is a fine, subtle, inspired mix of fairy tale, magic and pagan community. A fascinating meeting of love, stealing and forbidden secrets. Embroidery of dark humor and poetry and high sensitivity. Impressive cinematography, it is not surprising but real well crafted. Short, just an Estonian gem.

A strange trip deep in the wilderness.

I could try to explain to you what the hell is going on but in all honesty that would not be a good explanation as I have no clue what's happening here.

Seems very experimental with some loose concepts that make it seem like a science fiction film.

Confusing as it was I did like the imagery. I'm a sucker for a film shot it the cold wilderness. A lot of the picture seemed grim and distributed but I found it hard to get into as I really don't know what's going on and kept falling in and out of reading the subtitles.

I like the picture, but the story I could not keep up with.

A not very coherent mishmash of Estonian unrequited love; witches; supernatural; folklore/myth; the devil; werewolves all very loosely connected to each other. You really don't see much, if any, of the above - just suggestive through a few props (Kratts - explained in a moment), makeup, and suggestive scenes in counterpoint to each other. The best part was the very believable, gritty, dirty, raw portrayal of peasant life. No, the best part were these brought to life assemblages of branches or farm implements to form a somewhat living thingy (a Kratt). Very realistic (except I think I saw a support line at one point), and actually scarier than any CGI creature I've seen. One of the creatures reminded me of Picasso's "Bull's Head". Another movie featuring these creatures would be creatively scarier than hell.

To all those who have difficulties understanding November: this is not Tarkovsky, Bergman, or Bunuel! This is just plain good art, with a story, good acting, awkward turns and situations - so get up from your Hollywood-trained armchair and give yourself a chance!