What begins as a thorough journey from the early days of house music loses its way somewhere after rave culture. The doc struggles to bridge the late 90s to modern electronic music, leaving the entire 1990s house/pop crossover movement behind, skipping eurodance and somehow landing at David Guetta swinging at crossover hits without acknowledging acts like Daft Punk and perhaps Prodigy? I found the narrative choices confusing and bland as the filmmakers tried to bridge the old (Carl Cox) with the new (Martin Garrix) by spending too much time with Martin and not enough time on telling the bigger story. I guess what it comes down to is that electronic dance music is a huge genre that rarely gets proper respect. Only the book "The Underground is Massive" came close to doing it right, and it's a much better place to spend your time.
