Conflict with the Saviors leads to unintended consequences for the Hilltop, the Kingdom, and Alexandria.Conflict with the Saviors leads to unintended consequences for the Hilltop, the Kingdom, and Alexandria.Conflict with the Saviors leads to unintended consequences for the Hilltop, the Kingdom, and Alexandria.
Chandler Riggs
- Carl Grimes
- (credit only)
Danai Gurira
- Michonne
- (credit only)
Josh McDermitt
- Eugene Porter
- (credit only)
Christian Serratos
- Rosita Espinosa
- (credit only)
Seth Gilliam
- Gabriel Stokes
- (credit only)
Jeffrey Dean Morgan
- Negan Smith
- (credit only)
Austin Amelio
- Dwight
- (credit only)
Steven Ogg
- Simon
- (credit only)
Featured reviews
This is embarrassing. Did everyone forget how guns work? In the last 3 episodes no one reloaded a gun, not a single time, apparently there's at least a thousand bullets in every magazine now. It's utterly embarrassing how badly written these last 3 episodes were, now I finally remember why I stopped watching this show four years ago, they turned a show about harsh survival into a show about street gangs. I guess I'll watch this season for the sake of story hoping next seasons are better.
The Walking Dead has rapidly become repetitive in recent seasons, and this episode is no exception. The scenes lack substance and suspense, and Daryl Dixon continues to exert his cruel, reckless and tasteless personality.
A redeeming quality of the episode is the interaction between Aaron and his boyfriend, Eric - which is arguably the only emotional aspect of the episode.
Not terrible, just nothing new.
5/10
A redeeming quality of the episode is the interaction between Aaron and his boyfriend, Eric - which is arguably the only emotional aspect of the episode.
Not terrible, just nothing new.
5/10
I used to say that this series doesn't deserve criticizing like ''too boring'' and ''it's not like used to be'' but now, yes it is and deserves it all. In these last 3 episodes, this series went too far. It's absurd. It's not rational. It's complicated more than it should be. Writing has never been more terrible than this. Edits sucks. Plot is inconsistent. And most importantly, action scenes make no sense, dull and it's boring. There is just bullets that coming out of a weapon, nothing else, zero sense. I could go all day but it's not worth it. I believe, you guys get the idea.
For many years, "The Walking Dead" has been part of the lives of many fans. The characters developed by Frank Darabont were like family members of each fan and the loss of any of them was grieved and discussed Monday mornings by the fans.
This Season the writers succeeded in destroying not one or two lead characters but the whole series.They should know that "if it's not broken, don't fix it". But they did exactly the opposite changing the successful style. "Monsters" shows, for example, the ridiculous Jesus preserving the lives of the cruel Saviors. The long-haired Savior mocks of Morgan for a long time and then a group of prisoners and the guy flee from the people from Hilltop. And Jesus prefers to fight Morgan instead of killing the escapees. Ammunition is no longer problem but there is no explanation how they got it if they did not find the arsenal. Maggie lets Gregory return to Hilltop after all this scum did. The uninteresting gay love of Eric and Aaron is time consuming of the episode. Rick's attitude towards Daryl is unbelievable for a friend along seven seasons. Daryl seems to be the last character not destroyed yet by these incompetent writers. The obvious conclusion is that it is time to finish "The Walking Dead", with the destruction of Negan and the Saviors and the survivors from Alexandria, Hilltop and Kingdom living in peace since walkers are no longer the main issue for them. My vote is five.
Title (Brazil): "Monsters"
This Season the writers succeeded in destroying not one or two lead characters but the whole series.They should know that "if it's not broken, don't fix it". But they did exactly the opposite changing the successful style. "Monsters" shows, for example, the ridiculous Jesus preserving the lives of the cruel Saviors. The long-haired Savior mocks of Morgan for a long time and then a group of prisoners and the guy flee from the people from Hilltop. And Jesus prefers to fight Morgan instead of killing the escapees. Ammunition is no longer problem but there is no explanation how they got it if they did not find the arsenal. Maggie lets Gregory return to Hilltop after all this scum did. The uninteresting gay love of Eric and Aaron is time consuming of the episode. Rick's attitude towards Daryl is unbelievable for a friend along seven seasons. Daryl seems to be the last character not destroyed yet by these incompetent writers. The obvious conclusion is that it is time to finish "The Walking Dead", with the destruction of Negan and the Saviors and the survivors from Alexandria, Hilltop and Kingdom living in peace since walkers are no longer the main issue for them. My vote is five.
Title (Brazil): "Monsters"
Ezekiel and his troops travel through the woods on the way to a Savior outpost. They kill several groups of enemies along the way, and sustain no casualties. After they arrive, Carol helps to sweep the compound, leaving no apparent threats. Suddenly, though, heavy gunfire comes from the main building, cutting down the Kingdom's soldiers.
Meanwhile at the office building outpost, Rick is held at gunpoint by Morales. The two men converse, discussing how their lives have changed and criticizing each other's choices. As Rick tries to get through to the man, Daryl sneaks in behind him and kills him with a crossbow bolt to the head. When Rick asks Daryl if he knew who it was, Daryl say yes, but it doesn't matter. Suddenly, the Savior reinforcements Morales called arrive, attacking the building in force.
Elsewhere, the combined Hilltop and Alexandrian forces are escorting about 30 captured and shackled Saviors who had surrendered after the battle at the satellite outpost. Morgan and Jesus argue, as Morgan still believes that all of the Saviors should be killed. This eventually leads to a fight, after which Morgan leaves the group. Jesus proceeds with his plan to take the prisoners to the Hilltop.
Gregory, having stolen Gabriel's vehicle and fled from the Savior Sanctuary, returns to the Hilltop, where he is questioned by Maggie as he stands outside the locked front gates. The man, ever a politician, insists that he had not meet Negan in secret, but instead had acted purely in the interests of the Hilltop community. Even though Maggie knows that he is lying, she eventually allows him to enter. Just afterward, Jesus arrives with his prisoners. As planned, he talks Maggie into allowing the Saviors to live. They are to be locked up in several trailers at the edge of the community.
The Survivors manages to defeat the Savior reinforcements, and he takes the baby girl he'd found and gives it to Aaron, who is grieving after his boyfriend Eric succumbed to his gunshot wound. Aaron promises to return the child to the Hilltop. Rick and Daryl then question a surrendering Savior, who tells them that the guns they are seeking have been moved to Gavin's compound. Daryl shoots the man anyway, much to Rick's shock.
"Monsters" delves into the ethical and moral dilemmas that permeate the fabric of "The Walking Dead." This episode seamlessly continues the intense action from "The Damned" but shifts its focus slightly to examine the consequences of the characters' decisions and the blurring lines between right and wrong. The title itself serves as a thematic exploration of what it means to be a monster in a world where the lines between hero and villain are increasingly ambiguous.
One of the episode's most poignant narratives involves the moral conflict within Ezekiel as he leads his group in the fight against the Saviors. His unwavering optimism and belief in achieving victory without loss come to a head in a tragic climax that challenges his ideals and the realities of war. This contrast between hope and despair is a recurring theme, exemplified by Ezekiel's journey from confident king to a leader confronted with the harsh consequences of his choices.
The dynamic between Rick and Morales reaches a crescendo, offering a moment of reflection on how far Rick has come and the man he has become since the apocalypse began. The resolution of their encounter, swift and brutal, underscores the season's exploration of survival at the cost of one's moral compass. This theme is further explored in the interactions between Jesus and Morgan, as they clash over the treatment of Savior prisoners. Their conflict represents a broader debate within the group about mercy, justice, and the necessities of war, highlighting the internal struggles that complement the external battles.
"Monsters" also revisits the theme of redemption through the character of Daryl, who takes a pragmatic but morally questionable stance in the fight against the Saviors. His actions, particularly towards the end of the episode, serve as a stark reminder of the personal toll the conflict has taken on each character, forcing them to confront the question of whether the ends justify the means.
In sum, "Monsters" is a powerful examination of the moral complexities of war in a post-apocalyptic world. It challenges characters and viewers alike to consider the cost of survival and the sacrifices necessary to maintain one's humanity in the face of relentless adversity. The episode adeptly balances action with introspection, pushing the narrative forward while delving deeper into the emotional and ethical landscapes of its characters.
Meanwhile at the office building outpost, Rick is held at gunpoint by Morales. The two men converse, discussing how their lives have changed and criticizing each other's choices. As Rick tries to get through to the man, Daryl sneaks in behind him and kills him with a crossbow bolt to the head. When Rick asks Daryl if he knew who it was, Daryl say yes, but it doesn't matter. Suddenly, the Savior reinforcements Morales called arrive, attacking the building in force.
Elsewhere, the combined Hilltop and Alexandrian forces are escorting about 30 captured and shackled Saviors who had surrendered after the battle at the satellite outpost. Morgan and Jesus argue, as Morgan still believes that all of the Saviors should be killed. This eventually leads to a fight, after which Morgan leaves the group. Jesus proceeds with his plan to take the prisoners to the Hilltop.
Gregory, having stolen Gabriel's vehicle and fled from the Savior Sanctuary, returns to the Hilltop, where he is questioned by Maggie as he stands outside the locked front gates. The man, ever a politician, insists that he had not meet Negan in secret, but instead had acted purely in the interests of the Hilltop community. Even though Maggie knows that he is lying, she eventually allows him to enter. Just afterward, Jesus arrives with his prisoners. As planned, he talks Maggie into allowing the Saviors to live. They are to be locked up in several trailers at the edge of the community.
The Survivors manages to defeat the Savior reinforcements, and he takes the baby girl he'd found and gives it to Aaron, who is grieving after his boyfriend Eric succumbed to his gunshot wound. Aaron promises to return the child to the Hilltop. Rick and Daryl then question a surrendering Savior, who tells them that the guns they are seeking have been moved to Gavin's compound. Daryl shoots the man anyway, much to Rick's shock.
"Monsters" delves into the ethical and moral dilemmas that permeate the fabric of "The Walking Dead." This episode seamlessly continues the intense action from "The Damned" but shifts its focus slightly to examine the consequences of the characters' decisions and the blurring lines between right and wrong. The title itself serves as a thematic exploration of what it means to be a monster in a world where the lines between hero and villain are increasingly ambiguous.
One of the episode's most poignant narratives involves the moral conflict within Ezekiel as he leads his group in the fight against the Saviors. His unwavering optimism and belief in achieving victory without loss come to a head in a tragic climax that challenges his ideals and the realities of war. This contrast between hope and despair is a recurring theme, exemplified by Ezekiel's journey from confident king to a leader confronted with the harsh consequences of his choices.
The dynamic between Rick and Morales reaches a crescendo, offering a moment of reflection on how far Rick has come and the man he has become since the apocalypse began. The resolution of their encounter, swift and brutal, underscores the season's exploration of survival at the cost of one's moral compass. This theme is further explored in the interactions between Jesus and Morgan, as they clash over the treatment of Savior prisoners. Their conflict represents a broader debate within the group about mercy, justice, and the necessities of war, highlighting the internal struggles that complement the external battles.
"Monsters" also revisits the theme of redemption through the character of Daryl, who takes a pragmatic but morally questionable stance in the fight against the Saviors. His actions, particularly towards the end of the episode, serve as a stark reminder of the personal toll the conflict has taken on each character, forcing them to confront the question of whether the ends justify the means.
In sum, "Monsters" is a powerful examination of the moral complexities of war in a post-apocalyptic world. It challenges characters and viewers alike to consider the cost of survival and the sacrifices necessary to maintain one's humanity in the face of relentless adversity. The episode adeptly balances action with introspection, pushing the narrative forward while delving deeper into the emotional and ethical landscapes of its characters.
Did you know
- TriviaCarl does not appear in this episode.
- GoofsWhen Aaron is looking for his boyfriend Eric it sounds as if he shouts "Aaron" instead of "Eric", however the two names sound very similar, especially when the last consonant is drowned by shouting/crying. It is unlikely the actor would shout his own character's name in such an emotional and important scene.
- ConnectionsFeatured in The Walking Dead: Behind the Dead (2017)
Details
- Runtime
- 41m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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