Downrange

Is it horror?? Not really. Is it action packed? Erm...I guess. Is it suspenseful? Mildly. The characters are weak, stupid, and generally unlikable. Seriously, how many people does it take to change a frickin' tire? At one point it looks like the dude is actually trying to remove the tire from the rim. I mean WT-Entire-F??? The plot is simple, the effects are acceptable. As we near the end, it seems like it'll be a total waste of time. But then, the end happens. And I loved it. In just those few seconds, this went from 2-3 stars to a solid 6 stars. It's worth the watch if you have a mildly sick sense of humor and appreciation for irony.

Sometimes I wonder if I'm watching the same film as the other critics? 'Downrange' is a pretty straightforward gore-fest, low budget flick, cast of relative unknowns ... for me it works well, tension is maintained throughout the 'phases' of the film, particularly during the various 'standoffs' when the characters work out what the hell to do. If you go into this movie with realistic expectations you come out satisfied. Director Kitamura makes slick horror and fantasy films obviously even when he doesn't have a massive budget to play with. And lastly, leave the actors and script the **** alone, it's not half as bad as some of the rubbish I've seen recently.

Be honest, we all love a bit of cheese occasionally :)

This movie is not intended to win any oscar and i'm sure will never watch it again unless i'm the most boring person in the world but the concept of being sniped in the middle of nowhere is super scary and for 90 minutes it entertain enough for me to write a review about it so....yeah

Similar like Phone Booth and the wall but bit differently nice to try different views on same path

A brutal and uncaring assault on your sensibilities delivered with the precision impact of one of its sniper's bullets, Downrange is spiteful, malicious, mean-spirited and utterly compelling.

When a group of teenagers experience a blown out tire on an isolated stretch of backroads, a simple changing of the tire turns into a fight for survival when it's revealed a sniper was responsible for their tire blowing out and two of their group are killed in the process. As remaining members Jodi (Kelly Connaire), Keren (Stephanie Pearson), Todd (Rod Hernandez) and Eric Take cover unable to move the group tries to use what meager resources they have to find a means of escape.

Downrange is a 2017 horror thriller from cult Japanese director Ryuhei Kitamura that premiered as a Shudder original in 2018. Much like Kitamura's prior American films The Midnight Meat Train and No One Lives, Downrange sees Kitamura efficiently and effectively use his available resources to create an intense horror setup that taps into American fears of mass shooters and snipers (long distance serial killers).

Despite the action being contained to only this one stretch of road, Kitamura uses the seemingly limited location to strong effect and along with co-writer Joey O'Bryan creates a likable set of characters with legitimate chemistry with one another that eschews the modern day trope of making horror characters obnoxious archetypes you're supposed to want to see die. The movie sets up a tense situation and never lets up and the ugliness inflicted by the shooter is ugly, horrific, and brutal. Perhaps the movie's a little too efficient with its running time as it perhaps feels like some characters didn't get as much development as others, but it makes up for it with all the various ways Kitamura mines impact and tension from a seemingly simple setup. Everytime I thought I knew where the movie was going, Kitamura would go another direction complete with a shocking ending that I can see many hating, but I think helps drive the point home about the underlying message involving the American problem with firearms.

Downrange is the kind of solid and intense filmmaking that we've come to expect from Kitamura who gives us a chilling exercise in tension and fear. While the gold standard for this kind of movie still probably remains Peter Bogdanovich's Targets, Downrange has its own voice and style that makes it a memorable and worthwhile sit.