Double Lover

From prolific French auteur François Ozon, L'amant double is partly a study of sexual obsession, partly an oneiric mystery (think Neil Jordan's In Dreams (1999)), and partly a conventional thriller (more whoisit than whodunnit). "Freely adapted" from Joyce Carol Oates's 1987 novel Lives of the Twins (published under the pseudonym Rosamond Smith), and written by Ozon and Philippe Piazzo, the film tells the story of Chloé (Marine Vacth), a woman with a fragile mental state, who falls passionately in love with her psychoanalyst, Paul (Jérémie Renier). Within a few months, she has moved in, however, as time goes by, she slowly starts to learn of a significant part of his identity which he has been concealing.

Imagine, if you will, Vertigo (1958) remade by someone like Gaspar Noé or Lars von Trier, and you'd be some way towards getting a handle on Ozon's latest; completely barmy (you know you're in strange territory when the second shot of a movie is, quite literally, an internal shot of a vagina). As one would expect from Ozon, the aesthetics are solid - the film is built upon an inventive visual style employing juxtaposition, pseudo-split screen, and copious amounts of shots with one person in the frame proper, and the person to whom they're talking only visible in reflection. The sound effects are also excellent and really jolt you out of your seat on a couple of occasions. Similarly, the acting is strong, with Vacth and Renier unrecognisable in their respective roles.

However, the melodramatic and self-congratulatory plot is an absolute mess. Many of Ozon's standard tropes are here; a dissection of the academic middle class/intelligentsia, an examination of the schism between appearance and reality, an attempt to elucidate the mind of a complex woman, a psychoanalytical bedrock, the mutability of identity etc. But it's all diffused through an utterly farcical narrative, which fails to get even the basics right. For example, sex is a central theme, but by the time we get to the fourth or fifth sex scene, it has completely lost its potency (compare, for example, the infinitely superior Blue Is the Warmest Colour (2013), where sexuality is just as central, but which features only two sex scenes). The same goes for the increasingly ridiculous plot twists, once you get to three or four and you're still in the first half of the movie, you just stop caring. Ozon has always been hit and miss, for every Sitcom (1998) and Swimming Pool (2003), there's an Angel (2007) and a Ricky (2009), and L'amant double is, in the end, a rather pointless film that seems to think it's saying something exceptionally profound about desire and identity. It isn't.

A psycho-sexual thriller that you have to think about when it is over to understand what was really going on. Would rate it higher if the characters were really involving, but you never really feel anything about them. Emotionally kind of dead, but intellectually interesting. Was tempted to see it again for the plot but didn't want to spend more time with the people.

Or only half of what you might be getting ... which actually may ring true to those dissapointed in this. The movie really sucks you in and you have to think and figure things out. Answers may be there (or not), but you have to look closely and maybe even watch it more than once to really get what the director wanted you to see.

Having said that, this is really suspensful from start to finish. It keeps you guessing and whatever the answer is you can embrace that or be annoyed. It is very well made and if you don't mind nudity and adult situations, you won't be freaked out by that part of it. It's also important to understand the main character and her journey

Right from the opening shot you get a pretty strong steer on what this movie is about and it will certainly appeal to the average male - and some females. It is largely pretentious soft porn but the actors do their best and it's French so appeals to me anyway.

Not a lot of plot once you're landed with the initial twist but it's passable. No more than that.

Good movie in the general tradition of Shutter Island and Black Swan. The film never seems to decide if it wants to work out a story or build up suspense. It's neither a thriller or a drama. Yet I enjoyed watching it. Acting by the two main actors is excellent. There's quite some open eroticism in the French style but always matched to the story. Towards the end I was moved. Worth checking out.