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Trophy

  • 2017
  • Not Rated
  • 1h 48m
IMDb RATING
7.3/10
788
YOUR RATING
Trophy (2017)
Documentary

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as comm... Read allThis in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

  • Directors
    • Christina Clusiau
    • Shaul Schwarz
  • Stars
    • Tim Black
    • Philip Glass
    • Christo Gomes
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    788
    YOUR RATING
    • Directors
      • Christina Clusiau
      • Shaul Schwarz
    • Stars
      • Tim Black
      • Philip Glass
      • Christo Gomes
    • 14User reviews
    • 27Critic reviews
    • 80Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins & 6 nominations total

    Photos5

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    Top cast5

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    Tim Black
    Tim Black
    • Self
    Philip Glass
    Philip Glass
    • Self
    Christo Gomes
    • Self
    John Hume
    John Hume
    • Self
    Bill Travers Jr.
    • Self
    • (as Will Travers)
    • Directors
      • Christina Clusiau
      • Shaul Schwarz
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    7.3788
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    Featured reviews

    6thirtyfivestories

    Killing Saves Nothing

    Is killing an essential ingredient in conservation? Big game hunters argue that the hunting industry provides the largest refuge for endangered species. Paradoxical and controversial, this notion has birthed an African goldmine: Zoos with a twist, murder vacations with live souvenirs.

    A pricey gift shop of blood thirst, hunting resorts offer a controlled and abbreviated experience of inter-species domination. Some defend the slaughter party with an ancient book, others with a love for the very animals they auction off to North American bullets.

    Outside of these death camps, lay sanctuaries that bleed money rather than bathe in it. They too are sitting on a goldmine, however. Their goods just are not as easy to push. The resorts believe selective killing will ensure a species' survival, while the sanctuaries engage in non-lethal harvesting of the majestic animals.

    Both parties take in order to preserve. Whether lives or horns, these operations require revenue to fund sustainability. When these two pools of thought intersect, an ugly debate sparks, and the well- being of the animals gets pushed more and more to the periphery.

    Hunting is becoming less and less a sport as the commercial appeal grows. But was the sport ever rational? Did it possess an ecological merit? The dangerous five have their nomenclature for good reason. Perhaps wildlife does require a sportsman's buffer to protect native's livelihoods.

    Industry shapes legislature. A brutal reality that puts wild animals' futures in the balance. Humanity has ascribed themselves with the responsibility of protecting these beasts. A noble pursuit that has brought division and bickering. Humanity is most concerned with their own offspring, no matter how much it preaches conservation.
    9JustCuriosity

    An Excellent Portrayal of the Emotional Issue of Big Game Hunting

    Trophy was well-received at the SXSW Film Festival last night. It presents a surprisingly nuanced picture of the complexity of a subject that is usually viewed through memes and brief clips about the killing of Cecil the Lion. The filmmakers provide a nuanced and complicated explanation of the issues around the economics and conservation of wild game. They spent a long time filming and interviewing some of the participants in this complex industry. They clearly show those who are there simply to assuage their egos – and usually their masculinity – by killing lions and rhinos. They show those who seek to profit off of commodify these beautiful animals. But they also show those who are trying to save these animals and sometimes are doing so in surprising ways. The positive effects on the local African economy are also worth observing. I was particularly intrigued by John Hume who has preserved hundreds of rhinos, but is trying to sell the rhino horns (which are removed from living animals) in order to support his rhino preserve. Ironically, the laws that are designed to save the rhinos by banning the sale of the horns are creating a black market and may be endangering them.

    I can't say that I came away more sympathetic to the big game hunters who seem to be killing wild beasts more for their own pleasure than to help conserve them. Human beings need to live in greater harmony with these great animals rather than kill them for sport. It isn't sporting and it isn't fair competition. I don't see how the benefits outweigh the costs. Living creatures shouldn't be murdered as commodities of the market.

    The filmmakers exploration is commendable. They are trying to educate the public on a complex issue. The African filming in South Africa and elsewhere is beautiful. I did find that it ran a little long and probably needs to be shortened from its current 108 minutes. The film is scheduled to run on CNN and I hope that it gets a wide audience which begins to help those on either side of a polarized issue begin to re-examine the complexity of the situation so that we can work to better preserve these animals and regulate their environment and protect them from poachers and others seeking to exploit them for ego and profit.
    8ferguson-6

    conservation and commerce

    Greetings again from the darkness. Totally unexpected is a documentary on big game hunting that doesn't come down squarely on one side of this argument. Co-directors Christina Clusiau and Shaul Schwarz do an admirable job of laying out the facts and leaving the viewer to contemplate how these moving pieces create a blurred line between conservation and commerce.

    Expect a couple of scenes that might be difficult to watch – after all, it is a documentary on hunting animals. There are plenty of facts and statistics provided, with one of the most staggering being since 1970, the world has lost 60% of its wild animals. Rhinos alone are down from 500,000 to 30,000, and we meet a rhino breeder who has devoted his life and fortune to saving the species. On the surface, his stance seems difficult to debate, but African law prevents the sale of rhino horn, which means this breeder is sitting on millions of dollars of warehoused horns, while poachers profit by picking off his animals and selling the horns on the black market. Not so clear now, is it?

    Additional segments involve elephants, alligators, and other species. We visit the massive Safari Club hunting convention in Las Vegas, as well as stock auctions where breeders battle over the next generation. The safari clubs argue that much of the money big game hunters pay is distributed back into the conservation efforts of the country, though the corruption of politicians can't be ignored.

    The contrast between shooters and hunters, killers and sportsmen, is noted and legitimate detailed information is provided. Focus goes to the "Big 5": hunters trying to bag each of water buffalo, leopard, elephant, lion and rhino. The process is slow and expensive, and the three affected tentacles – hunting, breeding, conservation - have evolved to facilitate the future of the species and those dependent on the industries.

    Hunter's remorse is admitted, as is a connection to the animals by the otherwise stoic and businesslike breeders. When one hunter quotes the bible in saying that man shall have dominion over animals, it's a reminder that no matter one's stance on these topics, there is always an argument to be had and a defense to be made. The still unanswered question is, can the industry be run in a manner that allows the animals to survive, the villagers to benefit, and the vendors to profit? In theory, this seems doable … but reality and self-interest often destroy best intentions.
    janieleahy

    ZERO STARS

    Philip is repugnant and should be sectioned. His kind will be extinct and all hunters beware for there will be vindication for the animals they have hunted in vain. just sickening and inhumane cruelty that money supports. TROPHY HUNTING MUST END.
    9stevojaxon

    You know you will be moved emotionally even before seeing this

    Big game hunting will go the way of smoking. Hopefully any form of hunting where a rifle is used 'to give an animal a fighting chance', will also stop. As a sport it's time has passed. This documentary is good in that it allows for the differing points of view to be expressed. I am a Christian and I understand when the hunter, who shoots the elephant and the lion at the end, quotes the reference to the Bible that states man has dominion over the animals ... but screw such Christians ... I'm glad I get sick and tired of listening to this statement in reference to a blood sport ... that screwball is crying at the end as he crouches by the lion he has just killed; psychopathic tendencies requiring emotional release through killing a living creature ... dominion over animals in this situation is a lie and shameful that he believes it. I'm an Aussie so I watch with some interest the fat, emotionally backward hunting fraternity foam at the mouth about their next kill ... most of the portrayals are about American hunters ... what's wrong with them and their love of guns, killing animals that are innocently grazing? They are ugly. In Australia we do just fine with a highly restrictive access to gun culture. In Yankeedoodledandy land they have the 2nd Amendment which inevitably is quoted endlessly as a right ... just straight out psychopathy. During the production the hunter lamely accuses the protesters against said blood sport of eating chickens that someone else has slaughtered for them ... of course this is going to be quoted. It always is. However it doesn't change anything about the unfolding attitude towards killing wild animals for sport and trophies. What's wrong with the mentality of people who love weapons, love killing and generally can't find any other way to express themselves? Is this the 18th Century? I can't help hate these hunters which leads me to hating all countries that engage in weapon worship and justify it with 'rights' and self defense manifestations and possibilities. It's disgraceful. The one thing I really liked is the tough guy with tattoos who was visibly unhappy with the dentist who shot Cecil the lion. Someone like him is going to attitude assist these dumb hunters, who stupidly allowed themselves to a part of this documentary and make themselves known ... how careless!

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    Documentary

    Storyline

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    Did you know

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    • Trivia
      When the end credits roll, there's an immediately noticeable spelling mistakes when it says it is "Dircected by Christina Clusiau and Shaul Schwarz".

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    FAQ17

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    Details

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    • Release date
      • September 8, 2017 (United States)
    • Countries of origin
      • United Kingdom
      • Namibia
      • South Africa
      • Zimbabwe
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Ganimet
    • Production companies
      • Candescent Films
      • Chicago Media Project
      • Pulse Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $21,439
    • Opening weekend US & Canada
      • $3,522
      • Sep 10, 2017
    • Gross worldwide
      • $22,553
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 48m(108 min)
    • Color
      • Color

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