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Trophy

  • 2017
  • Not Rated
  • 1h 48m
IMDb RATING
7.3/10
788
YOUR RATING
Trophy (2017)
Documentary

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as comm... Read allThis in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

  • Directors
    • Christina Clusiau
    • Shaul Schwarz
  • Stars
    • Tim Black
    • Philip Glass
    • Christo Gomes
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    788
    YOUR RATING
    • Directors
      • Christina Clusiau
      • Shaul Schwarz
    • Stars
      • Tim Black
      • Philip Glass
      • Christo Gomes
    • 14User reviews
    • 27Critic reviews
    • 80Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins & 6 nominations total

    Photos5

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    Top cast5

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    Tim Black
    Tim Black
    • Self
    Philip Glass
    Philip Glass
    • Self
    Christo Gomes
    • Self
    John Hume
    John Hume
    • Self
    Bill Travers Jr.
    • Self
    • (as Will Travers)
    • Directors
      • Christina Clusiau
      • Shaul Schwarz
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    7.3788
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    Featured reviews

    7geo_pahas

    Trophy hunting from an American point of view

    I watched this documentary in Amsterdam documentary festival. It is certainly very hard to watch and the director(s) have made a good job shooting this film.

    In our case they were present on the screening and in the short discussion that followed they confirmed my view that they approached hunting and conservation almost exclusively from a financial point of view. Also the co-direct (who is American) mentioned in the discussion that there must be a financial intensive to preserve wildlife. This might be true when the human habitat extends to the animal one but the conservation discussion should not be based on financials but on the greater cause of animal survival. There was certainly no such intensive for thousands of years and i wonder why it should be now. There is absolutely no justification on killing an animal to make a selfie with it.

    For reasons not entirely clear, they failed to mention in the film the ban of all hunting in Botswana since 2014. A close view to what is happening in that country might give some answers to the good questions posed in this documentary.

    Having said that, it is a must see. I was even convinced (to a certain degree) of Mr. Huume's initiative.
    bettycjung

    No justification for this "sport"

    2/22/18. There is just no way to justify the senseless slaughter of wildlife by saying quoting the Bible and saying man has dominion over Earth. Please! Really? And, talking about crocodile tears shed by the hunter who just had to kill that one-of-a-kind lion just for a trophy. I can understand if you hunt because you need to eat, but to just shoot animals for sport is heinous. It's just blood lust. And, then another one had the audacity to justify hunting as leaving Earth a better place. Really? How does slaughtering animals for sport leave this Earth a better place? Despite my dislike for such hunters I found this documentary to be worth watching.
    6thirtyfivestories

    Killing Saves Nothing

    Is killing an essential ingredient in conservation? Big game hunters argue that the hunting industry provides the largest refuge for endangered species. Paradoxical and controversial, this notion has birthed an African goldmine: Zoos with a twist, murder vacations with live souvenirs.

    A pricey gift shop of blood thirst, hunting resorts offer a controlled and abbreviated experience of inter-species domination. Some defend the slaughter party with an ancient book, others with a love for the very animals they auction off to North American bullets.

    Outside of these death camps, lay sanctuaries that bleed money rather than bathe in it. They too are sitting on a goldmine, however. Their goods just are not as easy to push. The resorts believe selective killing will ensure a species' survival, while the sanctuaries engage in non-lethal harvesting of the majestic animals.

    Both parties take in order to preserve. Whether lives or horns, these operations require revenue to fund sustainability. When these two pools of thought intersect, an ugly debate sparks, and the well- being of the animals gets pushed more and more to the periphery.

    Hunting is becoming less and less a sport as the commercial appeal grows. But was the sport ever rational? Did it possess an ecological merit? The dangerous five have their nomenclature for good reason. Perhaps wildlife does require a sportsman's buffer to protect native's livelihoods.

    Industry shapes legislature. A brutal reality that puts wild animals' futures in the balance. Humanity has ascribed themselves with the responsibility of protecting these beasts. A noble pursuit that has brought division and bickering. Humanity is most concerned with their own offspring, no matter how much it preaches conservation.
    janieleahy

    ZERO STARS

    Philip is repugnant and should be sectioned. His kind will be extinct and all hunters beware for there will be vindication for the animals they have hunted in vain. just sickening and inhumane cruelty that money supports. TROPHY HUNTING MUST END.
    9JustCuriosity

    An Excellent Portrayal of the Emotional Issue of Big Game Hunting

    Trophy was well-received at the SXSW Film Festival last night. It presents a surprisingly nuanced picture of the complexity of a subject that is usually viewed through memes and brief clips about the killing of Cecil the Lion. The filmmakers provide a nuanced and complicated explanation of the issues around the economics and conservation of wild game. They spent a long time filming and interviewing some of the participants in this complex industry. They clearly show those who are there simply to assuage their egos – and usually their masculinity – by killing lions and rhinos. They show those who seek to profit off of commodify these beautiful animals. But they also show those who are trying to save these animals and sometimes are doing so in surprising ways. The positive effects on the local African economy are also worth observing. I was particularly intrigued by John Hume who has preserved hundreds of rhinos, but is trying to sell the rhino horns (which are removed from living animals) in order to support his rhino preserve. Ironically, the laws that are designed to save the rhinos by banning the sale of the horns are creating a black market and may be endangering them.

    I can't say that I came away more sympathetic to the big game hunters who seem to be killing wild beasts more for their own pleasure than to help conserve them. Human beings need to live in greater harmony with these great animals rather than kill them for sport. It isn't sporting and it isn't fair competition. I don't see how the benefits outweigh the costs. Living creatures shouldn't be murdered as commodities of the market.

    The filmmakers exploration is commendable. They are trying to educate the public on a complex issue. The African filming in South Africa and elsewhere is beautiful. I did find that it ran a little long and probably needs to be shortened from its current 108 minutes. The film is scheduled to run on CNN and I hope that it gets a wide audience which begins to help those on either side of a polarized issue begin to re-examine the complexity of the situation so that we can work to better preserve these animals and regulate their environment and protect them from poachers and others seeking to exploit them for ego and profit.

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    Documentary

    Storyline

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    Did you know

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    • Trivia
      When the end credits roll, there's an immediately noticeable spelling mistakes when it says it is "Dircected by Christina Clusiau and Shaul Schwarz".

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    FAQ17

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    Details

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    • Release date
      • September 8, 2017 (United States)
    • Countries of origin
      • United Kingdom
      • Namibia
      • South Africa
      • Zimbabwe
      • United States
    • Official site
      • Official site
    • Language
      • English
    • Also known as
      • Ganimet
    • Production companies
      • Candescent Films
      • Chicago Media Project
      • Pulse Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $21,439
    • Opening weekend US & Canada
      • $3,522
      • Sep 10, 2017
    • Gross worldwide
      • $22,553
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 48m(108 min)
    • Color
      • Color

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