Sweetness in the Belly

I recently watched Sweetness in the Belly (2019) on Tubi. The plot unfolds against the backdrop of civil war in Africa during the 1970s, leading to a wave of refugees fleeing from areas surrounding Ethiopia to Europe. Among them is a refugee who, upon securing a job at a hospital, forms a deep bond with an African doctor.

Directed by Zeresenay Mehari (Difret) and featuring a talented cast including Dakota Fanning (Man on Fire), Wunmi Mosaku (Lovecraft Country), Yahya Abdul-Mateen II (Aquaman), and Sophie Kennedy Clark (Sorority).

While Sweetness in the Belly possesses the necessary elements for a compelling character-driven narrative, it ultimately falls short. The performances are commendable, with Fanning, Mosaku, and Yahya Abdul-Mateen II displaying excellent chemistry. The settings and overall premise offer depth and intensity, complemented by well-developed character backstories and subplots. Smart twists and turns keep the story engaging. However, the film suffers from significant lulls where it feels stagnant, failing to fully convey the desperation of the characters' circumstances. Additionally, a more impactful conclusion could have elevated the overall journey.

In conclusion, Sweetness in the Belly presents enough worthwhile elements to warrant a viewing, but it lacks the standout qualities to make it memorable. I would rate it 6/10 and suggest seeing it once for its commendable performances and intriguing premise.

Definitely worth watching!! I rate this a 7 and wonder if I rated high enough.

To be honest, I expected more from this film. I felt this film fulfilled the value of the hollywood verse rather than fulfilling the story that this film wanted to lift. I really like how this film tries to raise family conflicts set in Africa, with Islam as its theme. But in some parts, I feel the interpretation of Islam here is messy when there is a Hollywood romance verse here. I mean, how can a woman for years adhere to strong holy teachings, but like collapsing when she meets a man (played by Yahya Abdul Maten). apart from that, i really like acting dakota fanning. The Arabic that Fanning does is practically perfect, and also, how she prays, and behaves as Islam.

Despite everything, the backstory that is lifted from the main character here is very interesting. it is very rare that we can find hollywood films that carry stories based on Islam. not a lot of cinematography and special scoring, but the story is quite interesting despite all the flaws and verses.

I almost didn't watch it because of the ridiculously low rating. It's a nice, authentic, non-hollywood movie. No CGI, or dreadfully ludicrous, unrealistic fight sequences. It felt honest and authentic, like a good indie film should be.

This is the tale of the human experience told through the eyes of the women and the lost ones, well told, using a lost European as the focus of the tale, experiencing the story from the local perspective, adds to the depth of meaning. The story of the men is largely not shown, but this conflict was created by men, run by men while ignoring the plight of their families. A fitting tale.