IMDb RATING
7.5/10
1.3K
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A look at the life and work of music producer, Clive Davis.A look at the life and work of music producer, Clive Davis.A look at the life and work of music producer, Clive Davis.
- Awards
- 3 wins total
Sean 'Diddy' Combs
- Self
- (as Sean 'Puffy' Combs)
Featured reviews
I absolutely loved this! Didn't realise what work this fella had/has done ! The music the stories all brilliant. And Clive seems a real nice fella.
The story of Clive Davis is interesting & informative however, as much as I like Whitney Houston, had I known she would take up half the documentary, I would've thought twice about watching it. It's such a shame other incredibly talented artists from the 70's & 80's weren't included because as is shown throughout, he helped launch a plethora of big names.
10mrocco-1
This would have been even better if it were longer, like a 6 part series. I feel that way about most documentaries, even 'Country' which WAS 6 parts lol. I have to give it a 10 because you need to watch it so you know who this great man is, an icon in the music industry but not a household name. I've known who Clive was since my younger years, but didn't go down any rabbit holes on the topic of Clive Davis until recently. It's inspiring to know he's still working as I write this in 2020. Go Clive!!!
I thought this was very good, very interesting to learn how he got where he is. Too bad it turned into a Whitney Houston tribute. Big thumbs down on that. Many of his artists suffered similar drug and alcohol issues, so why focus on her?
This documentary is a detailed look at the career of Clive Davis, an icon in the music industry. He brought Columbia Records into Rock (Janis Joplin, Bruce Springsteen), co-founded Arista records (1st act was Barry Manilow) creating hit records for over 40 years and showing an amazing ability to change with the times. The documentary is primarily chronological, briefly mentioning his childhood and early career, moving quickly to when he became President of Columbia Records - a job he never imagined getting. It is then mostly about the hit acts he found with stories by employees, artists, some critics, competing executives, Davis himself, and much wonderful archive footage. Because there is so much to cover (Janis Joplin to Alicia Keys) the music is in small clips - you don't get full songs. But you know so many of the songs that you fill in the context yourself. His relationship with Whitney Houston (almost a father-daughter connection) occupies a significant part of the film, including her decline and tragic death.
Since Davis participated in the film any criticisms of him are mild. There is almost nothing about his personal life. And while some commentators say that Clive always had suggestions about changing the elements of a song (more drums, more vocal, etc.) there is no explanation of how he does this - I would like to no more about his instincts and how he interprets them. There is also nothing about how the music industry (including radio) changed over his career - he had a unique view being a key player for so long and probably has many interesting insights. But this film still gives quite a look at how one man - a lawyer with no aspirations towards the music business - was such a huge force in popular music for decades.
Since Davis participated in the film any criticisms of him are mild. There is almost nothing about his personal life. And while some commentators say that Clive always had suggestions about changing the elements of a song (more drums, more vocal, etc.) there is no explanation of how he does this - I would like to no more about his instincts and how he interprets them. There is also nothing about how the music industry (including radio) changed over his career - he had a unique view being a key player for so long and probably has many interesting insights. But this film still gives quite a look at how one man - a lawyer with no aspirations towards the music business - was such a huge force in popular music for decades.
Did you know
- SoundtracksMe and Bobby McGee
Written by Fred Foster (as Fred L. Foster) and Kris Kristofferson
Published by Combine Music Corp. (BMI)
Performed by Janis Joplin
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Details
- Runtime
- 2h 3m(123 min)
- Color
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