IMDb RATING
6.0/10
8.3K
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Isabelle, Parisian artist, divorced mother, is looking for love, true love at last.Isabelle, Parisian artist, divorced mother, is looking for love, true love at last.Isabelle, Parisian artist, divorced mother, is looking for love, true love at last.
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- 2 wins & 13 nominations total
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Featured reviews
Not very successful
I hadn't seen a preview or even read a precis before going, but I generally like French movies, so I went. I didn't know what to make of it -- at the beginning I thought it was a drama, but then the scenes got absurdly exaggerated, and I decided it must be a comedy that the language barrier kept me from finding funny. So I was surprised to learn from the reviews here that it was not a comedy! I still don't know what to make of it. So, my advice is, if you have to pay money to see this and you don't speak fluent French, don't bother (in my case, I have a theater membership that allows me pretty much unlimited movies, so I do tend to take chances).
Realistic Depiction of exhaustive search of true intimacy
I don't recall any other time when I related with a protagonist in a film this much. Every aspect of the lead character, Isabelle was portraying me ...some much so that I felt 'naked' emotionally. Claire Denis is a living legend. Juliette Binoche is an amazing actress...definitely a performance worthy of an Oscar
Wanting is Not Enough
The tension between wanting something from someone and the fact that it must be given freely and not asked for is at the heart of this film with its typically brilliant performance from Juliette Binoche. Does Isabelle (Binoche) really know what she wants? It seems to be long-lasting romantic love. She hasn't had a lot of luck in that area, despite being beautiful, charming and successful in her career as an artist. We first see her with an unappealing married man. After a lengthy discussion with him, she seems to give up and moves on to a handsome, much younger actor (Nicolas Duvauchelle). He's also married and undecided about divorcing his wife. A typical dilemma, but for Isabelle it seems to be a pattern. These men are simply not available. Later, at a dance club, Isabelle meets someone who seems quite interested, even if he looks like an aging rock star (the kind who didn't get fat). We soon see the same conflict develop: Isabelle wants something the man cannot give, or not right away anyway. There follows a very brief flirtation with a friend of a friend and Isabelle ends up meeting with a counselor of some kind (Gérard Depardieu) who seems to tell her that her life has simply gone as it should...most enigmatically, that she will meet a man who understands and connects with her, but he too will not be "the one". The counselor says that Isabelle must become aware of her "beautiful inner sun" and be content with herself as she is.
In some ways this recent work of Claire Denis can remind a viewer of a film of Eric Rohmer, LE BEAU MARIAGE in particular. Endless discussion about what the protagonist wants. Simply wanting something from someone is not enough to make it happen. But the cinematic style of Claire Denis is miles away from Rohmer's. The editing alone puts UN BEAU SOLEIL INTÉRIEUR firmly in the art film category. Editing and narrative technique, mainly carried out through one-on-one conversation are sometimes elliptical and leave a viewer to decide what has happened. There is also an odd 'nature walk' with strangers who have a lot to say about seemingly nothing, causing Isabelle to go mad for a moment. Perhaps this is to show the extent of her frustration with life and with people in general. Denis chooses to end the film with the counselor scene: a long sequence composed mainly of close-ups of Depardieur while the final credits run, superimposed over the actors' faces.
An often funny film, very compelling thanks to Binoche's exasperating yet amiable characterization.
In some ways this recent work of Claire Denis can remind a viewer of a film of Eric Rohmer, LE BEAU MARIAGE in particular. Endless discussion about what the protagonist wants. Simply wanting something from someone is not enough to make it happen. But the cinematic style of Claire Denis is miles away from Rohmer's. The editing alone puts UN BEAU SOLEIL INTÉRIEUR firmly in the art film category. Editing and narrative technique, mainly carried out through one-on-one conversation are sometimes elliptical and leave a viewer to decide what has happened. There is also an odd 'nature walk' with strangers who have a lot to say about seemingly nothing, causing Isabelle to go mad for a moment. Perhaps this is to show the extent of her frustration with life and with people in general. Denis chooses to end the film with the counselor scene: a long sequence composed mainly of close-ups of Depardieur while the final credits run, superimposed over the actors' faces.
An often funny film, very compelling thanks to Binoche's exasperating yet amiable characterization.
Maudlin and Histrionic, A Bit of Humor Would Have Helped
Good actors with great casting, Paris as the backdrop, but the story is a complete dud. This was a total disaster as far as the writing, a failure both in the story as well as the insipid dialogue.
Being, more or less, in the age bracket of Benoche and her character, I find it a bit ridiculous that she stagnates in an adolescent passive-aggressive attitude with men. Say what you mean and mean what you say, someone once said. If you want someone, at this age you can't waste a lot of time being coy or clever.
Just what she saw in the banker is beyond my ability to read what women want. Physically unattractive, arrogant and abusive with the bartender, and dismissive of her feelings point to the fact that what? She's with him for his money?
I'm not saying that people my age can't find "true love" but I think we have to be rational adults while looking for it. The scene in the car and then in her apartment were both so incredibly awkward, worse than anything I suffered in my teens. Grow up! I hated both of those scenes. Thoroughly unromantic.
And then they manage to somehow shoe-horn in a dialogue with Gerard Depardieu?
I was forced to watch the film with inadequate English subtitles that didn't begin to translate the true sense of the French original dialogue, but my French isn't quite good enough to watch it without subtitles. I can never find French films with French subtitles which is the perfect combination for me. People learning English as a second language never have a problem finding English subtitles for English films and TV shows, so stop being so smug about the fact that you speak English.
Being, more or less, in the age bracket of Benoche and her character, I find it a bit ridiculous that she stagnates in an adolescent passive-aggressive attitude with men. Say what you mean and mean what you say, someone once said. If you want someone, at this age you can't waste a lot of time being coy or clever.
Just what she saw in the banker is beyond my ability to read what women want. Physically unattractive, arrogant and abusive with the bartender, and dismissive of her feelings point to the fact that what? She's with him for his money?
I'm not saying that people my age can't find "true love" but I think we have to be rational adults while looking for it. The scene in the car and then in her apartment were both so incredibly awkward, worse than anything I suffered in my teens. Grow up! I hated both of those scenes. Thoroughly unromantic.
And then they manage to somehow shoe-horn in a dialogue with Gerard Depardieu?
I was forced to watch the film with inadequate English subtitles that didn't begin to translate the true sense of the French original dialogue, but my French isn't quite good enough to watch it without subtitles. I can never find French films with French subtitles which is the perfect combination for me. People learning English as a second language never have a problem finding English subtitles for English films and TV shows, so stop being so smug about the fact that you speak English.
A jaded but mostly visceral musing on romantic realities
I don't think the people giving this a 1/10 went into this with realistic expectations. This is French cinema, it's going to be sad and harsh and difficult and the character likely won't come to a concrete and obvious realization leading to her happiness. This movie does not hold your hand, but it is well worth it for those willing to look deeper into their emotional history to see what it is reaching for. There are some conversations that don't land but a lot do because Juliette Binoche gives a stellar performance. This is the type of character study that most actresses wait their whole life to do, she's a volcano of emotions bubbling under the surface for the whole runtime. Her character is probably a "bad person". She dates several married men, but that does not invalidate her problems. This movie is about the idea that chasing perfection can often lead you down the wrong path in your relationships and lead to a fear of commitment. For anyone who finds it difficult to be swept off your feet and easily believe in the rest of your life with someone, this is the movie for you. If you think the title of the film is a task that is easy to achieve, maybe it isn't.
Did you know
- TriviaThis film is part of the Criterion Collection, spine #976.
- Crazy creditsClosing credits are seen over a therapy session with David and Isabelle.
- How long is Let the Sunshine In?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Dark Glasses
- Filming locations
- Paris, France(Main Location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,978,000 (estimated)
- Gross US & Canada
- $892,421
- Opening weekend US & Canada
- $39,699
- Apr 29, 2018
- Gross worldwide
- $4,192,590
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.66 : 1
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