In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.
- Won 1 Oscar
- 34 wins & 86 nominations total
Soma Santoki
- Mahito Maki
- (voice)
Masaki Suda
- The Grey Heron
- (voice)
Kô Shibasaki
- Kiriko
- (voice)
- (as Kou Shibasaki)
Yoshino Kimura
- Natsuko
- (voice)
Takuya Kimura
- Shoichi Maki
- (voice)
Keiko Takeshita
- Maid #1
- (voice)
Jun Fubuki
- Maid #2
- (voice)
Sawako Agawa
- Maid #3
- (voice)
Karen Takizawa
- Wara Wara
- (voice)
Shinobu Ôtake
- Maid #4
- (voice)
Kaoru Kobayashi
- Old Pelican
- (voice)
Shôhei Hino
- Great-Uncle
- (voice)
Nami Uehara
- Additional Voice
- (voice)
Takuya Yagyu
- Additional Voice
- (voice)
Featured reviews
Seeing The Boy and The Heron, Hayao Miyazaki's latest movie feels almost like a monumental event in and of itself. It was announced almost as a surprise with the words "Hayao Miyazaki's last movie". With this amount of hype, including the amazing reviews it's got from critics, my hype was built up to the max. The end result? Not what I expected, and that's ok!
Let's get to the positives, the animation is STUNNING. The way Hayao Miyazaki manages to build these worlds and characters is just an amazing feat, they all come alive with the colours and the movement. Another positive is the tone of the movie, I really hate Disney for trying to market this as a kid's movie, when it's not. It's got some unnerving and scary moments and themes that are not suited for kids, which is good. Hayao Miyazaki is at his best when he manages to blend the adult with the fantastical.
The actors are always amazing, I saw the Japanese dub so I don't know how the western VAs are doing but wow; they all do a fantastic job!
Now to the negatives... a huge thing about Studio Ghibli movies in general, especially the ones from Hayao Miyazaki, is that they're always by rule driven by the characters, it's their journey that's in the front. World building and narrative always takes a second place in his movies to be able to not distract from the characters journeys, big examples of this are Spirited Away and Howl's Moving Castle where the world building is built by very simple and effective means and rules. But here in the Boy and The Heron the world building is so convoluted and confusing it almost feels like he wanted it to take center stage in this movie and it's such a shame because it feels at like it's at odds with it's own main character who supposedly undergoes a deep deep emotional journey but it all finishes off in a very abrupt and unfitting send-off in the end which really confused me and just didn't feel like a good payoff.
Also the way this movie introduces characters left and right with no rhyme or reason is super confusing. Once again, Hayao Miyazaki did this very minimally in his past movies where the characters get room to be explored and to leave an impact in the story but here once again it's at odds with its own world building- it all feels very haphazard and messy. The Heron is a fun character but I don't feel like he or Mahito do or learn anything from these adventures.
Now, it may sound like I hated this movie, but I didn't. It's just that I care so much about Hayao Miyazaki movies and Studio Ghibli movies that I can't help to compare them to the movies we've seen before. And despite it not being Hayao Miyazaki's best it's still pretty good, it's very much worth a watch.
Let's get to the positives, the animation is STUNNING. The way Hayao Miyazaki manages to build these worlds and characters is just an amazing feat, they all come alive with the colours and the movement. Another positive is the tone of the movie, I really hate Disney for trying to market this as a kid's movie, when it's not. It's got some unnerving and scary moments and themes that are not suited for kids, which is good. Hayao Miyazaki is at his best when he manages to blend the adult with the fantastical.
The actors are always amazing, I saw the Japanese dub so I don't know how the western VAs are doing but wow; they all do a fantastic job!
Now to the negatives... a huge thing about Studio Ghibli movies in general, especially the ones from Hayao Miyazaki, is that they're always by rule driven by the characters, it's their journey that's in the front. World building and narrative always takes a second place in his movies to be able to not distract from the characters journeys, big examples of this are Spirited Away and Howl's Moving Castle where the world building is built by very simple and effective means and rules. But here in the Boy and The Heron the world building is so convoluted and confusing it almost feels like he wanted it to take center stage in this movie and it's such a shame because it feels at like it's at odds with it's own main character who supposedly undergoes a deep deep emotional journey but it all finishes off in a very abrupt and unfitting send-off in the end which really confused me and just didn't feel like a good payoff.
Also the way this movie introduces characters left and right with no rhyme or reason is super confusing. Once again, Hayao Miyazaki did this very minimally in his past movies where the characters get room to be explored and to leave an impact in the story but here once again it's at odds with its own world building- it all feels very haphazard and messy. The Heron is a fun character but I don't feel like he or Mahito do or learn anything from these adventures.
Now, it may sound like I hated this movie, but I didn't. It's just that I care so much about Hayao Miyazaki movies and Studio Ghibli movies that I can't help to compare them to the movies we've seen before. And despite it not being Hayao Miyazaki's best it's still pretty good, it's very much worth a watch.
I'm a huge fan of Ghibli (I even have a Princess Mononoke tattoo to show).
I have to say, this movie left me wanting more.
The beginning of the movie feels slower (and mostly coherent) but slowly devolves into a beautiful collage of animation and music. Generally, it feels like the movie is formed as a sampler of the rest of Ghibli, pulling ideas and art from other titles like Spirited Away, Howl's, and Mononoke.
By the time the story comes together in a somewhat haphazard manner, you're pretty much at the end of the movie, and the deep ideas that were to be conveyed had no time to develop. There are various decisions made by the protagonists that lack rhyme or reason because everything critical was saved for the end. I imagine if you watch the movie another 2-3 more times you might catch onto what Miyazaki was intending, but it was certainly lost in a singular conventional theatre style viewing.
Is it worth watching simply based on art and music? In my opinion, yes, but if you're expecting a Ghibli level movie, you might be disappointed.
I have to say, this movie left me wanting more.
The beginning of the movie feels slower (and mostly coherent) but slowly devolves into a beautiful collage of animation and music. Generally, it feels like the movie is formed as a sampler of the rest of Ghibli, pulling ideas and art from other titles like Spirited Away, Howl's, and Mononoke.
By the time the story comes together in a somewhat haphazard manner, you're pretty much at the end of the movie, and the deep ideas that were to be conveyed had no time to develop. There are various decisions made by the protagonists that lack rhyme or reason because everything critical was saved for the end. I imagine if you watch the movie another 2-3 more times you might catch onto what Miyazaki was intending, but it was certainly lost in a singular conventional theatre style viewing.
Is it worth watching simply based on art and music? In my opinion, yes, but if you're expecting a Ghibli level movie, you might be disappointed.
The imagery that completely stuck with me is when things overwhelm Mahito. From the frogs, to the pelicans, the warawara, the fish guts, and the parakeets. And Mahito's reaction is not even fight or flight. He stays still as if frozen and completely unable to react.
And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.
The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.
The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
I have been recently getting into Studio Ghibli films and I've been impressed. I was highly looking forward to this movie strictly because it was the first time I got the opportunity to see a Miyazaki film on the big screen. And the English dub is studded with talent.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
Did you know
- TriviaIn December 2019, the film was announced to be 15% complete after three-and-a-half years of work. Producer Toshio Suzuki explained that Hayao Miyazaki, in the past, would be able to direct seven to ten minutes of animation per month, and they had scheduled five minutes of animation per month or about one hour per year on the film. However, Miyazaki was directing only about one minute of animation per month.
- GoofsWhen a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
- Quotes
The Grey Heron: I'll be your guide.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
- How long is The Boy and the Heron?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El niño y la garza
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $46,832,867
- Opening weekend US & Canada
- $13,011,722
- Dec 10, 2023
- Gross worldwide
- $282,422,186
- Runtime
- 2h 4m(124 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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