Euthanizer

The story is a bizarre mixture of blunt-force exploration of everyday life, and disturbing behavior bordering on cruelty. Teemu Nikki manages to humanize and rationalize his dark, disenfranchised characters, while pushing the limits of likability with ease. At times hard to watch, especially for the animal lover, "Euthanizer" touches ground in experimental, exploitative states. There is balance and breath, if only slightly, in a cast able bring to life fully developed characters that feel natural.

The effects are stark, visceralmoments of realism that cause knee-jerk "look away" urges. There is dark sense that lingers over every moment that tickles at shock value simply by experiencing the events asthey unfold. The subject matter and in-your -face cruelty create the real horror.

Overall "Euthanizer" is gonna be one of those films you either like or you hate. It blends the darkside of everyday affair in arthouse fashion. The story disturbing and compelling. Characters are recognizable and easy to hate.The things you see unfold are harsh and hard to watch, but it is worth the watch

Well I thought this was a good film ,pretty stark at times.I would recommend it it you like dark sort of films .

Not a comfortable film. but an useful one. for simplicity. for dark traces. for a story about a man, his passion , options and life. a parable. or just a form of fairy tale. a film about the essence of humankind. and about choices. about pets, life and karma. and about curses . and the need of equilibrium. and about hate. against yourself. the best thing - maybe the performances. and the rhytm of story. and the details of plot. because it is a film about meanings. and answers. defining the most deep solitude. a support of reflection. about near basic things.

This is a dark short incursion into the dark side of the human nature. Veijo is a haunted older guy who takes upon himself to pay retribution to those who hurt animals, according to his own understanding of how karma works. He is fair and relentless, he doesn't make excuses and he often gives lesson to those who deserve them, in one way or another. He has his own moral code: you need to take accountability for the pain and hurt you caused others, and if you don't you must be obliged. He considers that those people who are aggressive they are lost, they don't know their place under the sun, they are lost and with no purpose or understanding of their lives, so they hurt others because they have no identity, no inner core, no resilience inside them. He takes the role of a euthanizer in his conflict with a lost soul, excellently played by Jari Virman, only to end up dealing with his own karma.

Later we find out that Veijo himself is a troubled soul, through the strain relationship with his father. Good circular script, with good lines and a strong character, well played by Matti Onnismaa.

Euthanizing a pet is a painful and awful process. Some people are wary of taking their pet to a veterinarian for this service. This is where Veijo steps in. He provides a pet euthanizing service that is outside the scope of the law as well as professional standards. Customers get what they pay for. Veijo's price is a sliding scale. The better Veijo believes the customer cares for their pet, the better the price. The toll goes beyond money and into the realm of karmic retribution. Veijo believes that people need to suffer for the pain they cause. Those who do not take responsibility for their animals are subject to biting lectures, insults, price increases, violence and other odd penalties. When it becomes apparent that Veijo's blunt, impulsive and harmful behavior is not limited to his customers, the wheels of true karma and justice begin to churn.

This dark and wacky comedy is a welcome antidote to the neutered and boring slop that pervades much of the airwaves and networks of the world. The story, characters and themes are refreshing and intriguing. However, the film could benefit from more depth and support across the board; dialogue, cinematography, plot, organization, funding and more. Seen at the Toronto International Film Festival.