After Everything

After Everything has genuine heart and strong chemistry between its leads, which makes the love story feel real and touching. The film captures the rush of young romance under difficult circumstances, and there are moments that feel honest and sweet. Still, the pacing is uneven and the character development doesn't go as deep as it could, leaving some parts feeling rushed and others dragging. It's the kind of indie drama that works best for viewers who enjoy simple, emotional storytelling, even if it doesn't always reach its full potential. For me, it lands at 6 out of 10 - moving in places, but not unforgettable.

How perfect was the first half going ... but the ending brother is very weird ...

Having been subjected to Nicholas Sparks's romantic sludge for years, I am pleased with a romantic drama that feels real and painful without hearts, flowers, or bottle messages. The brilliance of After Everything (fka Shotgun) is that writer/directors Hannah Marks and Joey Power keep sentimentality at bay while directing two fine actors, whose chemistry is astonishingly believable. It's the year's best romance.

Elliot (Jeremy Allen White), reminding me of Dustin Hoffman's Graduate look and persona, gets a life-defining diagnosis while meeting the girl of his dreams, Mia (Maika Monroe). Despite his bleak prognosis, they fall in love and marry. Of course, already the situation is unreal, but the characters are so sincerely in love that we become complicit in their seemingly skewered decision.

However, the film is dedicated to showing authentic love that sacrifices certainty for the abstract promise of everlasting love. And they love in a fetchingly warm connection that makes us forget he seems doomed to early death.

I'm not an overly-sentimental type, but After Everything is close to my perfect screen romance. It's real and touching without the dross that usually accompanies this type of drama. A date night-you bet!

Yes this general storyline has been used quite a bit lately it seems, but while not radically different this was unique enough to be intriguing. All aspects were well-done (writing, cinematography, acting, etc.), didn't try to be anything more than it is.

This movie threw all the cliches about romantic comedy/drama films out the bathroom window and started working on its own path and the result was a beautifully crafted piece of art. This is how good movies are done and this (aside from the Notebook) is the only romance movie I'd gladly watch a second time!