The Villainess

It shows that this film was written and directed by novice Byung-gil Jung, and although most of the directing was decent (some was bad), he really failed in the writing department. There were too many convoluted flashbacks that were mainly out of place. The editing was also terrible, as this film needed to be mended much better. The fight scenes where choreographed really well, and the acting was on point, especially from the lead Ok-bin Kim. Had this film been screen-written properly and most of the flashbacks organized and edited correctly, and the 129 min length trimmed down to about 90 or 100 mins, this film would have been great. Still, an impressive production that deserves my 7/10

There's a lot of similarities that can be drawn with this movie and others. There is "Hardcore Henry" which was an experimental 1st Person action movie, and definitely "Le Femme Nikita". The version I saw had terrible amateur subtitles and seemed to run 5 min short of the official release running time. Still, the movie kept my attention through out, which is more than I can say for a lot of the movies I have seen lately. There is some excellent cinematography in regards to the action sequences and they come across fluid and realistic. There is a lot of fairly graphic violence to go along with it, which I kind of liked as anything with a budget from the USA these days seems to be tame on the gore front. Its a shame it seems to be getting such a limited release given the just over 500 + ratings its had on IMDb 3 full months on from its release. Hopefully this movie will find its audience in the future.

Ak-Nyeo/The Villainess (2017):

Action Lovers definitely never misses the chance of watching any action film from South Korea.Korean Action films have huge fan following for its ultra-stylish violent sequences like The Man from Nowhere,The Chaser,Old Boy and lot others.The Villainess is one such film of 2017 where action lovers will have a treat.

Plot:

Sook-hee (Ok-bin Kim) is a trained assassin who was born to kill. She was just a little girl when the training started in Yanbian, China. After the death of her mentor, when the chance of starting a new life was given to her, she came to South Korea as a government agent. They promised her that she will be free after ten years of service. So she begins her new life as a theatre actress. But soon two men Joong-sang (Ha-kyun Shin) and Hyun-soo (Jun Sung) appear in her new life. And she started to find deep dark secrets about her past. Eventually she take matters into her own hands.

My Review:

The Villainess makes no delay and right from scene 1,it shows abundant violence which shot in POV format.the sequence tracks a lone fighter through a building full of thugs, all of whom get dispatched with bloody efficiency. Finally, the unseen figure enters a martial-arts studio with a dozen or so adversaries and a mirrored wall. Only when the camera catches the intruder's reflection does the point-of-view switch from hers to ours. For starters,this scene may make them confused with its camera angles but it really deserves applause.

After that hell of a scene,The Villainess goes in a non-linear way to reveal the past and present of Sook-hee's life and it may confuse to an extent but later it gets Ok.The major reason for the confusion is that Sook-hee's look is changed from past and present.But once the screenplay gets to the point,we can clearly see that The Villainess is same ages-old cliched revenge plot with predictable twist.

The Villainess have inventively staged action sequences, including a sword fight between speeding motorcyclists, a knife battle inside a geisha house, and another protracted single take that tracks Sook-hee as she climbs onto the hood of a moving car, leaps onto a speeding bus and crashes through one of its windows, and slaughters some henchmen with an ax before the vehicle careens into oncoming traffic.

Cinematography is so tricky but amazing at its best.Background score is an asset.Performances are amazing and especially Ok-Bin is show-stealer with her terrific performance.

SO,The Villainess is a decent action film with an engaging screenplay and amazing action scenes.A Must Watch for Action film lovers.

My rating 7/10

This movie reminds me of Batman vs Superman, fantastic action sequence, good cinematography and great score but terrible script. The movie action sequence are like Kingsman except much more brutal. The cinematography was also beautiful. However the main characters were dumb and the villains were cartoonishly evil. You could see the plot twist and the characters motives as soon as you saw the character. If the movie had a simple plot like Raid or Die Hard, it may have been spectacular but instead it tries to be Shakespearean Hamlet saga and fails.

'The Villainess (2017)' contains some of the craziest action-sequences in recent cinema, primarily because of the frenzied and ferocious nature of the camera itself. It is used as a tool to put you right in the centre of the violence, often literally putting you in the P.O.V. of our protagonist, and never strays further than a few feet away from any of the killing. As such, there is a claustrophobic and relentless feel to each and every such scene, which don't cut away until away until our lead has finished her dirty-work. Because of this, we don't get to rest until our hero does, instead being breathlessly whisked along from brutal but balletic beat to beat. All of the neck-slicing, blood-spilling, body-piling action feels guttural, given a visceral and grimy sense that only one person can survive. This runs counter to most high-concept pictures of the kind, where glossy, clean framing and shiny, pain-free choreography paint a picture of violence that doesn't really hurt and death that doesn't really matter. While death is depicted as similarly cold and callous here, each life that is taken feels painful and we're always on edge for the few people we care about. It's in both the tight and precise but scrappy and explicit fight-choreography, and subsequent blood-letting, and the down-and-dirty camera-work that the picture finds its footing as an 'in-the-trenches' and 'honest' depiction of despicable work, revenge in high-numbers shown from right up-close and watched with gritted teeth. The strongest of sequences are the opening first-person fight and a phenomenal sword-crossing motorbike chase. Both of these use impressive long-takes and hidden camera-cuts to appear as fluid as possible, with the former being an apparent 'one-shot' until its final moments. The use of small digital cameras allows the frame to go places it wouldn't normally be able, with the audience being transported into a one-on-god-knows-how-many battle or even through the wheels of a moving bike seamlessly, and it allows for a very intimate relationship with the lead and her struggle to survive. The only time a combat scene falls slightly short is in the feature's final movement, with some ever-so-slightly dodgy green-screen sky-replacement honestly looking pretty hokey and reducing the effect of the entire segment. Still, what was achieved on its relatively low budget is undeniably impressive and equally exciting. What isn't as exciting are its slower segments and convoluted, though completely understandable, plot. The contrast of its balls-to-the-wall action with its rather domestic, though still out-there and thematically appropriate, story is quite heavy and isn't always balanced too well. There are times where it feels as though the piece has switched gears entirely, with its initial intentions then coming crashing back down onto its new pace just as you're settling into it. This is conceptually appropriate but it does take you out of the film. As does the contrived plot-device used to inject tension and a proper antagonist in the latter half of the second act. This 'twist' feels as though it comes from nowhere, without the explanation afforded to other sequences of less importance, and is handled with confusion even within the narrative. Still, it doesn't ruin the plot and begins to inject some decent pacing back into the piece. It just feels like most of the picture is, or was trying to be, set-up for this moment but it happens too late for that to be the case, or for it to work successfully. On the whole, there isn't anything that isn't enjoyable about the picture. The eclectic, energetic and exciting action-sequences are a sight to behold and the flick plays with some intriguing themes, as well as having an appropriately 'strange', if slightly generic, story. It is always entertaining, even if it loses its drive and isn't quite as pacy as you'd expect. 6/10