A science fiction riff on the myth of Bluebeard, in which a young wife is admonished by her extremely wealthy, brilliant scientist husband not to enter one particular room in his estate.A science fiction riff on the myth of Bluebeard, in which a young wife is admonished by her extremely wealthy, brilliant scientist husband not to enter one particular room in his estate.A science fiction riff on the myth of Bluebeard, in which a young wife is admonished by her extremely wealthy, brilliant scientist husband not to enter one particular room in his estate.
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I watched this movie last night and I have to say it is growing on me. The more I think about it, the more I like it. I certainly agree it is slow. It's intentionally slow, but excessively so. My wife gave up on it because of this. After making it through the whole movie, here is what I like:
It has some plot twists that are unexpected, but also make sense in the context of the movie. They don't come out of nowhere and I like the backstory the twists add.
The acting, especially by the lead actress, is great. I really thought she brought Elizabeth to life.
The brooding cinematography set the stage for the confined nature of the film. It was not excessively depressing though.
Overall, not a perfect movie, but I liked it a lot.
It has some plot twists that are unexpected, but also make sense in the context of the movie. They don't come out of nowhere and I like the backstory the twists add.
The acting, especially by the lead actress, is great. I really thought she brought Elizabeth to life.
The brooding cinematography set the stage for the confined nature of the film. It was not excessively depressing though.
Overall, not a perfect movie, but I liked it a lot.
So this is something of a mixed bag: the girl playing Elizabeth herself is a model not an actress and this is noticeable right from the beginning: she looks pleasant enough standing still but she moves at all times like she's on a catwalk and tends to blow the illusion of whatever scene she's in whenever she starts to talk.
As the movie progresses though, and the first reveal occurs, this starts to seem like it might actually work to the story's advantage. There was another well-known film three years back which I won't mention for fear of spoiling, but it covers some of the same ground and takes one to a similar place but this one doesn't raise any of the same questions or emotional responses, which makes it a much less worthwhile experience.
Ciarán Hinds is good as always, along with Carla Gugino, but Matthew Beard is noticably weakest of all. On top of this there is some odd, clumsy editing, with too many scenes just awkwardly fading to black and slowing down the momentum.
So the film really has one foot in compelling sci-fi and another in bad B-movie drama/ TV soap opera. It's a good premise, though not really original or examined enough to feel groundbreaking, revelatory or even particularly memorable, and after the first twist there's no real point to the story and no interesting place for it to go. It's definitely watchable but largely pointless, and you'll never choose to watch it again.
As the movie progresses though, and the first reveal occurs, this starts to seem like it might actually work to the story's advantage. There was another well-known film three years back which I won't mention for fear of spoiling, but it covers some of the same ground and takes one to a similar place but this one doesn't raise any of the same questions or emotional responses, which makes it a much less worthwhile experience.
Ciarán Hinds is good as always, along with Carla Gugino, but Matthew Beard is noticably weakest of all. On top of this there is some odd, clumsy editing, with too many scenes just awkwardly fading to black and slowing down the momentum.
So the film really has one foot in compelling sci-fi and another in bad B-movie drama/ TV soap opera. It's a good premise, though not really original or examined enough to feel groundbreaking, revelatory or even particularly memorable, and after the first twist there's no real point to the story and no interesting place for it to go. It's definitely watchable but largely pointless, and you'll never choose to watch it again.
Elizabeth (Abbey Lee) is the new trophy wife of rich, older Henry (Ciarán Hinds). He carries his new bride over the threshold of his high-tech remote hilltop manson. Local cop Logan (Dylan Baker) is his close friend. Claire (Carla Gugino) and Oliver (Matthew Beard) are the two caretakers.
The first hour is a good Black Mirror episode. That's what this should have been. The flashback revealing the origin of Elizabeth is mostly unnecessary and slows the pace down too much. The second half could have been compressed with a more thrilling climax. There is a definite decline in tension after an important midway incident.
The first hour is a good Black Mirror episode. That's what this should have been. The flashback revealing the origin of Elizabeth is mostly unnecessary and slows the pace down too much. The second half could have been compressed with a more thrilling climax. There is a definite decline in tension after an important midway incident.
"Elizabeth Harvest" is an intricate indie thriller which does a great job at building up suspense and unease throughout.
We are introduced to Elizabeth (Abbey Lee) a beautiful new bride, being taken to her new high tech home by husband Henry (Ciaran Hinds). She meets the housekeeper, uptight Claire (Carla Gugino) and the blind, flower picker Oliver (Matthew Beard). As she tours the grand home, one room in particular catches her eye to which Henry forbids her from ever entering. Shocking discoveries and dark truths are what lies past the frosted glass door, but will Elizabeth enter?
Abbey Lee has had small bit parts throughout the past few years and so I was surprised at how great she was in the movie, although the British accent falters somewhat (she's Australian), she maintains our interest as the lead character. The rest of the performers are all on fine form too.
Quite a few twists and revaluations happen quick and fast, and these kick off pretty quickly actually (after the first 30 minutes). Overall, I'd recommend this indie thriller.
We are introduced to Elizabeth (Abbey Lee) a beautiful new bride, being taken to her new high tech home by husband Henry (Ciaran Hinds). She meets the housekeeper, uptight Claire (Carla Gugino) and the blind, flower picker Oliver (Matthew Beard). As she tours the grand home, one room in particular catches her eye to which Henry forbids her from ever entering. Shocking discoveries and dark truths are what lies past the frosted glass door, but will Elizabeth enter?
Abbey Lee has had small bit parts throughout the past few years and so I was surprised at how great she was in the movie, although the British accent falters somewhat (she's Australian), she maintains our interest as the lead character. The rest of the performers are all on fine form too.
Quite a few twists and revaluations happen quick and fast, and these kick off pretty quickly actually (after the first 30 minutes). Overall, I'd recommend this indie thriller.
I am not sure why this movie has received such a low IMDB rating. I got hooked from the very first scene and since then it was a quite intense ride indeed. There was never a moment I felt bored. I especially found cinematography, editing, and score really fascinating. Setting of the movie in an isolated location only adds to the intrigue of the story. Beautifully done thriller all around.
Did you know
- TriviaThe main couple's names are Henry and Elizabeth, the names of the main couple in the 1931 "Frankenstein". The other woman is Claire; Mary Shelley's stepsister was named Claire.
- How long is Elizabeth Harvest?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Chân Dài và Ác Quỷ
- Filming locations
- Colombia(end credits)
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Box office
- Gross worldwide
- $4,973
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 2.35 : 1
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