Chapter Eight: Know Your Truth

This was such a great finale that both wraps up the arcs and storylines of the season while also promising more by working as a setup for whats to come!

I honestly think Barry and his character-arc was the highlight of the season! Very satisfying to see him go from a guy who didn't know what he wanted or who he was, to realising you have a choice to live the oife you want to live! The previous episode was a turning point for him! He has been killing people for so long and now he rxperiences consequences! He wants to change even if it is difficult!

The show once again balances light stuff with dark stuff very well! You get all kinds of emotions! I am very excited to see where we go from here!

I am quite surprised that a show such as this has as good a story as it does. From its premise and comedic presentation, I didn't expect such a deep character study of Barry the reluctant hitman, and certainly not to have my emotions wrenched in this rather spectacular finale. Yet, I am more than happy with the outcome, brought to fruition by Bill Hader's excellent performance and the vision of Alec Berg. I definitely think this is the best role that Hader has ever played, though granted I have only seen him in his big screen work and comedies with Seth Rogen etc. The supporting cast are fine, especially Stephen Root and Henry Winkler, but this is unquestionably Hader's show and he drives it well.

After the dramatic climax of Barry's last mission, he obviously reached a point where he had to take serious action to ensure his own peace of mind and even his life. I find the trope of the 'unkillable hitman' who is the master of any situation quite trite usually, it's my main problem with the John Wick franchise, but Barry subverts this by including it as a gag initially and as a curse for Barry towards the end of the season. It's not that he can't get out of a fight, it's that he mustn't get into a fight, for fear of destroying the new life and passions that he has found, and really, that's what the show is about. It's a great balance of comedy from, at first, stereotype characters who you do grow attached to throughout the season, and the drama of Barry's character and the duality of his life. As the story has been leading up to this, the finale shows us the aftermath of Barry severing his ties to his old job (I know we've been shown glimpses of a 'future' where Barry has a child, but I think we still need confirmation on whether all that was a dream or not). Everything seems to be going perfectly, capitalized upon with a hilarious scene with Winkler's Gene Cousineau singing, but the writers cleverly factor in a subtle mention of an earlier scene in the presence of Gene's new police girlfriend that threatens everything Barry has worked for.

I thoroughly enjoyed this finale, and I will soon be delving into the second season. It's clear to see there's a lot more to be said with the story and the new dynamics of the characters, and I have no doubt that that will produce some quality developments. Looking forward to seeing new characters added to the mix, also. Besides that, there's not really all that much to be said without spoiling the finale, which you should watch if you haven't already. I'll see you at the end of Season 2.

What a season finale wow. Looking forward for season 2

Though "Barry" has been on my radar for a while, it wasn't until the third season came on up the Guardian's Top TV of 2022 that I was inspired to actually start it. Naturally, we went and began with the first season, which actually aired all the way back in 2018.

Formerly a US Marine, but now working as contract killer, Barry Berkman (Bill Hader) arrives in Los Angeles to execute a job for the Chechen mob. He follows his target to his acting class, and inadvertently becomes involved. Despite his poor performance, he finds in acting a satisfaction that isn't coming from other areas of his life and is smitten with fellow student Sally (Sarah Goldberg). He stays in L. A, and begins to attend the class, but his ties to the local gangsters and the bodycount from his real profession constantly threaten to expose him.

I really liked this first season of "Barry". It helps that I like shows and films about filmmaking and those, even tangential, links to other movies and TV productions is a factor I enjoyed here. They're not essential elements, though as "Barry" was, for me, a very funny black comedy, that married its great performances and occasional grim moments with some absolute belly laughs. Hader and Goldberg are both great and I really like that the show is not about a bad, or clumsy, hitman, like it might have been in lesser hands. Barry is reasonably proficient at this job, but it's his desperation to get out and make some proper connections that cause him to make several tactical errors.

The best humour comes from a triumvirate of co-stars though, I really liked Anthony Carrigan in "Gotham" where he was often sardonically funny and given the opportunity to be more traditionally funny here, he's great. Stephen Root, a comedic actor whose never got the recognition he deserves despite the career of brilliance is again...well... brilliant as Barry's handler Fuches. One perhaps stands above all though, Henry Winkler has proved a versatile comedic actor since his days on "Happy Days", but I don't think he's ever been better than he is in this as Gene Cousineau, who runs the acting class that Barry joins. So much great character work, and delivery of excellent lines ("Equal parts loud and wrong"), it very much deserved the Emmy he won.

I understand that I've timed this pretty well, as there are two more seasons to watch before the fourth and final begins this month. Can't wait.

So, when I began watching this show earlier today, I did not expect to end up watching the entirety of the first season in one day. But right from the get-go, I was interested in knowing where the characters would go, and I can honestly say that I did not get disappointed seeing what happened to them. "Barry" has proven to be one of the most infectious shows on TV at the moment, and it became hard for me to turn it off and do something else. Now, I've finished the first season, and it truly ended on a big high note for me personally.

Many people have said that the show changed over time and went away from the dark comedy aspect that it had to begin with. I couldn't disagree more. The satire never left the show, which was especially visible in the show's seventh episode, which did a great job of balancing the heavy drama with the funny comedy, creating a hybrid that offered a lot of dark humor. This episode did that as well. Alec Berg and Bill Hader are very twisted people if we go from what we've seen in the show. Whether it's a mob enforcer making a guillotine instead of just killing his victim, or Barry playing the police by embracing a stereotype, this show is not afraid of being satirical in a way that's very refreshing. Doing that over and over can easily become old, but the show is able to keep it fresh by putting a new spin on it every time. There's never a dull moment when these are characters are involved. Also, the characters have changed a great deal, but it's all growing through the performances that the actors are giving, and I have to give huge credit to Bill Hader. To be as funny as he is and play the character as the most straight person in the whole show is why his character comes across as so funny, so I appreciate Hader for subduing himself here and giving a performance that's really changing his image and showing that he can do everything when it comes to comedy.

"Chapter Eight: Know Your Truth" was a great chapter to close this season. It left off on a huge cliffhanger, but it was mostly dependent on its storytelling to tie up the loose ends left over, and it was all done through great writing and great acting, with Hader just killing it in this episode.