Man in Camo

We all know our friends for who and what they are, but never really get the whole story. We share things about ourselves but sometimes forget little details. It's not that we mean to, it just happens. To see a film with someone who is so enveloped in their medium, it was hard to miss out on anything happening in Ethan's life. This film is honest, poignant, and highly entertaining. The style is unique, and whether you know the director personally, or simply being entertained by this film, you reflect on the stories in your own life. You don't have to make it to the top to have some one else write out inaccuracies in your autobiography, you can be just as extraordinary and share some truths with a dash of cinema magic. Can anyone pull it off the same way he did? Probably not, but cheers to Mr. Minsker for paving the way and making his mark in film.

Man in Camo is a raucous explosion of multimedia and gorilla filmmaking. It is also a touching, introspective portrayal of one man's journey from angry punk rock kid to doting father, that lays bare the struggles of an independent artist trying to live his truth and support a family at the same time. If you're a child of the 80s who still looks in the mirror and wonders if you should get a new tattoo or if you ought to dye your greying hair blue, you will relate to this film.

This film as a whole is an incredible visual spectacle, with its usage of its various multi-media creations to form this clear picture of who Ethan Minsker is. While I think slightly self-indulgent at times, it makes sense given the nature of the project, and it paints this very proud and confident picture of the type of artist that Ethan is. It completely justifies its run time and always stays so fast and interesting, never leaving a moment without some animation or music to fill the gap. There's such a scope to Ethan's work that by the end there's no way you won't be a fan of at least some idea of visual presented here.

I had the pleasure of seeing this film at The Gorst Underground Festival. I found this documentary, (which is Ethan Minsker's telling of his own story; his life, his art, his creative process, and background) original, inspiring, and thought provoking. This story/documentary, is not told in any kind of traditional way. It is not linear. There is a lot of material involved here, and the work has depth. The artist has done some intriguing self-examination, especially into the way his own mind works and creates. An inspiring and encouraging story for any artist and/or creative person.

It's hard to write a spoiler-free review of this film because as soon as you say "Ethan Minsker," you've given away a huge part of the story. Ethan has been at this for a long time-since he was a kid in many ways. At what? Filmmaking, rebel-rousing, DIYing, punk rocking, zinstering, and making, making, making. He's made a lot of movies over the years and finally made one about himself; he's earned it.

I'm a fan highly-specific stories that reveals the universality of our experience. Man in Camo is part biography, part manifesto, part self-exploration. I firmly believe everyone has a story to tell, but not everyone has the means (or gumption) to tell their own. There's a cautionary tale in here somewhere too, written and read between the lines. You don't have to be from New York to get something out of this-you don't have to be a writer or director, and you don't have to be Ethan Minsker.

We did a special screening of this film at our fest (Vidlings & Tapeheads Film Festival 2018, Hamtramck, Michigan). Ethan came out and led a robust Q&A after the film and the audience, strangers to Ethan's work, stuck around well past the alloted time and were fully-engaged throughout.

Frenetic editing, visually rich with about three dozen different animation techniques employed to liven up interviews and interstitials, Man in Camo is Minsker using everything he's learned in his life to tell the story of his life-celebrating his passions in the medium(s) of his passions.