The Accountant 2

7/10. The Accountant 2 serves as a worthy sequel. Leaning more into brotherly banter, tighter action, and plays into a lighter and humorous tone.

The plot and character arcs, much like the first, leave a lot to be desired. The story isn't as convoluted as the first but still gets murky. The villains are one dimensional, generic, and quite forgettable. Sadly, Anna Kendrick doesn't return.

The film heavily relies on bringing Jon Bernthal into a bigger role and it works. His strained relationship and funny lines with Affleck are the heart of the movie. Crazy stuff always happens when Bernthal and Affleck show up. Their actions scenes are fun to watch. They are brothers who are trying to get along and get past their messed up childhood trauma. This results in the humor being less dry; for better or worse.

Ben Affleck again does a splendid job in his role as a Aspergers man with his different tics and mannerisms. He is smart, nerdy, and a killing machine. Yes, the Hollywood portrayal of Asperger's is kind of cliché for the sake of the plot. Not all of us are genius computer hackers. Or killers for that matter. But the film did a respectable job with depicting the thinking, psyche, and social struggles on a personal level.

I think Ben got the weirdness down well by being around Matt Damon for too long. Haha, just kidding Matt, you're great. In the one trillion chance you read this, please don't be mad.

Thank you, Regal Cinemas, for showing this early on Tax Day. No, I didn't see this at a film festival but that would have been awesome. (Hint, hint). Ben Affleck awkwardly line dancing was very hilarious. Kudos to suggesting the band play a Metallica song.

Ben Affleck's portrayal of Christian Wolff in The Accountant 2 feels noticeably different this time around. His character's autism traits seem more exaggerated, which comes off as a disservice to the subtle brilliance of the original performance. The addition of more overt comic relief also feels jarring and out of place-it shifts the tone from the gritty, tightly wound thriller of the first film into something less focused. That said, there are a handful of scenes that are exceptionally well shot, with crisp choreography and dark, gritty visuals. Ultimately, the film struggles to balance its identity, wavering between serious character study and action-comedy hybrid. It's watchable, but not nearly as satisfying as the first.

Now understand. I absolutely love the original Accountant. This second one has horrible writers!!! The story drags alot in the film. The combat and most of the fight scenes are absolutely horrible. The comedy is ok. But, damn... did none of the original writers come back to make this film. I am so disappointed. It was like a lot of amateurs were brought in to make this film. I was so anticipating the release of this movie only to be massively let down. I know Hollywood is gone to garbage, but come on people. Don't low ball a sequel to an awesome film. I do not recommend this film at all. Blah.

I really like The Accountant. It dared to change the action movie lead role with an autistic character, providing a very interesting role. How would the combination of strengths and weaknesses that The Accountant's condition play out in the dangerous world of international criminals and hitmen?

It was this combination of obsessive/compulsive need for order and completion, combined with an inability to empathise or understand social interactions, that made Affleck's character, Christian Wolff, so interesting.

In the sequel, the writing is not as focused on Affleck in the same way. Instead the focus is on the relationship between him and his brother (Bernthal). While well acted, this simply does not have the same appeal. The movie shines when Wolff's neurodivergence is front and centre, but otherwise it feels like any other generic action-thriller (albeit a well-done one).

The Accountant 2 opens with tired beats and immediately falls into formula. The writing is weak, loaded with bad cop movie tropes, flat exposition, and attempts at humor that land with a thud. Cynthia Addai-Robinson's performance is especially wooden-zero chemistry, no urgency, and completely lifeless delivery. The score sounds like stock suspense cues pulled from a bargain bin, draining scenes of any weight. Ben Affleck's portrayal of Christian feels like a caricature of a character, not a person. Jon Bernthal is the lone bright spot, managing to bring grit and humanity despite the clunky lines. Slick on the surface, hollow underneath. 4/10.