Tales of the City

I had alread red the Tales Of the City books at least the first 5 or so, and lived in the Bay Area in the early 80s when the books were being published to my then delight. So these remarks are from an oldie.

The Netflix 2019-extensions of the Tales Of the city saga is ten hours of uneven yet satisfying setup for perhaps another future generation of tales.

It's presented in the form of a whodunnit (whoisdoingit) plot with a some wrapping up of previous loose ends with new characters to carry it forward. Seems each episode has a different writer so the intensity varies between episodes. Superficially it's just the same old nonsense as the previous series, but this time with a slower pace and with current obsessions and topics. Mr Maupin makes a cameo as usual.

Nice that the Gene Compton's cafeteria event gets attention, no doubt will bring that to international attention.

My initial reaction was distaste at episodes-1 and 2. I wanted to dislike this effort out of imaginary respect for the old characters. I did not immediately like the new younger characters until later in the series.

Despite the dodgy timeline (Michael Tolliver is portrayed as 54 when 64 might be more consistent with the books ) and the initial difficulty of accepting the new younger characters, it won me over. Some scenes dragged however. Episode-3 dinner scene was intense, as was a young character rifling though an older character's 80s address book with most names crossed out, a familiar agony for my generation.

Nice musical background too.

In short schmatltzy magical soap for millennials and nostalgic oldies.

Having read all the books several times I was looking forward to this series on Netflix. I'm so glad Olympia Dukakis, Laura Linney, Paul Gross and Barbara Garrick came back. Shame one of the original 'Michael' actors didn't return. The story was ok but hardly resembled the story in the last 3 books that would be appropriate for the passing of time for the characters. Anna's flashback story was a good addition however but the ending was quite underwhelming. I feel that it missed an opportunity to tell the real story of the characters as there was a wealth of story available from 'Michael Tolliver Lives' 'Mary Ann in Autumn' and 'The Days of Anna Madrigal' to make a brilliant season. Shame they got the timing wrong! Michael and Mary Ann should be in their 60s now! It would have sat better if it was set in the late 90s yearly 00s.

Also a shame they didn't keep the original theme music. It would have helped to retain some of the magic of the original. Netflix seem to have aimed the series at a new audience but forgetting the existing fans of the books and first 3 series.

A good watch that filled a rainy day.

We wait now for the next book by Maupin about Mona as he announced on Radio 2 last week.

I really wanted to like this series and went into it with a very generous, open mind because it's the sort of series I tend to enjoy. Unfortunately the weak writing, wooden acting, constant cliches and cloyingly over-sentimentalized tropes made it really difficult to love.

I did stick with it in hopes that it would 'get better' but unfortunately it never did. A real shame because the idea had potential but it felt more like a bad after school special than a ground-breaking diversity story. It actually feels dated (in a bad way) and it's from 2019.

I gave it 7 stars because there are so few LGBT-friendly series out there I just didn't have the heart to give it less, but if I was being more honest it really doesn't deserve much more than a 5 or 6. While it does have some charming moments, it's too cutesy and devoid of grit to be truly ground-breaking.

I thought this production was done well and was really poignant, although at times the acting was a bit contrived. However, speaking as one who was born and raised in The City, I found this to be very "San Franciscan"... the gay, the straight and the in between. I found myself getting nostalgic and teary eyed, especially with the night scenes from the roof showing North Beach....I could just feel and smell that night air. All in all, enjoyed it.

The acting by the primary cast alone is nearly enough to completely carry this update - but not quite. Where the original adaption was a solid story about the lives of a group of diverse personalities, this one buckles under the weight of its own political correctness. Each time a character is introduced, I can practically see a checkmark over their heads. The 1993 adaption was about people. The 2019 adaption is about types.

Still, it does have its positives. Episode six is a real standout. It takes an honest, critical look at the same political correctness it spent five episodes building up, and the series picks up a bit from there. And it was nice to see a different side of Brian. More mature and responsible, but still has a bit of that womanizing player shinning through.

It's just too bad that it didn't really find its footing until midway through the season. Had it hit its stride much earlier, it could have gone from middling and okay, to, well, fabulous.