Gone Baby Gone

This SVU episode marks the last appearance of the Blue Lagoon girl Brooke Shields on SVU. She came into the squad's lives and particularly Mariska Hargitay's life as the blood grandmother of baby Noah who Olivia Benson adopted after her mother died.

Baby Noah is snatched out of a department store and the squad goes on high alert as they would do if the case involved one of their own.

I agree sadly that it's obvious from the gitgo who snatched Noah. Still the tension is kept at a most high pace.

The Sheila issue had gone too far for Svu style. I think it was to prepare this episode. Now, it's good that she made the final.

Coercion is like a script. Because I couldn't understand grandmother's risk of kidnapping a police mother's child. That's why the chase and excitement of the squad didn't sound very sincere.

No matter how well the Olivia, Sheila, squad played, the writing remained raw due to poor writing.

Good point. It's a moving episode. We love Olivia's and Svu's chase and thrill scenes.

And the most beautiful and intimate scenes I remember for this episode are the scenes with Rafael Barba.

As a result, Sheila Porter went down in history as Svu's most innocent bad person.

The main idea was good, but it could not reach the audience because the writing was weak. Good people do really bad things in this episode.

There are too many cases of kidnapping a child by his own blood or a guardian. We follow this topic... in the heart of Svu, the story of what it would be like... when it happened to Olivia. As Olivia said, she told every family to stay calm. But when she came to herself, she went crazy.

Although Sheila Porter is a good person, she has already done bad things by kidnapping her grandchild.

Olivia, on the other hand, is not left out of duty with her maternal instinct. She commands high with her position. She makes it tough she.

Sheila deceives a well-behaved immigrant. She makes herself an accomplice. The immigrant family keeps a secret.

Rollins and Carisi put pressure on the immigrant family. Carisi, they are making legal threats. Rollins slaps the man, trying to arrest the man's daughter.

Fin distracts Dodds, the police chief. He looks out for his co-worker Olivia. He actually pretended to believe it at Dodds.

Barba pressure a lawyer.

Everything is for a innocent little child. Everything and everyone does this to be part of a family. Everything is done not because it is right, but according to what should happen in an emergency. That is, it is done according to the general opinion.

This is also the case when the hero of the story is only male. This is also the case when the hero of the story is only a woman. It is the partnership between men and women that takes the story to the real truth, it is cooperation, it is be team work. Neither woman alone nor man alone can reach the real pure truth.

Brook Shields absolutely jumps off the screen reminding us what an AWESOME and sadly underrated actress she has always been. What I liked about these episodes is how it highlights the tendency adults have in making a child nothing more than a cookie. Both Sheila and Olivia were more concerned with possession than they were with welfare. Olivia was initially completely dismissive of the fact that despite what she thought, Noah had biological family (something she probably would have discovered had she not used her job connections to circumvent the adoption process and basically get an immediate adoption). Sheila was completely dismissive of the fact that Noah's norm was Olivia as his mother. Is Olivia protective of Noah because she loves Noah or because she just wants a child so bad (which would explain why she wouldn't have done like a normal citizen and gone through the formal adoption process)? Is Sheila just trying to keep her lone family member in her family or is she trying to use Noah to right her wrongs with Ellie? Both of these adults had ulterior motives. That's what made the episodes so intriguing. Both exhibited genuine love for Noah; but he comes off as nothing but a prize to both. GREAT WRITING IN THESE!!! Only reason a 9 instead of 10...It was too obvious who was behind the kidnapping.

You'd guess from the first minute who took noah, nevertheless, it's a good episode

Following on from where the previous episode "Intent" left off, "Gone Baby Gone" did sound tense and was very hyped up. From the looks of how it was hyped, it did look good and had the makings of a great episode if done well. Did have a little bit of doubt though, as any plotline surrounding Olivia and Noah has never entirely worked and Olivia's personal life generally in Season 19 was rather soapy (though to a varying degree). Did like the episode a lot on first watch.

"Gone Baby Gone" was a very good, in fact nearly great, episode on rewatch as well. To me, it's among the best episodes of Season 19, being one of the few to be above good (as well as the first above good one of the season) and definitely the best of the nine up to this point of the season. Not a show high point, but did find myself liking it a lot on both watches when rewatching the whole season recently and seeing many great aspects that helped make it a nearly great episode.

There are a couple of things that stopped "Gone Baby Gone" from being great. The person behind the abduction was too obvious too early, suspected them straightaway actually.

Did think that the way Noah was found was too easy.

However, there is a lot to recommend. Immediately standing out is the uniformly strong acting. Brooke Shields does panicked and obsessive so well and Mariska Hargitay excels brilliantly at being steely and vulnerable that is reminiscent of early seasons Olivia. The case is exciting, with gripping twists and turns that aren't too obvious and a tight pace. Nothing is too dull or too relentless and there is a lot of nice suspense early on.

As well as some striking character moments and interaction. Loved seeing Barba so sympathetic and he and Olivia interact so well together. Fin is amusing, the exchange between him and Dodds and the insult he says after made me smile. The production values are solid and the intimacy of the photography doesn't get static or too filmed play-like. The music when used is not too over-emphatic and has a melancholic edge that is quite haunting. The direction is accomodating yet also alert and here the writing is concise and has enough meat while not having too much fat.

In summary, very good. 8/10.