The Occupant

Starts bleak and this theme continues all the way through. Depressing with a weak storyline. At times events seem random and irrelevant. Theres a random character thrown in half way through for some reason. Such a slow film. Very whimsical with a very anticlimactic ending. Save yourself the bother and don't bother.

This film had a decent foundation as well as its concept, but The Occupant falls for the oldest trick in the book when it comes to a science fiction film and that's when they relegate it for filler near the end. Instead its a survival story with a character facing a predicament both physically and figuratively.

Survival stories are usually exciting because you watch a character struggle and dig down deep to survive precarious oppositions and get back to civilization in one piece.

Our lead actress Ella Balinska does try her hardest but her character isn't very interesting on the page, other than the usual guilt riding characteristic. It is also quite slow paced and for a film clocking in at about 100 minutes, it means it could easily have been trimmed in the editing department.

It is however a beautifully shot film from Dutch director Hugo Keijzer, The musical score from Renger Koning is pretty solid as it adds to the film's overall vibe. When you finally get to the pinch of sci-fi this movie holds in the third act, it is enjoyable but too little too late.

Was really hoping for a much better and stronger film, but sometimes you get shortcomings.

Firstly, if you're looking for a sci-fi movie, this isn't one. I'm bewildered why it would be marketed as such. If anything, it's a wilderness survival movie, where every calamity that occurs is a result of the character making immensely dumb decisions. It's a movie that deals with guilt and mourning; but for no coherent reason and in a completely over-the-top manner.

Without giving spoilers, the movie is essentially just a string of glaring plot holes linked together with over-acting, ludicrously 'tense' music, and ridiculously inappropriate sentimentality. It's completely incoherent, and that does nothing to engage the viewer.

This is a huge miss. Don't waste 105 minutes on it.

Hugo Keijzer offers us an interesting film that focuses on intrigue with science fiction overtones that immerses us in a personal reflection on letting go.

Starring Ella Balinska as Abby, a guilt-ridden geologist and engineer in transit from her remote mission, she survives a mysterious helicopter crash and must try to escape the harsh environment. But she's not alone . The film is a slow-burning thriller that takes its time between metaphors and science fiction to give us a well-crafted film that manages to hold our attention thanks to its perfect photography by Robbie van Brussel and its locations, in addition to the good work of its protagonist who completely surrenders to the drama her character is going through.

Its director is clever at blending the various genres at his disposal. While the film isn't verbose and has its lesser moments, it manages to deliver a story that captures our attention and makes us understand the final reflection proposed by its script, with an emotional final stretch. The great strength of the film's proposal is the multiple reflective layers with which the film weaves together this slow-burning story, while still keeping you attentive to everything happening on screen.

A rather interesting international effort that manages to deliver some good moments in a film worth giving a try. Well directed, well acted, and with a story that remains interesting, despite its simplicity. This thought-provoking journey and a harrowing premise make for a well-crafted survival thriller.

I went into The Occupant (2025) completely blind - no trailer, no synopsis, no expectations. Unfortunately, it didn't matter. What followed was a dull, lifeless experience. The film clearly wants to be clever and cerebral, but instead it's painfully slow, uneventful, and lacking in any real tension or payoff.